I watched a video on how using an 85/1.8 Full Frame equivalent lens, a portrait lens, could bring a unique look to landscape photos.
One of the first lenses I purchased in my beginning journey into MFT was the Olympus 45/1.8 lens. This has a field of view roughly equivalent to 85mm on FF.
These photos were taken with this lens on a Panasonic G95.
Nice shots.
Amazing how a "portrait lens" can be used for other applications, eh?
I just have lenses.
None identify as a portrait lens.
(On my zooms, I just "zoom" for the crop. I don't pay attention to the focal length.)
joecichjr
Loc: Chicago S. Suburbs, Illinois, USA
deanfl wrote:
I watched a video on how using an 85/1.8 Full Frame equivalent lens, a portrait lens, could bring a unique look to landscape photos.
One of the first lenses I purchased in my beginning journey into MFT was the Olympus 45/1.8 lens. This has a field of view roughly equivalent to 85mm on FF.
These photos were taken with this lens on a Panasonic G95.
Stupendous results 🎈🎈🎈🎈🎈
Nice shots--the first and second are my favorites.
Absolutely beautiful set, it's hard to choose between the first and second shots
deanfl wrote:
I watched a video on how using an 85/1.8 Full Frame equivalent lens, a portrait lens, could bring a unique look to landscape photos.
One of the first lenses I purchased in my beginning journey into MFT was the Olympus 45/1.8 lens. This has a field of view roughly equivalent to 85mm on FF.
These photos were taken with this lens on a Panasonic G95.
I like my Lumix 42.5mm f/1.7 for similar uses. I bought it as a "portrait and interviews" lens, since I do a lot of video. Wide open, it will give me shallow focus on a person, in interview situations.
Telephoto lenses seem to "compress" perspectives in distant scenes. This is not actually a property of the lens, but is a property of the relative distance things are to one another vs. your camera. My 35-100mm f/2.8 zoom on the GH4 gives me two things: variable facial flattening in head-and-shoulders compositions, and good landscape compression.
One of my favorite landscapes was made in 1978 on Kodachrome 64 film with a 135mm lens on full frame. It's the Badlands of South Dakota at sunset. It is a decidedly trippy scene! It reminds me of a Roger Dean cover of a Yes album.
Beautiful images of MFT with portrait lens !!! Thank you for sharing. Shang..
Nothing wrong using an 85mm lens for landscapes. Instead of the whole view the photographer will select a part of the landscape which he or her finds interesting as a visual design. This is better known as the "intimate landscape" and it can be very effective.
The 45mm f1.8 is a pretty good optics, I have used it for portraits but when it came the time to buy I went for the Sigma 60mm f2.8 Art. I do not regret my choice although I admit I favor the lenses made by the camera manufacturer.
"(On my zooms, I just "zoom" for the crop. I don't pay attention to the focal length.") If that is the way you use your zooms that is fine but I pay attention to the focal length. Preparing to shoot a portrait I will use in my zooms something like the 85 or 100mm focal length and move around the subject as I see it fit. When shooting landscapes I do exactly the same, I go to something like a 24, 28 or even 35 depending on the subject and move around till I see the composition I like. Zooming to a focal length I am actually cropping, not my style.
burkphoto wrote:
I like my Lumix 42.5mm f/1.7 for similar uses. I bought it as a "portrait and interviews" lens, since I do a lot of video. Wide open, it will give me shallow focus on a person, in interview situations.
Telephoto lenses seem to "compress" perspectives in distant scenes. This is not actually a property of the lens, but is a property of the relative distance things are to one another vs. your camera. My 35-100mm f/2.8 zoom on the GH4 gives me two things: variable facial flattening in head-and-shoulders compositions, and good landscape compression.
One of my favorite landscapes was made in 1978 on Kodachrome 64 film with a 135mm lens on full frame. It's the Badlands of South Dakota at sunset. It is a decidedly trippy scene! It reminds me of a Roger Dean cover of a Yes album.
I like my Lumix 42.5mm f/1.7 for similar uses. I b... (
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Thank you for taking the time to comment. A part of your response that I found interesting was your mention of the Badlands. This is on my bucket list and renews my interest in going there. I have been to Mt. Rushmore and Crazy Horse. I know there is much more to see around there.
deanfl wrote:
Thank you for taking the time to comment. A part of your response that I found interesting was your mention of the Badlands. This is on my bucket list and renews my interest in going there. I have been to Mt. Rushmore and Crazy Horse. I know there is much more to see around there.
Go there at sunset! It's spectacular then, and relatively boring at high noon.
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