donphotog wrote:
I’ve been seriously considering the Fuji GFX 100S which is garnering rave reviews for landscape, portrait and studio work. Bigger than my beautiful Fuji X-T2 and X-T30. Do we really need 100 megapixels? Are the files monstrous? The resolution and dynamic range are reportedly fantastic. Patrick at fujirumors.com got one and loves it. But I can get 30X40 prints out of processed jpegs from the “little” Fujis so do I need the added weight and expense? Can’t get myself to do it. What do you all think?
I’ve been seriously considering the Fuji GFX 100S ... (
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It's your money. Spend as you see fit.
Ann Landers once said she usually got letters from people who *needed* to be spanked, to bring them back to reality. If your reality includes a GFX 100S, or even the 50S, so be it. They're incredible cameras for the price. In my dreams, I'd be a landscape photographer, and use a GFX 100S to photograph national parks for 8' high, hallway length composite panorama prints with insane amounts of detail.
But MY reality beckons... Unless I needed a lot of 30x40 prints that would be viewed from VERY close distances (about a foot), I'd buy something more important than another camera. I'm happy with a lowly Micro 4/3 16MP camera and Lightroom Classic's Photo Enhance Raw Details with Super Resolution. See attached 40x30 from a Lumix GH4. Please pixel peep the download.
Of course, better results can be obtained from any new full frame mirrorless camera above 30 MP. At that point, I would argue you are into the realm of diminishing marginal returns on expenditures. But smoke 'em if ya got 'em, right?
40x30 inches at 240 PPI from 16MP Micro 4/3 full image
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I'm interested in buying one simply because I'd enjoy using it. No other reason required. And no need or desire to make big prints.
For around 95% of the photos we see on here, a phone would be good enough, never mind FF or MF. Now I'll wait patiently for the usual barrage from the BIF people...
mudduck wrote:
Gee, with everybody loving FF sensors, it seems to me a sensor the size of a Graham cracker would be advantageous.
It's about balance more than sensor size.
FF is easily the most balanced sensor out there...giving the best bang for the buck...and then some.
MF had it's day...in film.
Digitally...it's a big yawn.
Canisdirus wrote:
It's about balance more than sensor size.
FF is easily the most balanced sensor out there...giving the best bang for the buck...and then some.
MF had it's day...in film.
Digitally...it's a big yawn.
Competent photographers obtain some spectacular results from phone, bridge cameras, and APS sensors as well as FF.
Few people truly "need" FF - they want FF for their own purposes, and there's nothing wrong with that at all.
I wonder if some of the FF owners are ending a little defensive about MF cameras.
It's certainly true that the the richest suite of features are found in top of the range FF cameras and also APS - but so what?
What I like about Fuji cameras is their relative simplicity, and that they allow people to reconnect with what brought them into photography in the first place.
To mis-quote Marie Kondo, it's all about whatever sparks joy.
alexol wrote:
Competent photographers obtain some spectacular results from phone, bridge cameras, and APS sensors as well as FF.
Few people truly "need" FF - they want FF for their own purposes, and there's nothing wrong with that at all.
I wonder if some of the FF owners are ending a little defensive about MF cameras.
It's certainly true that the the richest suite of features are found in top of the range FF cameras and also APS - but so what?
What I like about Fuji cameras is their relative simplicity, and that they allow people to reconnect with what brought them into photography in the first place.
To mis-quote Marie Kondo, it's all about whatever sparks joy.
Competent photographers obtain some spectacular re... (
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No doubt. But they have to work harder than FF.
No doubt it can be done.
FF is the most balanced...
It's also where the lion share of tech research coin is spent...the market has spoken already...years ago.
rmalarz wrote:
Just started. Hassleblad 907x on a 500C. I haven't done anything but tests and profiles so far.
--Bob
I look forward to hearing about your progress.
Vincejr wrote:
Does anybody use medium format digital camera and make do you use.
Yes. Mamiya 7. Great film camera. 80 mm standard lens, also 150 mm.
BebuLamar wrote:
Which is currently the largest medium format sensor?
Dimensionally, the largest sensor is in the Hasselblad X1D II 50C. It measures 43.8 x 32.9mm and is 50MP.
In terms of resolution, the largest MF sensor is 102MP, as found in the Fuji GFX 100 and GFX 100S.
Sorry to be disagreeable amfoto1, but Phase1 now offers two cameras with 151 megapixels.
Unfortunately, they cost as much as a luxury car, so you probably thought they weren't worth mentioning.
Cheers.
bweber wrote:
Most of the replies to this post were from people who do not use medium format cameras. They are simply presenting their reasons for avoiding medium format. I owned a Pentax 6x7 film camera and loved it. I purchased a Canon 5DSR when it first came out as it gave me images close to the Pentax. I recently upgraded to a Fiji GFX 100S, and I love it. The camera and Fuji lenses I purchased were not cheap, however, the images are spectacular. I shoot mostly landscapes with some portraits, I rarely shoot action. I generally do not print larger than 16 x 20. I did not move to medium format for large prints. I prefer it for two reasons. One is the ability seriously crop images that allows me to sometimes concentrate on specific parts of an image. In addition, and most important, the level of detail is wonderful and the subtle merging of different colors, as in a sunrise, are wonderful. The trade off in coast and weight is it worth to me.
Most of the replies to this post were from people ... (
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I used medium format in film cameras and loved it. People always said 35mm is big enough. I disagreed then and I disagree now. If I could afford it, and some day I will, I will have a medium format digital system and never look back!
You're right, all the naysayers are speaking out of ignorance, not personal experience!
Retired CPO wrote:
Nonsense!
Evidently for some, digital FF is artistic & technical perfection and they have no other aspirations.
My Bronica lacked a great many of the so-called features and benefits of my 850, yet my Bronica images were superior.
Personally, I think it is because I enjoyed every moment of the experience of simply using the Bronica. The 850 on the other hand may be close to current technical perfection but gives me all the joy and emotional involvement of using my technically highly advanced washing machine.
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