E.L.. Shapiro wrote:
Hey, Rich, Thanks for your kind comments and your points of view on the matter.
I agree that some of my attitudes may have become obsolete in this day and age of dreadful politics, some of our "leaders" acting like unruly kindergarten children and so many folks who have not a modicum of kindness and respect.
I started my professional career in photography as an apprentice in a busy studio where the senior photographers and the bosses used me and my work as punching bags- well- so I thought at the time. They were all very critical of my work and pulled no punches int telling me the truth. Once I realized that all these folks were taking out their time to start me off on the right path, I began to crave their critiques. They insisted that I submit prints to professional competition especially the ones where critique was given on poorly scoring entries. I became a "critique junkie" - some would say a glutton for punishment. Long story short, while still in high school, at the age of 16, I was already shooting weddings on weekends and going out on studio (solo) assignments all summer.
I consider giving and receive good critiques one of the most valuable tools in photographic educations and a great resource for anyone who wants to improve their work.
This applies to all kinds of photography- portraiture, commercial work, wildlife and nature, photojournalism, sports/action landscape, abstracts, macro and scientific, street photography...you name it! All of these categories have elements of technical quality, composition, use of light and lighting, viewer impact, theme and storytelling value and more. All of this can be analyzed, criticized, praised, corrected, improved and discussed in a clear, kind and pedagogical manner.
There is yet not old adage about "if you can't take a punch, don't enter the ring"! I don't believe a critic should throw a "punch" at anyone or their work but with some folks, the truth hurts, even if it presented honestly, gently and with good intentions. Perhaps it would be best for those folks to refrain from posting or exhibiting their work where it will be routinely subject to critique or various opinions.
My ethic is simply that false aggrandizement of poor workmanship or craftsmanship is a disservice to the maker. Doig that might reflect poorly on me as the critic, but this is not about my ego. I just don't like misinforming folks in business or in art.
Personally, I am a long-time professional and studio owner but I am crawling in critics. I am subject to expert and totally uneducated criticism on a daily bases. My critics are my clients, art directors, advertising account executives, my staff, the janitor, some of my suppliers, and my wife and kids. Sadly, my mother-in-law and my wife's Aunt Nettie (a prominent portrait photographer) both of whom passed away, were my foremost critics- I miss them! The trick for mental survival and improvement of output is that you take the criticisms or the compliments from whom and where they come and assess them and act on them accordingly.
I don't think professionalism, a willingness to share ideas and techniques, helping folks improve, being kind and courteous, ever go completely out of date or style. It's just that the sometimes go dormant, hibernate or lapse for a while and then they come back. For me, P.C. is a type of lens. My first boss used to say there is an art in beating someone over the head and hugging and kissing them at the same time- it's a matter of balance!
Hey, Rich, Thanks for your kind comments and your ... (
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