Imageandart wrote:
Does anyone know why manufacturers don't use the correct focal length on their lenses for crop sensors? Why do we have to constantly figure that a lens marked 18-200mm is in actuality a 27-300mm lens with a 1.5 crop factor?
Because manufacturers DO use the "correct focal length" on their lenses!
An 18-200mm lens is an 18-200mm lens. It's NOT and never will be "actually a 27-300mm lens".
Focal length is focal length. A 50mm lens is always a 50mm lens, regardless what camera it's used upon.
Any given focal length will "act differently"... will render different angles of view... if it's used on different sensor or film formats.
This is nothing new. It was the same with film cameras for 150 years. It will be the same with a camera 150 years in the future, if they still exist and even use optics.
For example...
- A 50mm lens on a 4x5" film (approx. 100x125mm) view camera would act as an ultrawide (0.29X).
- 50mm focal length is also very wide angle on a medium format film camera that makes 60x70mm images (0.469X).
- And it's still wide angle on a medium format digital camera with a 33x44mm sensor. (0.78X)
- The same 50mm would be a "normal" or "standard" lens on so called "full frame" digital or a 35mm film camera that makes 24x36mm images. (1X)
- But on a so-called APS-C camera with sensor approx. 15x23mm, that same 50mm will behave as a short telephoto (1.5X or 1.6X depending upon system).
- Or, on the slightly smaller Micro Four/Thirds sensor (13x17.3mm) the same 50mm will behave as a slightly more powerful telephoto (2X).
- Or on a camera with even smaller 1" sensor("one inch"... 8.8x13.2mm), 50mm acts as a moderately more powerful telephoto. (2.72X)
- And on a camera using a tiny 1/2.3" sensor (4.55x6.3mm), that 50mm will behave as a rather powerful telephoto (5.64X)
Same 50mm focal length lens... different format sensors and film.
Obviously the exact same 50mm lens couldn't be used on all of those different formats. A lens needs to be able to produce a very large image image circle to completely cover a 4x5" (approx. 100x125mm) sheet of film and that will call for one design. In contrast, a 50mm for use with a 1/2.3" sensor - which is less than the size of your pinky finger nail - can be a very small lens and will use a different design.
It just so happens that "full frame/35mm film", APS-C crop and Micro 4/3 crop digital sensors are close enough that it's possible for them to share some lenses.
Another way of looking at this, say you want a "normal" or "standard" lens for your cameras. For a full frame/35mm film camera you'll simply buy a 50mm lens. For APS-C, you'll want a lens approx. 30mm focal length. Or for Micro 4/3 you'll want a 25mm lens. But if you are using a medium format digital, better look for a lens around 65mm. Or, for a 6x7cm medium format film camera, you'll want a 100 or 105mm lens, while for use on a 4x5" large format film camera you'll need a lens in the 160 to 180mm range.
Here's a news flash... NONE OF THIS MATTERS if you only use one format of camera.
If you only use an APS-C format digital, that's all you've ever used and all you ever will use, you can safely ignore all the above and you don't need to "constantly figure" anything at all.
All you need to know is how any given focal length "acts" on your particular camera. Or, in the case of a zoom, how that range of focal lengths that it offers works on your camera.
The only time you need to be concerned about how focal lengths behave on different formats and get out the calculator to "do the math" with those multipliers is if you're changing formats or are using multiple formats side-by-side. For example, I use both full frame and APS-C digital for different purposes. In the past I used 35mm film, medium format film and large format film cameras alongside each other. Even so, I don't sit around "doing the math". I've learned through experience how lens focal lengths perform on each system. The only time I might "do the math" is when I'm seeking a specific type of lens for a different format camera and need to know what to shop for. The rest of the time, I hardly ever think about it.
BTW, it's a notable benefit today that in some cases the same lens can be used on multiple digital formats. Back in the days of film, with very few exceptions, you needed a set of lenses for each format. That was costly and made for a lot more stuff to haul around!