SewClever wrote:
Hi friends...I am very drawn to nature and landscape photography and I'm realizing my lightweight travel tripod often is not up to the job. Can anyone make recommendations of a sturdy tripod that works for you? I know I'll add a ball head, but really all of this is pretty new to me
Thanks! Rita
I have several tripods and monopods. When I go out to acquire photos the one I take depends on the situation. For astronomy photos or long distance telephotos, where exposure times are longer, only the most sturdy tripods will do. I also use a remote control to activate the shutter so I don't have to touch the rig.
For shorter range photos I use lighter, more portable tripods. Every quality tripod, and tripod head,
has a rated weight capacity and I am guided by those ratings. If my camera and lens is lighter than the rating, and the distance to the object isn't far, I go with the lighter rated tripods. For the most demanding situations I prefer to use a tripod and head that is rated for at least twice the weight of my camera assembly.
Pay attention to the surface on which the tripod is resting. Wood decks or soft soil can induce some unwanted motion. A paved surface or firm soil or a solid internal floor induces less.
One time I was taking astrophotos on firm soil in a rural place. I didn't realize that there were railroad tracks not far away. During a longer exposure a train came buy and the vibrations blurred the photo.
Another factor to consider is how quickly a tripod "settles down" after being bumped. Even the slightest disturbence such as a gust of wind can cause harmonics in some tripods that will reduce the sharpness of a photo. I woud suggest that you go to a good camera store and place your equipment on various tripods. Operate the leg extensions and check on the lock-up strength of the ball heads. Move the ball head around with the locking knob at various levels of tightness to see of the resistance is smooth and even. Some are better than others.
If you belong to a photography club, or can go to a club outing as a visitor, you can learn a lot about equipment.
For studio work or panoramic landscapes, I only use my heaviest tripods, with a gear head so I can make precise adjustments. When I need faster object acquisition I like a ball head or a gimbal head. For videos, where I am constantly moving the camera, I like a fluid head with a long control handle.
The best tripod is very situational.