juan_uy wrote:
Hi all,
Basically just what the title says.
I would like to check variable ND filters........is there a decent enough one to be considered useful?
Which one?
Thanks,
Juan
My recommendation:
Don't buy a Variable ND filter, unless you're planning to shoot video.
Variable ND are expensive and largely unnecessary for still photography. One or two standard ND filters (i.e.,
not variable ) can serve quite well.... while costing less and not having the "problems" that all Variable ND do.
Variable ND are sort of like two polarizing filters, stacked. They tend to cause an uneven effect in a lot of images. See above, or if you google for it, you'll find more examples online. The more affordable Vari ND (which aren't exactly cheap) are the worst and also often cause ugly color tints in images. It also appears that the degree of the problem varies depending upon the particular camera... It sounds like higher density sensors (with smaller and more crowded pixel sites) will show it worse than lower density sensors.... and sensor density tends to increase with each new generation of digital.
If you're just planning to shoot stills with it, I'd recommend instead get one or two standard ND in different strengths... maybe a 3-stop and a 6-stop... or a 4-stop and an 8-stop... or a 3-stop and a 9-stop... or whatever one or two make the most sense for what you want to shoot (just figure out how large shift of exposure you need for the effect you want). If needed, two filters can be stacked to make a 9-stop or more stops. These filters are dyed instead of having foils to block the light (like polarizers and Vari ND do). As a result, they don't have the uneven effect. Good ones also avoid ugly tints that can occur (some are designed to block additional IR band light).
For still photography, you only need a fixed strength ND filter to "shift" the exposure range to accomplish the various effects the filters are used for (i.e., exceptionally slow shutter speeds and/or extra large apertures in bright conditions when they wouldn't normally be possible). The other camera adjustments (shutter, aperture, ISO) have lots of latitude that can be used to fine tune your exposure. A Variable ND isn't needed.
If you plan to shoot video and want the filter for that, there may be an argument for a Variable ND, because there's a lot less latitude to adjust for exposure. Ideally, a bunch of fixed strength ND filters would be used and swapped out as needed to get exactly the exposure and effect that's wanted. But it may not be practical to buy a bunch of filters and a Variable ND may be the answer.
Just using rather common 77mm size for examples...
You can find higher priced ones... But very high quality, multi-coated, standard ND in various "fixed" strengths in 77mm size can be found for $80 to $120 apiece.
Better quality Variable ND filters (most of which are not multi-coated) in 77mm size often cost $250 to $400 or even close to $600 each.... And even the very best aren't completely free from some of the "problems" that come with Variable ND. But, even with those issues, lack of multi-coating and a very high price, a videographer might find a single variable filter more convenient and more affordable than buying a half dozen or more fixed strength ND.
Of course, depending upon the size you need, prices and selection may vary.
rgrenaderphoto wrote:
I have found them not worth the expense vs. 105 mm rectangular ND Grads
Kaib795 wrote:
I do agree....Split filters work better...
Graduated ND filters ("split" filters?) serve completely different purposes than Variable ND or fixed strength ND filters, so Grad NDs aren't really relevant here. (Plus... While Grad ND filters were very useful shooting film, they're largely unnecessary with digital. In fact, with digital much better results can be achieved in post-processing, than was ever possible with the filters and film.)