I think you first (and last!) explain the difference in PURPOSE along with the difference in quality. It is not "iPhone camera vs dSLR quality," in my mind. It's, "What is practical and appropriate for me to use today, to get the results I need from the situation?" I use an iPhone 7 Plus and a Lumix GH4. I no longer use SLRs or dSLRs from Canon and Nikon, as I did for 44 years.
Every camera format from smartphone to 100 MP medium format has an intended use case. The use case for a dSLR or MILC is different from the use case for an iPhone. I use what I use for specific reasons, and my reasons are different from others', and that's okay... and as it should be!
Smartphones have lots of artificial intelligence built in. They use tiny little sensors which are quite good in bright daylight, but very noisy at night. Still, under most circumstances, they blow away all the 35mm ISO 400 and higher speed color films of 50 years ago (Yes, I was around back then, pushing High Speed Ektachrome as far as it would go!).
The tiny sensor in a smartphone means it has a short focal length lens (or two or three). That usually leads to deep depth of field. Whether that is good or bad depends on the intended result. AI (i.e.; Apple's Portrait Mode) can mitigate deep depth of field somewhat.
The tiny sensor limits practical megapixel counts. Most phones are 12 MP or less. The trend, now, is to make slightly larger 12 MP sensors with each iteration, to expose more sensel surface area to light and reduce noise/improve dynamic range. But physics is what it is... Larger sensors suck more photons per sensel, which lowers ultimate noise in each processed file pixel.
If you know what you are doing, and work in good light, you can create 20x16 prints from iPhone 5 and later cameras. We have a couple on our walls, and no one, not even photographers, has asked about what camera recorded the images. Would they "look better" if they had been made with full frame? Yes, if you viewed them from one foot. But due to the subject matter, you view these prints from two or three feet. At that range, they're fine, so long as you aren't comparing them to the same exact scene recorded with a larger format.
A huge impact of the smartphone has been the near total annihilation of the "point-and-shoot" pocket camera market. The "snap shooters" first gave up 35mm "point-and-shoot" film cameras for smaller APS film cameras. Then, less than five years later, they gave up those for point-and-shoot pocket digital cameras. Another five years later, along came the practical smartphone camera.
So... John and Jane Public no longer use idiot-proof cameras of any sort. The smartphone, and its choice from two MILLION apps, is the only thing most want to carry. First, bits beat atoms (digital beat film). Then, the pocket supercomputer beat dedicated cameras, at least for most folks.
The term, "image quality," is loaded with ambiguity. Does it always refer to technical attributes? Or... can it refer to decisive moment? Composition? Use of contrast or color? Storytelling? History? Emotional impact? At some level, a camera is a camera, and a good image has MANY quality characteristics.
Cameras are tools. The subtleties of their differences are often secondary to the impact of their users' results. So I would submit that the photographer's knowledge, experience, training, skills, passion, sensitivity, viewpoint, purpose, and understanding of the situation are often far more important than the brand or format of camera in use.
Three key advantages of the smartphone camera are that for most of us:
> It's always with us, whether doing "intentional photography," or just living life. The most important camera you have is the best one you have with you when a photo opportunity arises.
> It's nearly always connected to the Internet, for immediate sharing of audio, video, photos, text... to any location in the free world, and maybe beyond.
> It's both a camera and a photo album, connectable to anyone else's photo album.
Good luck with your students! Welcome to UHH. Enjoy the spirited (and sometimes appalling, sometimes enlightening) discussions.
I think you first (and last!) explain the differen... (
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