TerryLA wrote:
I'm familiar with the full frame and the crop sensor camera but not the 4/3 camera. Would that be simular to the old medium fram cameras or is it totally different? And this a good starting point going into mirrorless if one can not afford the much higher prices of the full frame mirrorless cameras? Also what is a good model to go into if one were to purchase not being a professional photographer?
Do not confuse the current MICRO 4/3 format with the very old, obsolete Olympus 4/3 format. The sensor size is the same, but the lenses have different mounts.
That said:
If 35mm film exposed area = “full frame,” then APS-C is “half frame,” and Micro 4/3 is “quarter frame.”
These formats have different uses. Micro 4/3 is great for travel, general photography, and video.
Over 110 lenses are available to fit BOTH Panasonic Lumix and Olympus bodies.
There are generally three types per brand. The compact “fashion and travel” bodies are small, light, inexpensive, and limited. The midrange bodies are more expensive, but very well equipped. The pro bodies have the latest technologies and best performance.
I’d start in the middle. Look at the Panasonic Lumix G95, and the Olympus OM-D E-M5 Mark III.
The chief advantage of Micro 4/3 is the overall system weight. It can be 1/4 to 1/3 of a full frame kit of “equivalent” gear.
The chief disadvantage is that low light sensitivity is two f/stops lower than full frame, and one stop lower than APS-C, on average, for the same megapixel count sensors.
Lenses are HALF the focal lengths of full frame for the same fields of view. Depth of field on m43, at the same distance and FOV is, therefore, “two stops deeper” at the same aperture. This is a disadvantage in some cases, and a big advantage in others.
I hope that helps. Go to
http://www.dpreview.com ...and search for Micro 4/3 cameras. They’re all there.