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ISO vs ASA
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Feb 25, 2022 10:32:50   #
JD750 Loc: SoCal
 
worldcycle wrote:
Ahhhh, excuse me, In your response, somehow I have now been quoted as the one who has stated "Tony Northrup is a total buffoon."

If you read my two posts prior to this one, in not one have called anyone a "buffoon". To read back, it was an individual by the screen name of Yasarex who stated that and somehow now it has been attached to my response thanking all for their input on my topic.

Just to clear the air.


OMG it was Yaserex who said that.

Yaserex’s posts never quote correctly, I screwed up when adding the quote delimiter.

I’m sorry that it appears you said that when you did not.

I have requested that admin remove my post.

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Feb 25, 2022 12:05:42   #
Ysarex Loc: St. Louis
 
JD750 wrote:
Yes and that’s rather the point. Over two stops of difference using the same settings, with 3 different cameras. That’s what he meant by fake, it’s not a standard that works for us in the way we use cameras. If you used ISO 100 film in 3 cameras, took photos of the same scene, same light, same settings, (fstop, focal length), would you see 2 stops of difference due to 3 different rolls of film? Of course not.

Nowhere in Tony's video does he claim or demonstrate a two stop difference yet alone an "over" two stop difference. So you're just making that up or you missed what he said?

"If you used ISO 100 film in 3 cameras, took photos of the same scene, same light, same settings, (fstop, focal length), would you see 2 stops of difference due to 3 different rolls of film? Of course not." But you could easily see as much as a 1/2 stop difference due to 3 different rolls of film especially if different film types.

Tony never identifies the first camera he used in his test. I don't have an Olympus camera but I do have a Fuji camera. Let's do Tony's test then using my Fuji XT-4 (same sensor as the XT-3 Tony mentions) and a Nikon Z7.

Critical to doing this right is to use the same lens on both cameras. Otherwise you can have a 1/3 to a 1/2 stop exposure difference from the f/stops in two different lenses. And Tony knows that which raises some questions about what he's doing in that video. He should know better.

I used the same physical lens (35mm f/2) at the same f/stop on both cameras. Both cameras in full manual with standard picture controls and I saved camera JPEGs. In the first illustration below you see the Nikon and Fuji JPEGs side by side and the Fuji JPEG is 1/2 stop darker. To verify that I put the NEF into NX Studio and applied a -.5 EC to generate a new JPEG and placed that side by side with the Fuji JPEG in the second illustration.

That 1/2 stop difference (not over two stops) is expected. The camera manufacturers have told us to expect it and it's written into the ISO standard. (The ISO standard was written by the camera manufactures via CIPA). They decided to give themselves two different methods to determine ISO values for their cameras and wrote that into the international standard. The standard requires that they tell us which method they're using and they do -- it's in the EXIF data. Nikon cameras use the REI method to determine ISO values and Fuji cameras use the SOS method. There's about a 1/2 stop difference between them. Exactly what my test below shows.

Going back to Tony's video, he makes no mention that our cameras use one of two different standards that produce about a 1/2 stop difference in ISO values. Not once does he mention REI (Relative Exposure Index) or SOS (Standard Output Sensitivity). He should know better. Especially if he's going to suggest that their just making it all up arbitrarily. The differences between cameras that he shows in that video can be explained by his seemingly using different lenses and comparing an REI camera with an SOS camera. Olympus uses the SOS standard and I'll bet the first camera he used was REI.

The camera makers are pretty consistent with the standard as it's written. Those of us who have different brand cameras might wish that the camera makers hadn't given themselves the option to use one of two different methods to determine ISO values and that there's a minor difference between them. But they're not hiding that fact. They've told us. I have cameras that fall into both camps and I manage to get along with them just fine.





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Feb 25, 2022 12:19:43   #
Picture Taker Loc: Michigan Thumb
 
When you find the auto settings are not what you want on a camera, and if it is consistently unsatisfactory you can adjust the + of - on your camera or replace your camera.

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Feb 25, 2022 12:55:30   #
worldcycle Loc: Stateline, Nevada
 
Wow, it seems as if I have certainly stirred up the hornets nest here.

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Feb 25, 2022 13:06:31   #
Ysarex Loc: St. Louis
 
worldcycle wrote:
Wow, it seems as if I have certainly stirred up the hornets nest here.

Nah, you just brought up ISO which is one of the most misunderstood functions of a digital camera. With all the Youtubers out there adding constantly to the misinformation, prospects are poor for getting accurate info.

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Feb 25, 2022 13:13:09   #
srt101fan
 
Ysarex wrote:
Nah, you just brought up ISO which is one of the most misunderstood functions of a digital camera. With all the Youtubers out there adding constantly to the misinformation, prospects are poor for getting accurate info.


Cheer up, when us old film guys move on at least the issue of correlation of digital and film ISO values becomes irrelevant!

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Feb 25, 2022 13:47:08   #
BebuLamar
 
I compare my Nikon F5 and my Nikon Df. One is a film camera and the other is digital. The meters on the 2 cameras match. So at least for the meter calibration the ASA, ISO, are the same. Now the meter on my D1x also read the same but... with the same setting the images from the D1x is darker than that of the Df.

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Feb 25, 2022 15:26:39   #
selmslie Loc: Fernandina Beach, FL, USA
 
Ysarex wrote:
That 1/2 stop difference (not over two stops) is expected.

I have tested five different cameras from, one Fuji and one Sony before and after removing the Bayer array.

All six examples are within a ½ stop difference even though I used different prime lenses on the Sony and Fuji.

Northrup is a fool.

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Feb 25, 2022 20:55:48   #
CHG_CANON Loc: the Windy City
 
BebuLamar wrote:
I compare my Nikon F5 and my Nikon Df. One is a film camera and the other is digital. The meters on the 2 cameras match. So at least for the meter calibration the ASA, ISO, are the same. Now the meter on my D1x also read the same but... with the same setting the images from the D1x is darker than that of the Df.


When I first returned to film, I spent a lot of time comparing my EOS 5DIII to the EOS 1v, sometimes using the DLSR to determine the long-exposure setting with a 10x ND. They are 100% consistent, with / without the filters.

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Feb 26, 2022 03:17:23   #
selmslie Loc: Fernandina Beach, FL, USA
 
selmslie wrote:
I have tested five different cameras from....

Typo. That should have been “three from Nikon, “.

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Feb 26, 2022 09:27:38   #
Picture Taker Loc: Michigan Thumb
 
A simple question was asked, the difference of ASA vs ISO.

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Feb 26, 2022 09:32:14   #
BebuLamar
 
Picture Taker wrote:
A simple question was asked, the difference of ASA vs ISO.


The OP asked "What I would like to know is how film ASA correlates with digital ISO" that doesn't make sense as film was rated in ISO too and for about 40 years already.

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Feb 26, 2022 09:41:26   #
User ID
 
Picture Taker wrote:
A simple question was asked, the difference of ASA vs ISO.

And was correctly answered immediately. What followed after that was pure uhh, a wasteland of waste product (note how delicately I put that.)

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Feb 26, 2022 10:25:37   #
boberic Loc: Quiet Corner, Connecticut. Ex long Islander
 
burkphoto wrote:
E.L., you're old enough to remember the transition from Kodak Vericolor II to Vericolor III. That was when they switched from ASA to ISO on color negative film.

When Vericolor III came out, the box was marked ISO 160. But the 35mm and 46mm long roll films acted like Vericolor II, which was ASA 100. The 70mm long roll film with Estar base acted like it was ASA 80!

Kodak made up all kinds of excuses for what we were seeing (no shadow details and very dull highlights when the exposure was set based on a box speed of ISO 160), even stating some arcane math dealing with gamma and vagaries of slope calculations for shadow details.

Net result, as a lab, we told our customers to rate it at ISO 80 for 70mm, ISO 100 for 35 and 46mm long roll, and ISO 125 for 120/220/35 Perf. Then the 21-step gray scale Q13/Q14 chart looked as it had with Vericolor II!

Film or digital, whatever you use, MAKE TESTS to determine what works with your cameras, lenses, and processing. Results can vary a lot by serial number, make, model, and wear.
E.L., you're old enough to remember the transition... (show quote)

As Im recall some films (dont remember which) had an ASA of 32. But most film cameras did not have such prcise settings. My Canon F1 ASA settings were 25, 50, 100 etc. So I shot it as if it had an ASA of 25. ( Panatomic X comes to mind)

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Feb 26, 2022 11:14:59   #
srt101fan
 
Picture Taker wrote:
A simple question was asked, the difference of ASA vs ISO.


I don't want to speak for the OP, but I think you are wrong. The question he asked is:

"What I would like to know is how film ASA correlates with digital ISO."

You seem to have stopped at the topic title and ignored the body text. (Note that the title isn't even a question!)

If you read the whole post, it's clear his concern is not with the meaning and relationship of ISO/ASA/DIN/GOST/etc standards.

He is asking about the correlation between the speed values assigned to film and the ISO values you set in a digital camera.

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