Toured an extensive museum collection of bird pictures done by several photographers in the mid 20th century. Please excuse the perspectives - was shooting around others in the tour group with a cell phone. (Didn't want to exercise the photographers right to occupy a prime shooting location - HA!)
Bigmike1
Loc: I am from Gaffney, S.C. but live in Utah.
Are you sure they were able to get birds to pose for them with all that equipment? Just setting it up must have scared every bird off within a hundred yards.
Bigmike1 wrote:
Are you sure they were able to get birds to pose for them with all that equipment? Just setting it up must have scared every bird off within a hundred yards.
Exactly my thoughts is why I posted the photos to read what others thought. I've read that Audubon killed and posed his subjects, could be that was the norm. There was no mention of that in the information posted with the exhibit.
Shooting dead birds would have been the only way to get those shots. Aside from glueing their little feet to the perch!
The birds came back after he left. Look at the shots in the MOMA exhibits that goofy newfie posted. Some show the bird feeding the young. Hard to capture and kill for that shot.
tommy2 wrote:
Toured an extensive museum collection of bird pictures done by several photographers in the mid 20th century. Please excuse the perspectives - was shooting around others in the tour group with a cell phone. (Didn't want to exercise the photographers right to occupy a prime shooting location - HA!)
These are almost hilarious by today's standards....wow. Somebody had to work very hard to get the shot with those rigs. I remember how bulky those old light were and their power packs...horrible ! Stage lighting and the associated connectors & large cables at line voltages were dreadful at times and sometimes a bit dangerous as well.
Thanks for the history.
htbrown
Loc: San Francisco Bay Area
tommy2 wrote:
Toured an extensive museum collection of bird pictures done by several photographers in the mid 20th century. Please excuse the perspectives - was shooting around others in the tour group with a cell phone. (Didn't want to exercise the photographers right to occupy a prime shooting location - HA!)
Elliot Porter was an ornithologist who picked up a camera to document birds. He went on to become one of the best color photographers of his day. I have some books published by him that I still treasure, more than forty years after I received them.
htbrown wrote:
Elliot Porter was an ornithologist who picked up a camera to document birds. He went on to become one of the best color photographers of his day. I have some books published by him that I still treasure, more than forty years after I received them.
I believe Porter was one of the first respected photographic artists to shoot in color. At his time, I've been told that it was widely believed that color and serious photography were incompatible.
The last two post are absolutely correct - Porter was an outstanding bird photographer who also provided much of the art for paintings, murals, prints, crafts and sculptures for government buildings during the depression era WPA. htbrown, you do have treasures!
Bigmike1 wrote:
Are you sure they were able to get birds to pose for them with all that equipment? Just setting it up must have scared every bird off within a hundred yards.
You do know that John James Audubon did most of his bird watching over the end of the barrel of a gun?
He then stuffed and mounted his samples then drew them at his leisure in the comfort of home.
My guess is that these photos were taken of mounted birds placed back in their environments.
Wasabi wrote:
The birds came back after he left. Look at the shots in the MOMA exhibits that goofy newfie posted. Some show the bird feeding the young. Hard to capture and kill for that shot.
Not really. You stuff and mount the birds in the position you want, then add a worm. Not real complicated.
Picture 1, all that set up for just one picture, wow.
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