selmslie wrote:
10 feet is still not the hyperfocal distance.
It's just the distance on which you are focused
- the focus distance.
When you focus at the hyperfocal distance, the
far limit is at infinity and the near limit is one
half the hyperfocal distance.
..............
Yup. Far limit at infinity, thaz the classic definition.
Acoarst that 10 ft focus point WOULD be the real
hyperfocal distance at whatever stop puts infinity
focus at the far limit :-)
I don't even recall the term hyperfocal "distance"
ever spoken that way. It was always hyperfocal
"setting", which meant looked at your DoF scale
and estimated your desired DoF range, such as
5 to 30 feet, and selected a marked pair on the
DoF scale that where you could set the 5 ft and
the 30 ft at the limits ... not paying attention to
the actual true focus distance. If a single subject,
rather than a deep scene, was important, you'd
focus on THAT, check your DoF preview or scale,
and acoarst no "hyperfocal setting" was used.
============================
Basically, hyperfocal setting was the "box camera"
focus for whatever stop is in use ... acoarst ruling
out the few box cameras that had 2 or 3 f/stops !
Remember the old zone focus graphic symbols of
"1/2 person", "3 persons", and "Mountains" which
meant, approximately, 3.5 ft, 10 ft, and "distant" ?
I once had a symbol-focusing camera where the
focus symbols were in 3 distinct colors and 3 of
the f/stops were in corresponding colors, so you
could pick the f/stop whose DoF included infinity
or distant focus to match that zone focus symbol.
Obviously f/22 for the "1/2 person" symbol, and
then wider stops for the other 2 zone symbols.
I don't remember what zone focusing camera she
had, but I had a partner who could not estimate
even the zone symbols. She would point toward
a subject and ask me "Is that 1 people, 3 people,
or mountains ?"