Craigdca wrote:
I’m about to invest in my next camera setup to replace my Canon T2i. I’m not attached to the lenses which are the old 17-55 and 55/250 kit lenses that probably came with it, older 1998? Tokina EF 80-400mm and also really old Tamron EF 70-200? Lens.
So it’s a new start. Check out my portfolio to see the types of photos I like to shoot: closeup flowers, landscape (prefer details), moon and astro, animals, birds, and wanting to do more portraits.
Do any of have the Olympus and lenses? Are you happy or do you wish you went with the new Canon R6 or other camera?
I’m very close to making a purchase so your personal experience means a lot to me.
I’m about to invest in my next camera setup to rep... (
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Know that the system is supported by TWO major camera brands, OM Digital Systems and Panasonic Lumix. Panasonic gets a little help from Leica with their lenses. I use Panasonic gear, which offers better video, but for stills, would be happy to use Olympus.
Lens selection is amazing. You have over 110 native mount lenses available from at least seven manufacturers. Micro 4/3 cameras can be adapted to telescopes, microscopes, most SLR lenses, most dSLR lenses, and many ciné lenses. So finding a lens for your purpose is not likely to be an issue.
The chief beef many people have with the m43/MFT/mu43/Micro 4/3/Micro Four Thirds format is the sensor size. At 17.3mm by 13mm, it is roughly one quarter the surface area and one half the diagonal dimension of full frame. This means that less light falls on every sensor element, so the signal to noise ratio and dynamic range is a couple of stops less than full frame, and about one stop less than APS-C, for a sensor of the same megapixel count and age. If you photograph in available darkness all the time, that may be a drawback for you.
As another consequence of the smaller sensor size, shorter lenses are used to photograph the same field of view. For instance, at any distance, a 25mm lens on Micro 4/3 will have the same field of view as a 50mm lens on a full frame body. But it will have two stops greater depth of field! For the same depth of field at the same distance on each camera, you could set the Micro 4/3 lens to f/2.8 and the full frame lens would need to be at f/5.6. If the exposure is just enough for f/2.8, the full frame is at an exposure disadvantage if you need deeper depth of field. The Micro 4/3 is at a disadvantage if you need shallower depth of field.
So which is better depends on your use of the camera. This can be a hindrance or an advantage on EITHER platform. When you need more depth of field, Micro 4/3 is helpful. When you need less depth of field, full frame is helpful.
Although body sizes vary (newer full frame bodies can be about the same size and weight as Micro 4/3 bodies), LENSES are much smaller and lighter for the same field of view. A 12-40mm f/2.8 OM Systems zoom is tiny compared to a 24-70mm f/2.8 full frame Canon or Nikon zoom. It costs a lot less, too! Yet the coverage (field of view) is the same. This matters if you backpack or carry a kit all day when traveling. You can carry more functionality with less weight with Micro 4/3.
Lens ranges tend to be more practical with Micro 4/3. Leica makes an identically sized pair of zooms for Micro 4/3, a 10mm to 25mm f/1.7, and a 25mm to 50mm f/1.7. With just two lenses, this gives you the full frame field of view equivalence of 20mm to 100mm, or very wide angle to "portrait range" short telephoto! The pair is $3600, but effectively replaces six fast primes that, in the full frame world, would cost far more. Other interesting lenses are the $1600 Leica f/4-6.3 and $1400 M. Zuiko f/5-6.3 100-400mm zooms. These are affordable substitutes for full frame 200-800mm range telephotos!
The Micro 4/3 cameras top out at 20MP sensor density (typically 5184 x 3888 pixels). That will easily print 21.6 x 16.2 inch prints at 240 PPI with no upsizing required. Most subject matter can be printed to 40x30 inches if viewed from the diagonal dimension of the 40x30, which is 50 inches, and will look fine.
Honestly, though, if you photograph sports action, birds in flight, wildlife action, or landscapes, and intend to sell huge prints, you might want to consider full frame. The autofocus tracking systems are generally better on Sony, Canon and the latest Nikon models. And you can get more than 20 real megapixels IF you need to crop a lot.
That said, even if those are your genres, I would wait for the new bodies from both OM Systems and Lumix to be released by the end of this month, and for the first reviews to show up. These new cameras will use a new Sony sensor that is rumored to improve many aspects of Micro 4/3 imaging.
The fact remains that there is no one best camera for everything. There is only the best choice for most of your needs. If you take a long, hard look at what you want to do, and then look at what is available within your budget, you'll know what to do. It's hard to buy a BAD camera in 2022.