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Low Light Cameras
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Aug 12, 2020 10:04:07   #
imagemeister Loc: mid east Florida
 
User ID wrote:
Read the question. Freedom to choose lenses is indicated. That eliminates P&S.

Read the OP. “Camera body” is contrasted with “What lens is on the camera”. That difference applies only to interchangeable lens systems.


I DID read the OP - my loose interpretation makes it go EITHER way - but I am not here to argue the point with you.......

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Aug 12, 2020 10:08:23   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
User ID wrote:
Since the lens is interchangeable that kinda rules it out of the equation.




Correct. Low light capability is completely within the camera - sensor size, design, pixel density, photosite size, dynamic range, camera electronic-contributed noise, etc etc etc. And unlike one person who believes that low light mostly refers to point and shoot cameras (pure nonsense), a camera's low light capability is a factor for all cameras.

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Aug 12, 2020 10:22:13   #
jayluber Loc: Phoenix, AZ
 
HAs a lot to do with pixel size. Generally, on same size sensor - the 20MP will be better in low light than the 45MP cameras. The larger pixels are just better in low light. That's why the new mega pix cameras (45, 72, etc) do not do so well in dark light.

And its very difficult to use flash to illuminate outdoor landscapes and MW photos.

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Aug 12, 2020 10:55:47   #
imagemeister Loc: mid east Florida
 
Gene51 wrote:


Correct. Low light capability is completely within the camera - sensor size, design, pixel density, photosite size, dynamic range, camera electronic-contributed noise, etc etc etc. And unlike one person who believes that low light mostly refers to point and shoot cameras (pure nonsense), a camera's low light capability is a factor for all cameras.
img src="https://static.uglyhedgehog.com/images/s... (show quote)


LOL .... yes, all this is TRUE except for point and shoots - like the Sony RX10 series where the LENS is a factor because it is not interchangeable - but not the only factor....which is NOT "pure nonsense" I have qualified my statements and stand by them - READ them

Low light does not mostly refer to P&S - but MOST reviewers when they speak of "Low light abilities of CAMERAS" are referring to P&S - otherwise they would say the model BODY of a interchangeable camera or just say sensor. I am not here to argue with YOU either ! but, I will if you make me
.

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Aug 12, 2020 11:23:04   #
gvarner Loc: Central Oregon Coast
 
Longshadow wrote:
Doesn't answer the question.
What if use of a flash is not desired?


I didn’t say it solves all the problems.

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Aug 12, 2020 11:45:08   #
Blair Shaw Jr Loc: Dunnellon,Florida
 
Canisdirus wrote:
Some cameras are better with low light than others to answer your question.
Shooting at say 6400 iso with three different cameras will yield three different images as far as 'grain' is concerned.

I can shoot no problem at 6400 with the Sony A7RIV.
If I do the same with my Sony A77II ... what a mess.

Yes, the sensor and processor and software make a HUGE difference.


AMEN>>>AMUNDO !

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Aug 12, 2020 11:51:42   #
SuperflyTNT Loc: Manassas VA
 
imagemeister wrote:
LOL .... yes, all this is TRUE except for point and shoots - like the Sony RX10 series where the LENS is a factor because it is not interchangeable - but not the only factor....which is NOT "pure nonsense" I have qualified my statements and stand by them - READ them

Low light does not mostly refer to P&S - but MOST reviewers when they speak of "Low light abilities of CAMERAS" are referring to P&S - otherwise they would say the model BODY of a interchangeable camera or just say sensor. I am not here to argue with YOU either ! but, I will if you make me
.
LOL .... yes, all this is TRUE except for point an... (show quote)


I have an RX10MIV and its f/2.4-4 lens is about as fast as it gets on a fixed lens camera. It’s a great camera, but the 1” sensor means that just about anything I shoot over ISO 800 needs to run through Topaz Denoise AI.

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Aug 12, 2020 12:07:07   #
hpucker99 Loc: Anchorage, Alaska
 
gvarner wrote:
A flash, even the most simple and basic, solves a lot of "available dark" problems.


A flash is not much use when photographing the Perseids meteor shower or the recent Neowise comet....

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Aug 12, 2020 12:12:18   #
boberic Loc: Quiet Corner, Connecticut. Ex long Islander
 
I have another reason for wanting a good "low light" camera. Camera shake. The better low light performance the higher the shutter speed, as a result of a higher ISO will illiminate camera shake problems

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Aug 12, 2020 14:40:08   #
eadler
 
Much depends on the lens An f.stop to say 1.4 will allow better low light performance. The other factor is a camera with high ISO capability.

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Aug 12, 2020 14:55:33   #
jayluber Loc: Phoenix, AZ
 
I had a camera shake the other day. Prefer chocolate or really... black and white.

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Aug 12, 2020 15:30:56   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
imagemeister wrote:
LOL .... yes, all this is TRUE except for point and shoots - like the Sony RX10 series where the LENS is a factor because it is not interchangeable - but not the only factor....which is NOT "pure nonsense" I have qualified my statements and stand by them - READ them

Low light does not mostly refer to P&S - but MOST reviewers when they speak of "Low light abilities of CAMERAS" are referring to P&S - otherwise they would say the model BODY of a interchangeable camera or just say sensor. I am not here to argue with YOU either ! but, I will if you make me
.
LOL .... yes, all this is TRUE except for point an... (show quote)


RX10 is a bridge camera, not a point and shoot. Unless you are using a very broad interpretation, then all cameras are point and shoots - since all cameras must be pointed at something before you shoot it. Same goes for firearms . . .

The RX10 provides good moderately high ISO images - I've gotten great results at ISO 1600 and good results at 3200 and 6400. Pretty amazing for such a tiny sensor, but I wouldn't go around calling it a good low light camera. It's performance at 6400 is about on par with what a D5 can do at 51,200 and a D300 at ISO 1600.

A lens with a large aperture, while contributing to low light performance only because it can let in more light, doesn't turn a camera that is mediocre at high ISO/low light into one that is great at low light. On the other hand, a camera that is good at ISO 25600 and higher is good in low light. Noise and other issues are present regardless of whether the lens is an F1.4 or an F4 for it's maximum opening. Generally speaking a camera that contributes little noise from its electronics (ISO invariant), has large pixel sites (better light gathering), and has a large sensor (lower magnification to attain a particular image size) will qualify as a low light/high ISO camera. This pretty much eliminates any traditional point and shoot camera with tiny sensors.

An example of what I am talking about would be what camera/lens to use to shoot sporting events at night. A night baseball game provides enough light for an exposure value (EV) of around 8. For depth of field purposes, a photographer may want to use an aperture of F4 or even F5.6 with a long lens. A camera like a D300 that is already starting to show noisy shadows at ISO 800 would be an absolutely terrible choice in this situation. An F2.8 lens used wide open will provide a shutter speed of 1/500 at ISO 800 if used wide open. That would be the limit if using a D300 - higher ISO would be too noisy, and a lens with an F2 or F1.4 would only give a stop or two more "wiggle room" and a lot less depth of field. The only fast teles in this realm would be the 200mm F2, 300 and 400mm F2.8. You can forget about anything with a wider max aperture. Not a lot to work with there. In contrast, a camera like a D3S/D4/D5 - with a usable ISO of 25,600 for the D3S will let you shoot at F5.6 and still have an action-freezing 1/4000 sec. I'm sure you agree that the D300 is not a good low light camera regardless of what lens you put on it, and the D3S is, even if you use a lens that has a maximum aperture of 5.6.

That's why I called pure nonsense to your statement.

I don't care about being right - but it is entertaining to watch you get frustrated when I am. Have an amazing rest of your day. . .



.

RX10M4, 1/60, F3.5, ISO 6400
RX10M4, 1/60, F3.5, ISO 6400...
(Download)

D300, 1/1000, F8 ISO 1600
D300, 1/1000, F8 ISO 1600...
(Download)

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Aug 12, 2020 15:51:45   #
gvarner Loc: Central Oregon Coast
 
hpucker99 wrote:
A flash is not much use when photographing the Perseids meteor shower or the recent Neowise comet....


I said it solves "a lot of the problems", not all of the problems.

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Aug 12, 2020 16:09:03   #
imagemeister Loc: mid east Florida
 
Gene51 wrote:
RX10 is a bridge, not a point and shoot. Unless you are using a very broad interpretation, then all cameras are point and shoots - since all cameras must be pointed at something before you shoot it. Same goes for firearms . . .

Haven't had a good argument with you in a while - your turn . . .

BTW, I will have an argument with you only if I want to. You, or anyone else, cannot make me. Just sayin'
RX10 is a bridge, not a point and shoot. Unless yo... (show quote)


Yes, broad interpretation .......how about non-interchangeable lens camera /P&S/bridge camera - all the same to me ....sensor sizes will differ tho ....and calibers !
.

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Aug 12, 2020 16:23:30   #
Ryeley Loc: Springfield, Ohio
 
I think it is better to look at the sensor and see how it is rated in low light. I was looking at the specs for the Nikon z6 and z7. Both have the same physical sensor size, but the Z6 is around 25 Megapixels and the Z7 is 46. What that means is the pixels on the Z7 are much smaller. as a result the Z6 is said to be better in low light because it has larger pixels to grab more light. After that you will want to find a lens that is good in low light.

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