danniel wrote:
I most often use my Pentax 100mm Macro lens for my smaller subjects.
It is classed as a 1 to 1 ration. But since I am using a crop sensor of 1.5 wouldnt that give the lens a FOV of 150mm>
And if so would that change the ratio ?.
I also use a 35mm and 50mm reversed for much smaller subjects.
So I am curious as to what ratio's those would be on full and crop sensors.
This is math and knowledge beyond my means mates . Perhaps someone here will have them smarts and satisfy my curiosity.
Thanks
2 from my 100mm
Pentax K3
Spider of some sort, and 2 thorny Tree Hoppers, perhaps (horny) tree hoppers.
I most often use my Pentax 100mm Macro lens for my... (
show quote)
It's really pretty simple.
1:1 ratio is 1:1 ratio, regardless of the sensor size.
However, 1:1 with a so-called full frame camera means a 24x36mm image can be filled with a 24x36mm object. On the other hand, 1:1 with an APS-C camera means that an approx. 15x23mm sensor can capture an approx. 15x23mm object. Both are the same degree of magnification, despite the difference in sensor dimensions.
Later if you enlarge both images to any given size without any cropping, it will seem as if the crop sensor renders higher magnification. But that's only because to make any given size from those sensors requires greater enlargement of the crop sensor image. For example, to make an 8x12" print from a full frame camera's image requires about 8X enlargement... In comparison, making the same size print from an APS-C sensor image means about 13X enlargement. (Assumes no cropping in either case.)
In other words, as far as the lens focal length and magnification ratio there's no real change. It's further down the line in the process that things differ, most notable (and easier to understand) when physical prints are made.
It's a lot like lens focal length, which also actually doesn't change regardless of sensor format. A 100mm lens is still a 100mm lens, whether it's on a full frame camera or an APS-C or a Micro 4/3 or even medium format. That 100mm focal length will "act differently" on the different formats, but it's still just 100mm. For example, on a medium format camera, with image size much larger than "full frame", a 100mm can be a "standard" lens... not wide angle or telephoto. On a so-called full frame camera, it will "act like" a short telephoto, while on APS-C it will be more of a moderate telephoto and on Micro 4/3 a fairly powerful telephoto. Right or wrong, we tend to equate everything to so-called full frame, since the 24x36mm image format is one of the most common. (When it 35mm roll film using this image format first started to become common shortly after WWII, it actually was called "miniature", since most roll film cameras prior to that were what we today call "medium format".)
Note that the same is true of Minimum Focus Distance (MFD). That's a lens characteristic that doesn't change, either. MFD is measured from the focal plane of the camera (i.e., the surface of the image sensor or film). As a result, part of the camera and the lens itself occupy some of that space. I'm sure you are aware, this doesn't matter very much with "normal" photography where MFD can often be measured in feet or meters. But it can be a real issue with macro where you're working really close to the subject and MFD is often measured in inches and centimeters. We might call it "working distance".... The distance between the front of the lens and the subject is what remains after the physical length of the lens and the distance the focal plane is recessed inside the camera are both deducted from the MFD. It can be minimal at macro magnifications, when using lenses with extremely close focusing capabilities.
MFD also doesn't change with different sensor sizes. The focal plane and where the lens is designed to focus varies a bit from camera to camera... but when you compare different size image sensors in any given mount (Pentax in this case), both the focal plane and the lens MFD remain the same regardless of sensor format.