martykovacs wrote:
I have a canon EOS Rebel T7i with a pretty good assortment of lenses. I’m a realtor & most of my photography is real estate related but spent years fooling around with other forms of photography. Being new to Hedgehog, one of the things that has really impressed me is the sincerity of the members in trying to help others without ridicule or judgement. The vast amount of information, reading the Forum, is totally Greek to me & I’ve come to the realization that I would like to be a better general, overall, photographer and leave the realm of “automatic” photography. What would be your suggestions on how, without spending tons of money and time, to accomplish this, if it’s even possible?
I have a canon EOS Rebel T7i with a pretty good as... (
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If you are stuck with the technical aspects of photography, one of the cheapest ways (and maybe the best, given your learning style) just might be to take your camera out and experiment with your camera settings. Decide what your goals are and set up a "learning itinerary" so to speak - like - today I will learn how aperture affects my images. For this exercise, I will pick a subject to shoot, and just take a whole bunch of pictures, without moving anywhere, varying the aperture. You don't have to take notes because the image file will have all of your shooting data. Another day you might want to pick shutter speed and focal length and how it affects image blur from camera motion. And so on.
And as IDguy suggested, there is much to be learned from joining a photography club. And you can usually get honest critique on your images, as well as join others on photography-based outings. You may also be lucky enough to join a club that offers one-on-one mentoring - all for the price of annual membership.
The key is to use your camera every day, and explore it's menus and features until using it and changing settings becomes completely reflexive - like walking. The more you use your camera the faster you will learn what works best for you.
As far as your images are concerned, this can be a little harder - personal point of view nearly always enters critique, and often you get stuff like "well, I wouldn't have done it this way" or "this is how I would have handled the subject" - completely ignoring your creative intent.
What I usually do, when the creative intent is unclear - is to simply ask the photographer what the intent of the image was, along with why the took the picture from that point of view, choosing that lens, shutter speed and aperture, shooting at that particular time, etc - and the most important question - if you had the chance to do it over again would you make the exact same choices - and if not, what would you change and why?
Not all images are about a story or a message. Sometimes you come across something that just catches your eye - like reflections of trees in full fall color on gently rippling water - an abstract - and then it becomes about color, form, contrast and texture. And so on. . . .