A before and after. Using the D500 invariant sensor to its fullest.
Aug 25, 2019 09:11:49 #
TriX wrote:
I agree. My issue in general with extreme intentional underexposure is that while a low ISO (such as base) should result in a greater DR, that potential advantage is lost because you’re not using the full DR of the A/D. ...
That is true but in the case of the church he may have come close to the upper limit in the windows. This is a case of exposing for the highlights and developing for (recovering) the highlights.
I will put together an example on this in a separate thread. I'll post a link to it here when it's ready.
Aug 25, 2019 09:15:42 #
selmslie wrote:
That is true but in the case of the church he may have come close to the upper limit in the windows. This is a case of exposing for the highlights and developing for (recovering) the highlights.
I will put together an example on this in a separate thread. I'll post a link to it here when it's ready.
I will put together an example on this in a separate thread. I'll post a link to it here when it's ready.
Yep, bright windows and relatively dark rooms can push DR to the max.
Aug 25, 2019 09:59:19 #
TriX wrote:
Yep, bright windows and relatively dark rooms can push DR to the max.
It sure does.
I posted a demonstration in The Effect of ISO on a Scene With a High Dynamic Range (DR).
I exaggerated the ISO settings a little to explain what happened to the scene in the church above.
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