Ruthlessrider wrote:
I’ve been shooting for a number of years now, and occasionally I actually find a picture I like enough to print. I’ve used Bayphoto to print most of the things I like enough to print, but, of course, as I go up in size the price also does. Just wondering how other print photos they want to make hard copies of? Do you bite the bullet and pay the price, do you print your own (and if that is the case, what kind of printers are used), etc?
(Disclosure: I'm a former digital portrait lab manager)
Printing your own isn't necessarily economical. There's the printer cost, the ink, the paper, the color calibrator kit that avoids $$$ in paper/ink/lab bills wasted, the opportunity cost of NOT using your own printer (they go bad if not used frequently)...
BUT, there are GREAT reasons to print your own:
CONTROL (If you are technically inclined, capable of true ICC color management, you can control image quality so what-you-see-is-what-you-print — or the lab prints.)
PRIVACY (If your subject matter would be compromising in some way, printing your own makes sense)
QUALITY (Again, if you know what you are doing, you can get the quality YOU want, not just what a lab thinks you want.)
LONGEVITY (Pigment inkjet prints on the right papers can last 200 to 400 years, compared with 20 to 50 years before wet process lab prints fade under similar conditions.)
IMMEDIACY (Print at will, for immediate use)
LOWER BIG PRINT COST (Labs charge a super-premium price per square foot for prints larger than about 8x10. So if you need many VERY large prints, it eventually becomes economical to buy your own wide format (24" to 64" roll paper) printer.)
MORE PAPER OPTIONS (Papers, canvas, vinyl, art boards, and their generic ICC paper profiles are available from quite a number of sources (Moab, Red River, Hahnemuhle, Galerie, Magic, Canon, Epson, HP, Kodak, Lexjet...)
I'm sure there are plenty more reasons to print your own, but COST is not one of them if you're making small prints.
Even as a retired lab guy, I print via a ROES (remote order entry system) application to several different labs. My inkjet is an office all-in-one now. I had a photo printer for years, but did not use it enough to keep it healthy. Ink cartridges have a lifespan of about two years on the shelf, six months in a printer, so it's easy for them to dry up and clog print heads. In the lab, our wide format Epsons ran at least five days a week on one shift, and in certain weeks, we ran them 24 hours a day, six days a week. The only times we had head clogs were when they sat for two weeks, or my lead printer op ordered third party ink that formed a precipitate when it mixed with the Epson ink in the printer.