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Sky replacement tools
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Nov 2, 2021 06:22:12   #
DirtFarmer Loc: Escaped from the NYC area, back to MA
 
Paul Diamond wrote:
The issues about sky replacement, to me, are the 'ethics' of replacing a sky that is illuminated the same way as the image where it will be used. Or, if you are A) using your own 'skies' or you are B) 'stealing them' from other images, even if the image creator implies that their sky can be used on any picture.

I shoot my own sky pictures. I keep a portfolio of sky photos so I have different pictures for different lighting angles and clouds, etc. I keep shooting sky shots whenever I see an interesting sky that I think I might be able to use in the future. And I own the sky image as well as the 'foreground' shot it will be joined with.

If you use a sky that has the sun at the far right of the image, casting long shadows, your picture needs to have light coming from the same general or specific direction to look the best. The image must look like it is a natural sky and part of the original picture, even if it was not what you shot at the time.

Ansel might have had days or weeks to wait for the perfect lighting, perfect sky/clouds/etc. or the image to match what he saw in his mind. And, the photographers of Nat Geo and other top purchasers of images will spend months on site to get the best possible photo, forgetting the time it took to make the picture. (It looks like the photographer did a great job of investing the time to get the 'ultimate' picture.)

Reality, for almost all of us is that we don't have infinite time to get everything 'perfect'. We often have only a limited amount of time for the pictures we make. (I did take about 1.5 hours at the Yosemite Valley overlook, waiting for the clouds/lighting/shadows/etc. to help give me the picture I knew I wanted to keep. Getting a bird flying in the sky and waterfalls everywhere from early May snow melt were bonuses of the day. - But, I couldn't spend a day or two there without upsetting my wife!)
The issues about sky replacement, to me, are the '... (show quote)


Once again, it all depends on what the end use of your photos is. Your ‘ethics’ are mot necessarily my ‘ethics’.

And ethics may not really be the right word to use here. It implies that you are discussing things that have importance to large numbers of people. My photos may be important to me and possibly my family but that’s a fairly small group.

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Nov 2, 2021 06:24:54   #
scubadoc Loc: Sarasota, FL
 
CHG_CANON wrote:
If Ansel Adams was the photographer worthy of that name, he'd do a better job Straight Out Of Camera like a Real Photographer.


I’ve known several of his dark room assistants, photographers in their own right, who have told me that when Adams was unhappy with a SOOC image he would say to his assistants “Fix It”.

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Nov 2, 2021 06:34:29   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
fjustus wrote:
There are a number of different programs that offer this, and I wonder what UHH members think about this. Is this really photography? Should the images be entered in competitions? Can they be used for journalistic purposes? I have seen mixed results from the images I have seen. Opinions?


Like everything else. If the manipulation results in a better image, and even the sharpest eye cannot tell that the image was manipulated, does it really matter?

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Nov 2, 2021 06:51:29   #
camerapapi Loc: Miami, Fl.
 
"Whether it's sky replacement or subtle lighting/contrast/color adjustments, manipulation is manipulation."

I agree with your statement. We tend to forget that even slight saturation, adding contrast or opening shadows is manipulation. Dodging and burning-in as we know it in monochrome photography is also manipulation. Is creativity also manipulation? Perhaps it is.
What I can say here is that if I have an image that needs sky replacement to improve on my photography and I can do it skillfully I will not hesitate a second in doing so. Many times I have shot a dull sky and bringing the image into Affinity Photo and using the haze filter I have been able to get a good separation between clouds and the sky even when clouds were not evident in the original shot. Isn't that sky replacement?

Ansel Adams spent days if not weeks perfecting his images and manipulation in the darkroom was one of his habits. At the end he was able to achieve exactly what he wanted and a good example is his "Moonrise, Hernandez, New Mexico." The shot was made in 1941 and it is said that he had forgotten to bring his hand held exposure meter so the exposure was calculated. It came out badly underexposed but he was able through his skillful darkroom techniques to bring back details in the image and make it one of his best and most famous shots.

Sky replacement in my humble opinion is another tool.

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Nov 2, 2021 07:49:33   #
jaymatt Loc: Alexandria, Indiana
 
CHG_CANON wrote:
If Ansel Adams was the photographer worthy of that name, he'd do a better job Straight Out Of Camera like a Real Photographer.



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Nov 2, 2021 08:19:10   #
srt101fan
 
Gene51 wrote:
Like everything else. If the manipulation results in a better image, and even the sharpest eye cannot tell that the image was manipulated, does it really matter?


No, it doesnt. Multi-tool, well executed creative production of an image is perfectly OK. But......🙄

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Nov 2, 2021 08:33:54   #
jerryc41 Loc: Catskill Mts of NY
 
Unless there is a rule about manipulating the sky, go for it.

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Nov 2, 2021 08:36:02   #
Mac Loc: Pittsburgh, Philadelphia now Hernando Co. Fl.
 
scallihan wrote:
Even Ansel Adams did sky manipulation.


Ansel Adams relied on his skill in the darkroom. He didn’t just click a few buttons.

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Nov 2, 2021 08:41:46   #
CHG_CANON Loc: the Windy City
 
The camera is just a sketchbook, to be finished later in PhotoShop.

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Nov 2, 2021 09:04:07   #
Mac Loc: Pittsburgh, Philadelphia now Hernando Co. Fl.
 
Gene51 wrote:
Like everything else. If the manipulation results in a better image, and even the sharpest eye cannot tell that the image was manipulated, does it really matter?


It does in Photojournalism and Documentary Photography.

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Nov 2, 2021 09:08:56   #
AzPicLady Loc: Behind the camera!
 
I don't have the capability of replacing a sky. Nor would I do it. To me this is an ethics question. My ethics wouldn't allow that. If it's an ugly sky, then that's what WAS and that's what I get. But I know not everyone agrees with that, and that's OK. I do get a little tired of everyone tossing around AA as though he were the photographic god and that everything he did was perfect in every way. It is not necessarily true that if AA did it, it's OK to do! I am concerned about people taking a sky that someone else captured and using it as theirs. I think that's just wrong. If you photographed the sky you're using, then the image becomes a composite, and to me is no different than adding in some other element that wasn't there. (But I do think they should be claimed as such.)

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Nov 2, 2021 09:09:39   #
AzPicLady Loc: Behind the camera!
 
Mac wrote:
It does in Photojournalism and Documentary Photography.



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Nov 2, 2021 09:18:23   #
CHG_CANON Loc: the Windy City
 
Beauty is everywhere when you have PhotoShop.

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Nov 2, 2021 09:29:00   #
lsimpkins Loc: SE Pennsylvania
 
I've never replaced a sky, but I have a couple of images where it might make an improvement if done subtly.
As far as film and paper processing goes, dodge and burn is leagues away from sky replacement as far as photographic "honesty" is concerned, IMHO.

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Nov 2, 2021 09:43:53   #
Peteso Loc: Blacks Hills
 
ON1 v2022 added sky replacement. My initial results have been excellent. Sky replacement is not something that I use often, but it can rescue images taken on bright cloudless days. I recently took a photography trip to the Bighorns. Gorgeous place but every day was bright and sunny with no clouds to be seen. ON1’s sky replacement worked flawlessly. No one who has seen the final results can tell that the clouds have been added.

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