fergmark wrote:
There is just enough shading in her face to know we would like see more. The reflection in the glasses pulls the eye right to the area of interest but gives way to contemplate, and dwell on her face, with peripheral vision all that is needed to take in the whole composition. Anyway, thats how it works for me.
Mark I actually wanted to pull her face out of the shade just a little and did, but reversed the process. Exposure didn't have the appeal I was wanting so you get what you see. Thanks for your comments.