E.L.. Shapiro wrote:
It's psychological! My day job is in commercial photography and corporate portraiture. The clients want everything to look pristine, smooth, elegant, new, appetizing/yummy, perfect, beautiful! Ahhhhhhhhhugh #**%#%^&^**... it's enough to drive a photographer crazy! So...in my off-duty photography time, it's off to the junkyards, second-hand stores, demolition sites, and yes- sometimes an enticing garbage can or dumpster in search of "props"!
Some photographers take on what I like to call a "false ethic"...every photograph must make a profound statement, a photojournalistic record of a historical event, every image must be "relevant", the shutter must be released at the "decisive moment"...! OK- all good but not all the time. A pile of rusty junk is a static subject- it ain't gonna run away. move around, or escape- you can take all day to arrange it and you can release the shutter any time you feel like it!
Talk about "still-life"- this stuff is dead, buried, and dug up! If there is a creative or artistic element or challenge it is to render texture, creat dimensionality, practice composition, and convincing you significant other to allow you to bring this stuff into your home and actually store it there.
I am big-time into slow oxidation (rust), dilapidated wood, parts of old farming implements, and corroded car parts- those are some of my favorites.
Denoise- my foot! Grain, noise adds to the texture! Topaz textures are cool- all little gunge never hurts!
Just remember- wash your hands and don't touch your face, especially before you disinfect some of this stuff.
What with the lockdown, isolation, quarantine, etc. now is the time to check out the cellar, attic, barn, or messy closet and find some stuff and go to it!
Well- it's 8:45- time for me to go into the studio and shoot some fancy jewelry:sm25.
It's psychological! My day job is in commercial p... (
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I think what you said was my goal, "to render texture, creat dimensionality, practice composition". Then, I wondered if that would be enough to hold interest as a photograph.