stanikon wrote:
I have and use a Nikon D90. I have been reviewing some of my reference books and I am wondering, what do you get with the newer models that my D90 doesn't have? Admittedly it is several years old, which makes it a dinosaur in electronic terms, but it is loaded with features, more than I will ever use. I do not have every lens that fits this camera but I have all the lenses that I need for all the photography I want to do. They are all AF and VR when I choose to use those features, and all take sharp, color-true photos. It has about 15,000 shutter trips on the clock but is rated for 100,000 so it is far from being worn out.
So, can someone with expertise in the D90 and newer models tell me what I am missing? Must be something very, very special to justify the cost of a newer camera.
TIA
I have and use a Nikon D90. I have been reviewing... (
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Stanikon, I was a retail camera manager for 20 years--all before digital. Regarding film cameras, I was firmly convinced that most of the improvements over that time were in marketing, not in photography. Certainly the best cameras--view cameras--were as good after 20 or 30 years (or more) as the latest models.
Of course, actual improvements have been made at speed in the digital cameras. The size and pixels may be #1, but technological features in other practical ways have been improved--and how much these matter is up to you. I teach online in college, so I use my computer throughout the day--but most of its features have never been used. I find making PowerPoints tedious, so I don't make them. I loathe spreadsheets. I buy computer models without camera or microphone because hackers can eavesdrop with them. I don't use any sort of cloud storage because they charge for it.
Thing is, you can go both ways--you can pick up a later model with greater capacities--but used. A 5 year old model is a giant leap from the 10 year old one, and reliable dealers sell used ones with return privileges. My Linhof 8x10, Toyo 8x10 and 4x5, Arca Swiss 4x5, Canon digital and Hasselblad digital (and many others) all came through eBay, as well as lots and lots of lenses over the years, at prices far below new gear prices. I recently bought a Hasselblad H2D camera (over 10 years old) that studio only used for backup, and I have attached here one of the first test shots in my living room, a streptocarpus plant with the normal lens.
My first digital was a little Kodak point and shoot with a small sensor--I used it to make "sketches" to later come back with a view camera for the real pictures. But it has a Schneider zoom lens and takes very sharp pictures up to about 8x10 or even 11x14.
Here is the wisdom of the ages (all the great photographers said it)--the photographer must bend to the equipment at hand, not the other way round. If we just concentrate on learning and doing what we can with what we have, the muses will take care of themselves. Alfred Eisenstaedt with a Brownie would trump nearly anybody with bells and whistles. (OK, he used Leica's, but they were medieval Leicas compared to today.) If he had only so-many pixels, he would cast a spell on them and do his magic. After all, 35mm was considered subpar in his day, yet he made do. Is there any camera that, by its very design, does not limit some things by giving us others?