Lukabulla wrote:
I see all these new expensive cameras ..
especially the four thirds etc and notice how
ugly they look ..
Brutal designs , harsh square lines and corners.
Plastic looking ... dont look like high quality cameras at all .
Panasonic , Sony , Fuji .. are the worst .
They look ' cheap and nasty ' but are ' Expensive and nasty '
The DSLR so far have kept with good traditional lines ..
Excuse my blunt disgust, but who the hell buys a camera because of what it looks like?
I buy technology for function, first. Form follows function. Good technology gets out of the way of its use and its user and just melds with the users brain during use. That means the controls and menus are properly placed, well structured, quick to set, and rich in features. It means a long time in hand before fatigue sets in. It means you can keep it to your eye without having to look for a control.
I've use nearly 20 brands of camera since the 1960s. I didn't give a damn what ANY of them looked like. I cared a LOT about what I could get from them.
The two classics that stand out are the Nikon F3 film camera and the Panasonic Lumix GH4 hybrid digital video and stills camera. They feel very similar in my hands, they do EXACTLY what they are designed to do, they are rugged as they need to be, and they did and do what I asked of them.
The F3 was the first Nikon F-series camera to get rid of all the niggles in the F and F2 series. I have an FTn, and as classic and literally bullet-proof as it is (
https://www.flickr.com/photos/martsharm/4683329492/in/photostream/), it was among the most poorly designed from a functional point of view. Ask any living photojournalist from the 1960s and '70s... "The shutter release strains the index finger. The removable back is awkward to deal with when changing film. The meter finder is a dust magnet." The F3 cameras added a hinged back, moved the shutter release forward, and re-engineered the finder to FIT.
The Lumix GH4 was the result of Lumix engineers getting together with professional photographers and filmmakers all over the world, to find out what they wanted in a truly hybrid camera — one that could film a documentary interview on Monday, a product stills photography session on Tuesday, and a 48-Hour Film Project short on the weekend (I've done all these with it). They put 4K in a hybrid camera in 2014, before anyone else.
The Lumix GH6, introduced just last month, is an evolution of the GH4 and GH5. My kid has a GH5 we use to make short films (along with his twin's GH4 and my GH4). I will probably get a GH6 soon after Adobe provides ACR support in Lightroom Classic, Lightroom, Bridge, and Photoshop.
https://www.newsshooter.com/2022/02/22/panasonic-gh6-review/https://www.youtube.com/watch?v=hiS-gt2V2lEIf anything, these cameras are as rugged as the cameras I used in the 1980s. The GH cameras have die-cast magnesium alloy chassis, just like the Nikon F3. They are dust sealed, weather resistant, freeze-proof. My GH4 has never overheated on 96°F days in bright sun, recording for over an hour continuously. It's been in three downpours, one of which caught me half an hour from my car, on a trail. I wiped it off and kept filming.
So keep the uglies coming, folks. I'm sure users of every other brand will jump in and defend their camera's ugliness as irrelevant to why they bought it. We use these tools for fun and profit. Do I buy a wrench because it looks like jewelry? No. I might buy a car IN PART because it looks good, but frankly, that has never been my interest. Cars are holes in the road we throw money into, and I'd rather throw money into a camera body I'll USE, or my kids' futures, or my retirement account.