Ugly Hedgehog - Photography Forum
Home Active Topics Newest Pictures Search Login Register
Main Photography Discussion
Shot with multiple White Balance
Page 1 of 3 next> last>>
May 4, 2021 20:26:28   #
Alphabravo2020
 
I'm wondering how you guys deal with situations where there are two major light sources requiring different white balance settings. I was doing some test shots at a property where the background is in bright sunlight and the foreground is in shade. As you can see, the foreground could stand for some white balance correction but I'm wondering if there is a way to do it in-camera rather than trying to mask it in PS.
TIA.



Reply
May 4, 2021 20:30:30   #
Ysarex Loc: St. Louis
 
Alphabravo2020 wrote:
I'm wondering how you guys deal with situations where there are two major light sources requiring different white balance settings. I was doing some test shots at a property where the background is in bright sunlight and the foreground is in shade. As you can see, the foreground could stand for some white balance correction but I'm wondering if there is a way to do it in-camera rather than trying to mask it in PS.
TIA.


I know of no way to set multiple white balances for the same shot in camera. I do it frequently in post however -- in fact I just processed an image a few hours ago in which I did that.

Reply
May 4, 2021 20:32:50   #
Longshadow Loc: Audubon, PA, United States
 
I adjust the white balance to my liking (a compromise of both) in the RAW editor.

Reply
 
 
May 4, 2021 20:46:10   #
Alphabravo2020
 
As you can see, if I correct the white balance for shade it throws off the full sunlight white balance. Maybe nor for the worse??

Perhaps I could do it with multiple exposures somehow but I didn't have a tripod or know how to go about it.



Reply
May 4, 2021 20:48:48   #
Longshadow Loc: Audubon, PA, United States
 
Some RAW editors let you select specific color temperatures, like in-between shade and sun.

Reply
May 4, 2021 20:50:50   #
Alphabravo2020
 
Ahhh. B/W solved all my color problems :D

I'm also struggling with two different optimum exposure settings. I guess masking in PS is probably the best solution to the two problems. Also I don't think the Nikon will allow different w/b settings on multiple exposures. Perhaps on bracketing with auto w/b.



Reply
May 4, 2021 21:30:30   #
Orphoto Loc: Oregon
 
Another potential option is a local area adjustment in Lightroom or ACR tweaking the color temperature.

Reply
 
 
May 4, 2021 21:55:49   #
Architect1776 Loc: In my mind
 
Alphabravo2020 wrote:
I'm wondering how you guys deal with situations where there are two major light sources requiring different white balance settings. I was doing some test shots at a property where the background is in bright sunlight and the foreground is in shade. As you can see, the foreground could stand for some white balance correction but I'm wondering if there is a way to do it in-camera rather than trying to mask it in PS.
TIA.



Reply
May 4, 2021 23:24:42   #
Haydon
 
You might look into the Color Checker Passport which has a feature called Dual Illuminant DNG which can handle 2 different white balances.

Reply
May 5, 2021 06:15:07   #
billnikon Loc: Pennsylvania/Ohio/Florida/Maui/Oregon/Vermont
 
Alphabravo2020 wrote:
I'm wondering how you guys deal with situations where there are two major light sources requiring different white balance settings. I was doing some test shots at a property where the background is in bright sunlight and the foreground is in shade. As you can see, the foreground could stand for some white balance correction but I'm wondering if there is a way to do it in-camera rather than trying to mask it in PS.
TIA.


In this situation, I would meter the back ground on manual and keep those settings making sure to shoot under the max. flash sync. for my camera (in most cases 1/250 sec.) I would then use my flash set to full auto TTL flash and take the shot, your flash will fill in the table and chairs to the same exposure level as the background.
If the shot is a little light, set the EC on the flash down, if it is not light enough, set the EC on the flash up.

Reply
May 5, 2021 07:16:02   #
Drbobcameraguy Loc: Eaton Ohio
 
Alphabravo2020 wrote:
I'm wondering how you guys deal with situations where there are two major light sources requiring different white balance settings. I was doing some test shots at a property where the background is in bright sunlight and the foreground is in shade. As you can see, the foreground could stand for some white balance correction but I'm wondering if there is a way to do it in-camera rather than trying to mask it in PS.
TIA.

Go to Cambridge Color. They have an intermediate tutorial on white balance and processing 2 different white balances in post.

Reply
 
 
May 5, 2021 07:33:49   #
rmalarz Loc: Tempe, Arizona
 
I capture my original exposure using RAW format. Then, in processing, I attend to WB and Hue correction.
--Bob
Alphabravo2020 wrote:
I'm wondering how you guys deal with situations where there are two major light sources requiring different white balance settings. I was doing some test shots at a property where the background is in bright sunlight and the foreground is in shade. As you can see, the foreground could stand for some white balance correction but I'm wondering if there is a way to do it in-camera rather than trying to mask it in PS.
TIA.

Reply
May 5, 2021 08:22:15   #
Tomfl101 Loc: Mount Airy, MD
 
Alphabravo2020 wrote:
I'm wondering how you guys deal with situations where there are two major light sources requiring different white balance settings. I was doing some test shots at a property where the background is in bright sunlight and the foreground is in shade. As you can see, the foreground could stand for some white balance correction but I'm wondering if there is a way to do it in-camera rather than trying to mask it in PS.
TIA.

There’s no way to do it in camera without using flash to add daylight balanced color to the foreground as billnikon suggests. This is how commercial real estate photographers do it for exposure and white balance purposes. In this case you would need a very powerful flash to overcome the background exposure and assure soft non-directional lighting with bounce flash or light modifier.

Reply
May 5, 2021 08:49:36   #
Alphabravo2020
 
Awesome 👌 thanks all.

Reply
May 5, 2021 08:56:53   #
BboH Loc: s of 2/21, Ellicott City, MD
 
I wonder if a multiple exposure, if the camera can do multiple exposures, shot would correct the problem?

Reply
Page 1 of 3 next> last>>
If you want to reply, then register here. Registration is free and your account is created instantly, so you can post right away.
Main Photography Discussion
UglyHedgehog.com - Forum
Copyright 2011-2024 Ugly Hedgehog, Inc.