Bobspez wrote:
There's a bit of increased sharpness and color rendition with the 8K but not much. Would have like to be able to compare a portrait or closeup shot rather than a landscape though. The 8MP 4K stills are not there yet quality wise to compete with 20MP stills from most cameras. Maybe the 32MP stills from 8K video might be acceptable as portraits, closeups, sport shots, etc. If so it may change the way we take still pics in the future.
I recently shot a handheld (a bit shaky) 30 fps test 4K video in bright sunlight with a 1/160 shutter speed.
https://vimeo.com/347845438I was already at iso 80 and f8 and increasing the shutter speed let me capture a blue rather than washed out sky. There was no negative effect on the video quality that I could see, contrary to the much quoted rule of setting the video shutter speed at 2x the fps. With higher shutter speeds, 8K video might capture some fantastic action shots and sports shots as single frames.
There's a bit of increased sharpness and color ren... (
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When I first got my GH4, I did a lot of testing. I like the filmic look for storytelling, and the video look for training. So I use 24 fps for 4K "film," and 30 fps for video. From my notes:
24 fps, 1/25 second or 360° shutter angle: dreamy, fluid, with drugged like motion
24 fps, 1/50 second or 180° shutter angle: extremely close to the look of real 24 fps film
30 fps, 1/30 second or 360° shutter angle: less dreamy, less fluid, than 24 fps at 180°
30 fps, 1/60 second or 180° shutter angle: looks like TV, only better
30 fps, 1/125 second or 90° shutter angle: minimal jerkiness with a baseball bat swing
30 fps, 1/250 second or 45° shutter angle: made me feel nervous watching a bat swing
30 fps, 1/500 second or 22.5° shutter angle: visibly jerky
30 fps, 1/1000 second or 11.25° shutter angle: I would never use it.
The trade-off seems to be that you can get great stills, or natural film/video looks, but not both at the same time. I've pulled stills from video for promotional use before. Here are three from our movie, SAGE.
When I first got my GH4, I did a lot of testing. I like the filmic look for storytelling, and the video look for training. So I use 24 fps for 4K "film," and 30 fps for video. From my notes:
24 fps, 1/25 second or 360° shutter angle: dreamy, fluid, with drugged like motion
24 fps, 1/50 second or 180° shutter angle: extremely close to the look of real 24 fps film
30 fps, 1/30 second or 360° shutter angle: less dreamy, less fluid, than 24 fps at 180°
30 fps, 1/60 second or 180° shutter angle: looks like TV, only better
30 fps, 1/125 second or 90° shutter angle: minimal jerkiness with a baseball bat swing
30 fps, 1/250 second or 45° shutter angle: made me feel nervous watching a bat swing
30 fps, 1/500 second or 22.5° shutter angle: visibly jerky
30 fps, 1/1000 second or 11.25° shutter angle: I would never use it.
The trade-off seems to be that you can get great stills, or natural film/video looks, but not both at the same time. I've pulled stills from video for promotional use before. Here are three from our 2018 48-Hour Film Project movie, SAGE. It's a 7-minute story of a young alcoholic lesbian woman seeking redemption. My twins and friends created it; I just filmed half of it and did some post.