capt2575 wrote:
What are the benefits of "Lightroom Classic" if the vast majority (90-95%) of my photographs are action and shot in jpeg?
The catalog.
Photoshop has the same raw converter in the form of ACR. If you just shoot jpeg, you may be missing out on the full potential of your camera.
If you don't want the benefit of a catalog, then Photoshop is all you need. You even have a Camera Raw filter that duplicates the ACR INSIDE of Photoshop so you can have a parametric-style editing experience.
I do a lot of wildlife (action) and used to do Equine Hunter-Jumper competitions, college LaCrosse, skiing competition, and the occasional shoot at Lime Rock Park - a sports car race track where NY, CT and MA kinda share borders. I still only shot raw. The benefits of a raw workflow overshadow any perceived benefit of jpeg. The results speak for themselves. This is too long a topic, and it has been discussed to death here and on other forums, YouTube, numerous websites, etc.
From where I sit, there is no advantage to shooting jpeg-only, or jpeg+raw, and no practical disadvantage to shooting raw-only.
A quick story. Years ago I had a photographer friend who did lots of weddings. His second shooter was out of commission due to a medical procedure, and he asked if I could help him out. I offered to do a gig with him. He was a jpeg only shooter. He made me swear to shooting the gig in jpeg. I yes'd him to death, but shot it raw anyway. His "gimmick" was to shoot the ceremony, then set up a flat screen TV at the reception and display images from the ceremony. His concern came from a lack of experience with raw. In any case, in the 90 minutes between the end of the ceremony at the church, and the start of the reception, I did a quick review, cull and edit to the 400 or so images from the ceremony, and I handed him a memory stick with about 350 nice looking jpeg/proof images. All he had to show were unedited jpegs. When he took a look at what I gave him he decided not to show his images. His one comment was - "how did you get them to look so consistent?" The following day I answered his question. The majority of the images that were ordered were from the batch that I shot, including those shot at the reception. Raw editing is simple and quick, and there is no excuse to shoot jpeg when raw is possible.
Yes, there might be the argument that jpegs are instantly available. But there is really one question here, is it better to have a fast result or a good result? My clients always appreciated the quality of even my proofs, and loved the final images, mainly because they looked "finished" as opposed to something that might have just as easily come out of a point and shoot or a cellphone (boy am I going to get a lot of crap for that one
). Jpegs can be very good in certain situations - especially when you have 100% control over the lighting/contrast. But for all other situations, the better results that converted raw files offer is well worth it.