R.G. wrote:
As a general rule, B&W can take quite a lot of contrast and usually benefits from generous amounts. However, with B&W it's all about greyscale, and if the brightness levels are similar in the subject and the background, contrast will have a limited effect on the subject's prominence. One of the reasons why some of the other edits are working better is because they don't depend solely on brightness. The difference in colour between the branches and the background can be used to differentiate between the two.
If your B&W converter has the ability to brighten or darken the different colours after conversion you could use that to add contrast between the branches and the background. Beyond that you're limited to using differences in texture and/or making selections.
As a general rule, B&W can take quite a lot of... (
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Thank you R.G I appreciate the thoughtful feedback. The last time I really worked in B&W was in the late 70's/early 80's with Kodak PlusX and TriX. I could alter processing in the darkroom to bring out contrast or try papers with different contrast characteristics.
I will try looking at individual color channels and see if I can work with them to boost contrast between the tree and the background.