If a tree falls in the desert does anybody hear?
Does anybody hear the forest fall?
grandpaw wrote:
I follow and watch a lot of photography videos and I am wondering a what point does taking a photo of an individual tree become a requirement. A lot of photographers seem to do this. It really hasn't appealed to me, is there something I am missing? They seem to go on and on about the composition and how beautiful the scene of the single tree is. I don't get it! What am I missing???
I typically prefer taking pictures of married trees with big families.
CHG_CANON wrote:
They took all the trees
And put them in a museum
They charge the photographers
A dollar and a half to see them
Move over Joyce Kilmer, there's a new sheriff in town.
RodeoMan wrote:
Move over Joyce Kilmer, there's a new sheriff in town.
It's a takeoff on a Joni Mitchell lyric in Big Yellow Taxi:
"They took all the trees
Put 'em in a tree museum
And they charged the people
A dollar and a half just to see 'em"
The most famous line is in the chorus: "They paved paradise and put up a parking lot."
grandpaw wrote:
I follow and watch a lot of photography videos and I am wondering a what point does taking a photo of an individual tree become a requirement. A lot of photographers seem to do this. It really hasn't appealed to me, is there something I am missing? They seem to go on and on about the composition and how beautiful the scene of the single tree is. I don't get it! What am I missing???
Beauty is in the eye of the beholder. I take photos of trees if there’s a feature I consider attractive. Age, character, shape etc. I can’t see why any image of any thing dictates whether or not you’re a photographer.
grandpaw wrote:
I follow and watch a lot of photography videos and I am wondering a what point does taking a photo of an individual tree become a requirement. A lot of photographers seem to do this. It really hasn't appealed to me, is there something I am missing? They seem to go on and on about the composition and how beautiful the scene of the single tree is. I don't get it! What am I missing???
The point is to see the tree in different ways, in different light, different seasons etc.
The first photography course I took was by a teacher who had spent her whole carreer taking pictures of her neighborhood and it adjacent urban park. She only shot in film and only in black and white. Our course assignment was to find a small convenient 'place' that we could visit regularly and shoot under different conditions. We figured out the 'exposure triangle' by trying to produce different results from the same subjects. The teacher knew nothing about digital cameras and paid little heed to 'gear' but she taught me how to explore ways to 'see' a subject.
Well Grandpa, you stuck your foot in it this time, didn't you? What you thought would be a fun little discussion has led to another Hedgehog civil war and folks casting apersions on your character. I like your photography and appreciate the efforts you take to share with others, not only on this forum, but in your day to day life. There no doubt many other subjects other than the lone tree that had you made the same statement a similar outbread of apolexy would have resulted.
wdross
Loc: Castle Rock, Colorado
Harvey wrote:
I am very fortunate to have this scene just a few miles from my house every spring - this is in the CA Sierra Mnts foot hills at about 1,000 ft - for every 10 mi the road - CA 88 - goes up a 1,000 ft topping of at Carson Pass at 8,500 ft. so the roadside wild flowers are in bloom from May 1st to Sept 1 st the about Oct. 1st the Aspen turn and we have fall colors for about 3 weeks much like around my home town of Pagosa Springs
I have to share the front range roads here in Colorado, but I shouldn't complain. There are many photographers that do great with less subject material. Thank you for some of the locations and information. I am adding it to my photographic "to do" list. I also love the four corners area. I get down there as often as possible.
SuperflyTNT wrote:
I took a look at your work and I find it very ironic that as much as you like the highly processed look you’re complaining about long exposure water photos looking alien.
One finds one’s ironies where one seeks to find them. Hopefully you will find further irony in this:
Yes I despise cotton candy water which is not processing but mainly done directly by exposure and no I do not find processed sunsets to be generally bogus where the processing is necessary largely due to the extreme range involved.
SuperflyTNT wrote:
I took a look at your work and I find it very ironic that as much as you like the highly processed look you’re complaining about long exposure water photos looking alien.
Same as sharply frozen wings on hummingbirds.
If a tree falls in the forest, was the image in focus?
grandpaw wrote:
I follow and watch a lot of photography videos and I am wondering a what point does taking a photo of an individual tree become a requirement. A lot of photographers seem to do this. It really hasn't appealed to me, is there something I am missing? They seem to go on and on about the composition and how beautiful the scene of the single tree is. I don't get it! What am I missing???
I may be reading between the lines of your op and some of your follow-ups, but it seems to me that what irks you is the apparent compulsion of many photographers to explain their work, whether it's of trees or any other subject matter.
The epitome of this is the so-called "artist's statement", where the photographer (or any other person with pretensions to being an artist) is expected (and often required by exhibitors or contests) to provide some sort of narrative that explicates or justifies the images, especially a collection of images.
Here's a random statement of the importance of an artists statement that I pulled off the web -- there are many others of similar import:
"It’s impossible to bring a body of work to its full potential without being able to articulate in words what our photographs say and why they are meaningful to us personally. While not all of our reasons for creating a project are relevant to include in an artist statement, having the discussion is a mandatory part of the process in order to create a cohesive and powerful body of work."
If this is what you're complaining about, I'm right there beside you. If it's just that, for some reason, you don't like tree pictures, I can't be of any help.
unfortunately now vandalised apparently. Here is a stunner of it (not my photo but I wish it was) before it was attacked
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