dsnoke wrote:
I'm not trying to debate the value of RAW files. I shoot only RAW. But I have seen statement that one can not edit a raw file. I believe that is correct, but there are some nuances that need to be explained. So what follows is my more complete (I think) explanation.
A raw file is just the data collected by the sensor in the camera, nothing more or less. What one sees, whether raw or some other format, is a rendering of that raw data by some software program. That rendering may take the form of a JPEG file or TIFF file or GIF file or whatever file format your viewing program uses.
So when you open a raw file in ACR or Affinity Photo or any other program, what you see is that program's rendering of the raw data. If you then make changes and save the file, that saved file may or may not include the original raw data. If you save the changed file as a jpeg file, then the raw data is not saved. If you save a TIFF file, then the raw data is not save, but more data is kept than in a jpeg file. I'm not sure about other file formats.
Some programs may keep a record of changes as a sidecar file or other method. In that case, the program may keep the original raw data. Then, when you reopen the file, the rendering can start with the raw data and reapply the changes for you to see.
Make sense? Comments are welcome.
I'm not trying to debate the value of RAW files. ... (
show quote)
Edits made to a raw file are usually stored in a text file (XMP?). (*1) This file is usually named 'sidecar'. Delete it and the raw file returns to its default. Something few are aware of: You can have different raw edit states within the same sidecar. (Check ACR menus to use that feature).
When viewing a raw file, the software usually shows the JPG embedded inside the raw file. The quality of what you see then is determined by the JPG settings used in camera. Advanced viewers give you the choice to decode the raw file. It takes longer and what one sees might not be as good as the JG 'preview'.
Most raw editors using their own settings when opening a file. You have to pay attention to that because if you do not, it will open a 14 bit file as an 8 bit, by example. Also, the color space is determined by the raw editor, so if you want the best, set your raw editor to accept the largest you can tolerate. Just remember you can always go lower when editing, but when opening you can lose a ton of data by not using the proper setting.
Of note, to think that a raw is unprocessed is a fallacy. The analog image projected to the sensor is processed in order to create a digital file (raw) (*2). The way it is done differs from brand to brand and from model to model (*3). This in turn means there is a bias introduced not only by the hardware (sensor used) but also by the process (analog to raw). While some of the bias introduced can be changed, it not all that easy to change other.
Once a raw file is loaded into a program, the raw file ceases to 'exist' as far as most editors are concerned (*4). You can export the result as whatever said program allows you to, including the infamous DNG format.
Another thing... Some formats are so-called raw format when they are not. Acrobat DNG is the most infamous as while DNG protects the content of the file within, this file can be a JPG or whatever the heck you want inside as long as it is an accepted digital image.
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(1) Some software had the bad habit of appending their data to the raw file...
(2) Even if you use JPG as format in camera.
(3) Hence the need for a software update when the format is brand new. That can take anywhere from a few days (sometime hours) to a couple of months, depending on the software one uses.
(4) Adobe by example will allow you to reopen a raw file if it is open as a 'smart object'. Other software can use a link to instead of importing the image. Check your software for information.