I have the Nikon 200mm, 105mm, 60mm micros and the Tamron 90mm macro (1:1 true macro).
From what I hear and my own experience:
200mm: gives you farther distance, great to shoot insects who might get spooked if too close; but bad if you don't have the distance to the subject (e.g. an indoor flower show with lots of people)
105mm: terrific all-around macro lens
60mm: I don't use it that much as I often find myself too close to the subject
90mm: even sharper than the 105mm, and a good portrait lens to boot, but heavy
70-180mm: never shot with it, but I heard that product shooters like this lens because of the easy zoom framing
I have used the 105 for all of my close up and macro photos and I think it's fine. If shot on a tripod, 20x30s are pretty sharp.
Consider the 105 and a 2x extender. All you lose is a stop. Weight and cost are probably about the same as the 200. And, you can get a larger image. My 105 covers 35mm, with a 2x extender it covers 17mm. Maybe some day I will buy a close up resolution chart and compare sharpness.
As far as I know, all zooms lose focal length when they focus closer.
MT Shooter wrote:
No, and no!
Why and Why? If you have tested the combination, PLEASE give is the results.
kkayser wrote:
Why and Why? If you have tested the combination, PLEASE give is the results.
Because everyone l knows a 2X TC costs TWO stops of light and the 200mm micro can be bought for the cost of the 2x TC alone. Thats why.
19104 since you are a "Police Photographer" interested in old caddilacs, fountain pens and cigars I would suggest you consider the AF 60mm f/2.8D owing to it's superb acuity and flat field and the fact it can be hand held... the 200mm micro is a workhorse of commercial photographers and requires a tripod and focusing rail for high end work... I have the 60mm, 105mm and 200mm (all "D" versions) they are pro-quality glass provided you have the technical skills to deploy them effectively...
Best advice? purchase a quality set of extension tubes for use on what optics you already have... you'll know when you actually need to move up to a more expensive scenario...
In the end it's not the glass it's knowing the most appropriate way to deal with a client's request... the only clients I have that demand the high level of acuity afforded by micro Nikkors are fashion designers who need to have all the fine details of their textile creations rendered accurately... albeit I use the 200mm for beauty narratives for makeup artist's books also...
Hope this helps or is at least food for thought...
I wish you well on your journey 19104
MT Shooter wrote:
Because everyone l knows a 2X TC costs TWO stops of light and the 200mm micro can be bought for the cost of the 2x TC alone. Thats why.
105 f/2.8 goes to 210 f/5.6. One stop slower than 200 f/4.0.
MT Shooter wrote:
Because everyone l knows a 2X TC costs TWO stops of light and the 200mm micro can be bought for the cost of the 2x TC alone. Thats why.
On eBay a 200 f/ 4.0 micro AF can be bought right now for about $1150. A tc20 eII can be bought for under $200, and a 105 f/2.8 micro AF can be bought for around $200.00. A 105 2.8 VR will cost about $650 on eBay. I believe the 200 f4.0 is not made with VR.
Where in the world do you shop for your equipment? I would love to get a 200 f4 AF micro for under $400.
A TC on a macro sort of defeats the purpose of a macro...loss in IQ and loss of aperture and DoF. Yes, the TC is a inexpensive way to get reach, but today this can often be done easily in post processing cropping. While the reach of a 200mm macro is often very distinct advantageous in stayed further away, but it's a compromise in the weight when chasing butterflies around after an hour. I love using a 100 or 105mm macro on a FF or crop sensor.
I don't use my 200 Micro anywhere as much as I used to.
I already own the 60 and 105 micros. Also the 120 and 200 medical Nikkor. And the bellows and a number of bellows lenses.
While your advice was intended to be kind it did not address my question.
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