Sicily: Siracusa Part 15 : The Vaccaro Mauceri Puppet Opera
Mar 15, 2024 13:59:51 #
We had a rare treat on our final night in Ortigia - attending the puppet opera at the Pali Vaccaro Mauceri. I can't get enough of knights battling to the death for the king's daughter and we were fortunate to have front row seats. All images were taken with a Sony HX-80 pocket camera handheld in "night" mode.
From the website: https://holeinthedonut.com/2014/08/24/puppetry-in-syracuse-sicily-italy/
"Three Generations of Puppeteers in Syracuse, Sicily and Still Going Strong"
August 24, 2014 by Barbara Weibel
"The clash of metal swords on shields reverberated through the theater. One knight fell, then another; but King Oberto fought on, determined to take back Holland from the Irish invaders. Olimpia, his lady love, had been banished from her homeland, and Oberto would stain the Dutch lands with blood to convince Olimpia of his bravery and win her hand in marriage. In the dark theater I watched the characters intently, fascinated that two-foot high puppets could make movements so precise.
A New Hope for Olimpia is just one of 24 shows that Alfredo Mauceri has written and produced over the years for Teatro dei Pupi. Following the performance I spoke with him about his family’s three-generation love affair with puppets."
“My Mother, Francesca Vaccaro, does all the female voices and my brother, Daniel, builds the puppets,” he explained. “I write the story and am an actor during the show, along with Daniel and one other relative. Together, the three of us move the characters during the show, sometimes one in each hand.”
When I asked why he had decided to follow in the family tradition, he gave an embarrassed laugh before replying.
“It’s simple. Because I love the puppets.”
That love grew out of a strong bond with his grandfather, Alfredo Vaccaro. As a young boy he had accompanied his grandfather when he staged puppet shows in the market square on Ortygia Island, in the Old City of Syracuse, Sicily. Gradually, his grandfather allowed him to work with the characters.
“In three months, I learned only to move the puppets, but it took four, five, six years to get the emotion and sensation of the characters.” By the time his grandfather died in 1995, he knew all about the history of puppetry in Syracuse. He also knew that his destiny lie with the puppets.
The pioneer of the puppet opera in Syracuse was Francesco Puzzo, who made the first puppet in 1875. He debuted his creation in a basement on the island of Ortygia. Francesco ceased performing in 1917, but four years later his sons, led by Ernesto, revived the puppet theater. In 1923, a young pastry chef by the name of Rossario Vaccaro (Saro), opened a shop across the street from the Puzzo brothers. Saro was intrigued by the puppets. Despite the exclusionary tradition of the trade, he managed to gain acceptance and began studying under Ernesto, learning how to construct puppets and armor, paint scenery, write scripts, and produce the necessary advertise materials for shows.
Saro abandoned pastry and began building puppets in a small workshop on Ortigia. Not even the disease that struck him in 1936, which paralyzed the left side of the body, prevented him from pursuing his dream. In the 1970’s, he convinced his brother, Alfredo, a talented papier-mâché craftsman and movie operator, to join the venture. The Vaccaro brothers performed in the streets and squares, wherever they could attract a crowd, intent on reviving interest in the tradition of puppet opera. One day, Alfredo was walking along one of the narrow cobblestone streets in the old Jewish Quarter, carrying a papier-mâché duck puppet. A reporter who was in the Old City to cover another story noticed the puppet. Charmed, he followed Alfredo to the brothers’ workshop and filmed the puppets in action. Television performed the magic that had eluded the brothers; it made them, and their puppets, famous.
Certain that this historic performance art had potential to attract tourism, both the Provincial Agency of Tourism and the Ortygia Council encouraged the Vaccaros to develop professional performances. Finally, in 1978, thirty years after the closing performance of Ernesto Puzzo, the Vaccaros staged a show at the church of San Giovannello, in the Jewish Quarter of Ortygia. Following its enormous success, the city donated space in an old convent in the historic center for a permanent Opra dei Pupi theater. Saro died in the spring of 1984 but Alfredo carried on until, in 1990, a severe earthquake damaged their theater beyond repair. Once again the puppets were without a home.
Each day, Alfredo visited his beautifully carved and painted pupi, lifeless and gathering dust in the abandoned convent. Lacking the resources to buy or build a new venue, he begged every possible government agency to help, but his pleas went unanswered. Disillusioned and despondent, Alfredo disarmed and undressed each of his puppets, leaving them lying in naked piles on work benches. He dyed the magnificent faces painted by Saro with tempura until their features were unrecognizable.
In their place, Alfredo crafted new papier-mâché creatures with rough features and cold glass eyes. Once again he turned to the streets, squares, and schools to perform, now accompanied by his grandson, Alfredo Mauceri. In 1991, with a hardened heart, he refused to accept the Folkloric Artist award from the City of Syracuse, with the harsh words, “I want my dear puppets put in a museum. I do not want them to make the same end as others.” He was referring to Puzzo’s puppets, which had not been preserved. His words underlined the lack of will of the Syracuse administration to preserve the legacy of his craft.
The senior Alfredo got his wish, posthumously. His grandson Alfredo resurrected the puppets and converted a shop in the old Jewish Quarter into Teatro dei Pupi. The Puppet Museum, just down the street from the theater, is home to puppets ranging from hand-sized to nearly life-size, including damsels in long white dresses and cone-shaped hats, knights in full-body armor, and papier-mâché dragons. The museum is also run by the family, as is the workshop where Daniel creates all the puppets. If Grandfather Alfredo is looking down from above, he is surely delighted that his family has restored his cherished puppets to their rightful place in Syracuse society.
Attending a show at Teatro dei Pupi:
The theater is located on Via Della Giudecca 17/19, in the Old City, located on Ortygia Island. Two shows are performed each day, seven days per week, from March to November. As the theater is quite small, seating no more than 20, reservations are strongly recommended. Call 0931 465540, or stop by between the hours of 10 a.m. to 1 p.m. or 4 p.m. to 8 p.m."
About the puppeteer: https://danielmauceri.com/puparo/
"My name is Daniel and I'm a puppeteer. For over 40 years my family has been involved in keeping the tradition of the Puppet Opera alive in Syracuse. I grew up breathing the smell of wood, getting my hands dirty with paint and punctuating my afternoons after school to the sound of my grandfather, Alfredo Vaccaro,'s tools. I certainly inherited passion and creativity from him, while I learned manual skills from my father, Umberto Mauceri. This combination of experiences inspired me to live creating as a lifestyle.
I learned about the stories of the champions of France well before my peers at school, because at home the scripts were recited aloud before I learned to read. Through my hands, the teachings of my grandfather and my father come to life today, which over the years my experience and dedication have perfected in a perfect blend between tradition and innovation , between the past and contemporary taste. Every day in my laboratory new Puppets are born, others are restored and then come to life in the shows that the family Association puts on. Many others still find a home in private individuals or museums around the world, from Australia to Germany, from France to the United States and Japan up to the shadow and puppet museum in Chengdu in China."
For additional images of the Archeological Park, the market, Temple of Apollo, the Duomo and the Palazzo please see my previous posts:
https://www.uglyhedgehog.com/t-799740-1.html
https://www.uglyhedgehog.com/t-799893-1.html
https://www.uglyhedgehog.com/t-800136-1.html
https://www.uglyhedgehog.com/t-800275-1.html
https://www.uglyhedgehog.com/t-800444-1.html
https://www.uglyhedgehog.com/t-800697-1.html
https://www.uglyhedgehog.com/t-800857-1.html#14480850
https://www.uglyhedgehog.com/t-801010-1.html
https://www.uglyhedgehog.com/t-801420-1.html
https://www.uglyhedgehog.com/t-801575-1.html#14498029
https://www.uglyhedgehog.com/t-801671-1.html#14500575
https://www.uglyhedgehog.com/t-801839-1.html#14503853
https://www.uglyhedgehog.com/t-801996-1.html
I hope you enjoy these!
Mark
From the website: https://holeinthedonut.com/2014/08/24/puppetry-in-syracuse-sicily-italy/
"Three Generations of Puppeteers in Syracuse, Sicily and Still Going Strong"
August 24, 2014 by Barbara Weibel
"The clash of metal swords on shields reverberated through the theater. One knight fell, then another; but King Oberto fought on, determined to take back Holland from the Irish invaders. Olimpia, his lady love, had been banished from her homeland, and Oberto would stain the Dutch lands with blood to convince Olimpia of his bravery and win her hand in marriage. In the dark theater I watched the characters intently, fascinated that two-foot high puppets could make movements so precise.
A New Hope for Olimpia is just one of 24 shows that Alfredo Mauceri has written and produced over the years for Teatro dei Pupi. Following the performance I spoke with him about his family’s three-generation love affair with puppets."
“My Mother, Francesca Vaccaro, does all the female voices and my brother, Daniel, builds the puppets,” he explained. “I write the story and am an actor during the show, along with Daniel and one other relative. Together, the three of us move the characters during the show, sometimes one in each hand.”
When I asked why he had decided to follow in the family tradition, he gave an embarrassed laugh before replying.
“It’s simple. Because I love the puppets.”
That love grew out of a strong bond with his grandfather, Alfredo Vaccaro. As a young boy he had accompanied his grandfather when he staged puppet shows in the market square on Ortygia Island, in the Old City of Syracuse, Sicily. Gradually, his grandfather allowed him to work with the characters.
“In three months, I learned only to move the puppets, but it took four, five, six years to get the emotion and sensation of the characters.” By the time his grandfather died in 1995, he knew all about the history of puppetry in Syracuse. He also knew that his destiny lie with the puppets.
The pioneer of the puppet opera in Syracuse was Francesco Puzzo, who made the first puppet in 1875. He debuted his creation in a basement on the island of Ortygia. Francesco ceased performing in 1917, but four years later his sons, led by Ernesto, revived the puppet theater. In 1923, a young pastry chef by the name of Rossario Vaccaro (Saro), opened a shop across the street from the Puzzo brothers. Saro was intrigued by the puppets. Despite the exclusionary tradition of the trade, he managed to gain acceptance and began studying under Ernesto, learning how to construct puppets and armor, paint scenery, write scripts, and produce the necessary advertise materials for shows.
Saro abandoned pastry and began building puppets in a small workshop on Ortigia. Not even the disease that struck him in 1936, which paralyzed the left side of the body, prevented him from pursuing his dream. In the 1970’s, he convinced his brother, Alfredo, a talented papier-mâché craftsman and movie operator, to join the venture. The Vaccaro brothers performed in the streets and squares, wherever they could attract a crowd, intent on reviving interest in the tradition of puppet opera. One day, Alfredo was walking along one of the narrow cobblestone streets in the old Jewish Quarter, carrying a papier-mâché duck puppet. A reporter who was in the Old City to cover another story noticed the puppet. Charmed, he followed Alfredo to the brothers’ workshop and filmed the puppets in action. Television performed the magic that had eluded the brothers; it made them, and their puppets, famous.
Certain that this historic performance art had potential to attract tourism, both the Provincial Agency of Tourism and the Ortygia Council encouraged the Vaccaros to develop professional performances. Finally, in 1978, thirty years after the closing performance of Ernesto Puzzo, the Vaccaros staged a show at the church of San Giovannello, in the Jewish Quarter of Ortygia. Following its enormous success, the city donated space in an old convent in the historic center for a permanent Opra dei Pupi theater. Saro died in the spring of 1984 but Alfredo carried on until, in 1990, a severe earthquake damaged their theater beyond repair. Once again the puppets were without a home.
Each day, Alfredo visited his beautifully carved and painted pupi, lifeless and gathering dust in the abandoned convent. Lacking the resources to buy or build a new venue, he begged every possible government agency to help, but his pleas went unanswered. Disillusioned and despondent, Alfredo disarmed and undressed each of his puppets, leaving them lying in naked piles on work benches. He dyed the magnificent faces painted by Saro with tempura until their features were unrecognizable.
In their place, Alfredo crafted new papier-mâché creatures with rough features and cold glass eyes. Once again he turned to the streets, squares, and schools to perform, now accompanied by his grandson, Alfredo Mauceri. In 1991, with a hardened heart, he refused to accept the Folkloric Artist award from the City of Syracuse, with the harsh words, “I want my dear puppets put in a museum. I do not want them to make the same end as others.” He was referring to Puzzo’s puppets, which had not been preserved. His words underlined the lack of will of the Syracuse administration to preserve the legacy of his craft.
The senior Alfredo got his wish, posthumously. His grandson Alfredo resurrected the puppets and converted a shop in the old Jewish Quarter into Teatro dei Pupi. The Puppet Museum, just down the street from the theater, is home to puppets ranging from hand-sized to nearly life-size, including damsels in long white dresses and cone-shaped hats, knights in full-body armor, and papier-mâché dragons. The museum is also run by the family, as is the workshop where Daniel creates all the puppets. If Grandfather Alfredo is looking down from above, he is surely delighted that his family has restored his cherished puppets to their rightful place in Syracuse society.
Attending a show at Teatro dei Pupi:
The theater is located on Via Della Giudecca 17/19, in the Old City, located on Ortygia Island. Two shows are performed each day, seven days per week, from March to November. As the theater is quite small, seating no more than 20, reservations are strongly recommended. Call 0931 465540, or stop by between the hours of 10 a.m. to 1 p.m. or 4 p.m. to 8 p.m."
About the puppeteer: https://danielmauceri.com/puparo/
"My name is Daniel and I'm a puppeteer. For over 40 years my family has been involved in keeping the tradition of the Puppet Opera alive in Syracuse. I grew up breathing the smell of wood, getting my hands dirty with paint and punctuating my afternoons after school to the sound of my grandfather, Alfredo Vaccaro,'s tools. I certainly inherited passion and creativity from him, while I learned manual skills from my father, Umberto Mauceri. This combination of experiences inspired me to live creating as a lifestyle.
I learned about the stories of the champions of France well before my peers at school, because at home the scripts were recited aloud before I learned to read. Through my hands, the teachings of my grandfather and my father come to life today, which over the years my experience and dedication have perfected in a perfect blend between tradition and innovation , between the past and contemporary taste. Every day in my laboratory new Puppets are born, others are restored and then come to life in the shows that the family Association puts on. Many others still find a home in private individuals or museums around the world, from Australia to Germany, from France to the United States and Japan up to the shadow and puppet museum in Chengdu in China."
For additional images of the Archeological Park, the market, Temple of Apollo, the Duomo and the Palazzo please see my previous posts:
https://www.uglyhedgehog.com/t-799740-1.html
https://www.uglyhedgehog.com/t-799893-1.html
https://www.uglyhedgehog.com/t-800136-1.html
https://www.uglyhedgehog.com/t-800275-1.html
https://www.uglyhedgehog.com/t-800444-1.html
https://www.uglyhedgehog.com/t-800697-1.html
https://www.uglyhedgehog.com/t-800857-1.html#14480850
https://www.uglyhedgehog.com/t-801010-1.html
https://www.uglyhedgehog.com/t-801420-1.html
https://www.uglyhedgehog.com/t-801575-1.html#14498029
https://www.uglyhedgehog.com/t-801671-1.html#14500575
https://www.uglyhedgehog.com/t-801839-1.html#14503853
https://www.uglyhedgehog.com/t-801996-1.html
I hope you enjoy these!
Mark
We actually had dinner after the puppet show but I had to start with my girl!
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The golden knight was swirling.
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The pupari (puppeteers) and one of the stars of the show.
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Mar 15, 2024 14:01:32 #
Mar 15, 2024 14:28:54 #
srfmhg wrote:
Location Maps:
A fascinating post Mark and it looks like you had a wonderful evening. I really enjoyed this post.
Mar 15, 2024 14:59:18 #
DJphoto wrote:
A fascinating post Mark and it looks like you had a wonderful evening. I really enjoyed this post.
It was a great evening Dennis. We really enjoyed the show and were blown away by the small size and detail of the puppets. Thanks so much for your kind comments.
Mar 15, 2024 15:19:49 #
Mar 15, 2024 16:18:54 #
Mar 15, 2024 18:56:21 #
kpmac wrote:
What a great set, Mark. Interesting and nicely photographed.
Thank you very much Ken.
Mar 15, 2024 18:56:49 #
NMGal wrote:
Thoroughly enjoyed this.
Thanks Barbra. So pleased that you did!
Mar 15, 2024 19:36:43 #
Mar 16, 2024 08:28:35 #
Mar 16, 2024 09:57:28 #
Beautifully done, Mark. Loved seeing the puppets and puppeteers. Wonderful photo of Gail’s wonderful smile, beautiful.
Mar 16, 2024 14:43:21 #
UTMike wrote:
Wonderful show and one of your best shots of Gail on this trip.
Thanks very much Mike. One of those spur of the moment shots while we waited for the first course.
Mar 16, 2024 14:43:43 #
Mar 16, 2024 14:44:27 #
joehel2 wrote:
Beautifully done, Mark. Loved seeing the puppets and puppeteers. Wonderful photo of Gail’s wonderful smile, beautiful.
Thanks so much joe. Gail always appreciates the compliments!
Mar 16, 2024 15:38:34 #
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