jonathanhulme wrote:
Any suggestions on the most efficient and highest resolution methods to digitize 50-year old 35 mm slides?
Professional drum scanning or wet gate scanning... but that is very expensive service. Scanners to do it start at $25,000 (Hasselblad Flextight).
You can buy a consumer desktop scanner for about $200 (Epson V600). It scans slides, prints, negatives. It has Digital ICE software and hardware that remove surface scratches and dust from the scanned image. (It does not work on Kodachrome emulsions, so you have to flop the slides when scanning and flop the image in post-production. That way, at least it works on the base...)
Unfortunately, no desktop scanner I'm aware of is as sharp as a dedicated film scanner or a simple macro photography copy rig.
Dedicated film scanners are mostly gone now. Minolta and Canon and Nikon made the best ones. You might find a used one, but beware the interface requirements — SCSI is an obsolete cable technology.
Plustek OpticFilm 8200i SE Film Scanner is a $400 film scanner with the equivalent of Digital ICE software available in SilverFast SE software. Unfortunately, this scanner is Windows only. Mac users need another solution.
Macro copy rigs are available that "take pictures of your pictures." You can build your own, or buy one. Basically, from one end to the other (or top to bottom), they consist of:
Camera (dSLR or MILC) Mounted on a movable rail system
Dedicated macro lens capable of 1:1 reproduction on the sensor
Light shroud or baffle with black interior to keep out extraneous light
Film holders or slide holders or roll film transport mechanism
Diffusion system for even illumination
Color correct, full spectrum light source
Of course, with that, you need software to assist with the post-processing. I copy my slides in raw, then adjust them in Lightroom Classic CC and Photoshop CC.
Working with black-and-white negatives is easy this way, but color negatives are challenging. I forget the name of it, but there is software available that does the inversion to positive for you, and gets you most of the way to correcting the color.
As for speed, well, it's slow scanning vs. slow post-processing clean up of macro photographed slides. It is a slow process if you are a perfectionist.