User ID wrote:
Seems like good news. I just hope the PDAF sensels dont mar the low light shadows when cranking the ISO ... mainly a concern for when PDAF finally makes it into m4/3, and especially if theres an increase in pixel count.
I hope so, too. I could be wrong, but I don't see photo/video oriented Micro 4/3 cameras getting much higher pixel counts very soon. There are higher MP m43 sensors out there, but they are primarily designed for security cameras and other industrial applications.
There are a LOT of S5 II test videos and stills on YouTube. Panasonic had a December event in Tokyo where they showed off the S5 II to around 100 YouTube influencers. They gave them pre-production copies of the camera to play with. Three days later, most of those folks went home with production samples of the camera to play with for several weeks.
Their reviews seem to have been uploaded on the opening day of the CES show in Las Vegas. A few reviews were edited several times after initial upload to add information and correct errors. But it is remarkable how similar their observations are. Consensus is 14.2 stops of dynamic range, with around 12.3 stops usable before noise reduction is needed.
From the looks of the test footage, Panasonic has solved most of the AF issues folks had with CDAF and continuous autofocus. They're either tied for second place or in a solid third place, now. But with so many other compelling features in the S5 II, that is good enough for most video bloggers and low budget filmmakers. Panasonic is all-in on video features, which is why so many folks consider this to be a watershed moment.
Panny's audio features alone set their video apart, along with the ability to set Shutter Angle, a filmmaker's way of controlling the "blurring transition" between frames. Add waveforms, vector scopes, zebra highlight warnings, downloadable LUTs, V-Log flat profile, anamorphic lens compatibility, open-gate video recording, and other features missing from the competition, and there's a lot to like.
There are better (and more expensive) full frame stills cameras that "also do video", but there are few to none that serve the hybrid crowd like this one.
The good news is, all camera companies' new models continue to get better. With all the gloom and doom, most are still releasing new bodies, new lenses, and updated versions of old lenses.