Here is a set of images showing That Necklace. Strictly for fun, from my Archive of Olde. A couple of these images have been posted before but this a collection of all of them that I could find.
JohnFrim
Loc: Somewhere in the Great White North.
Same old, same old in every photo... the necklace, of course! The backgrounds show great -- and lovely --variety.
great background on all the pictures. A great model for the necklace also. Love the necklace.
Nice. I just know that necklace is in the back of some drawer somewhere, pulled out once and a great while. How many models in the set? Necklace Lass and Waistlace Lass?
mjc925 wrote:
Nice. I just know that necklace is in the back of some drawer somewhere, pulled out once and a great while. How many models in the set? Necklace Lass and Waistlace Lass?
MJC: First and third images are same lass. Rest of these images are one-per. The very last gal that I photographed using that necklace walked off with it. Not deliberately as much as we were preoccupied with what was going on and simply forgot about it. Well, at least she has a fun piece of jewelry. I looked this thing up using Google and they are available at a pretty reasonable price. End of Necklace story! -JimT
Great series, second from last is the best. Well done!
One of my favorite series.
Lovely. Reminds me of one of my life drawing anatomy books which I studied vigorously. And to me, further shows your use of props was a key element in helping garner your success.
FA: I doubt that I was aware of some of the aspects of "props" but rather they (the props) were kind of a means of offering the subject a kind of security. They were not just "nekkid" but rather had an item behind which they could more or less hide. As a situation evolved they hid less and less. Another tidbit about my photographs is that the pubic area is commonly avoided. Going through my photos tells me that the pubbies show to some extent in about 8% or so. Those images that are blatant in that regard are a result of getting to know the subject and agreeing to some kind of outrageous fun. A rule I always stated at the start of a session is that if the subject didn't feel good about a suggested pose then we wouldn't do it. Or if they wanted to do some particular pose but I didn't feel good about it, ditto, we wouldn't do it. Works both ways.
People photographers need street smarts, common sense, and the ability to put put people at ease.
You should show these to the lady in the Discussion section who wants to photograph her jewelry. Sweet!
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