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How to Capture This
Aug 20, 2012 12:22:31   #
Bruce Roscoe Loc: Arizona
 
Capturing this Image:
This image was taken in Tombstone at Boot Hill Cemetery following the Tombstone Trolley Ghost and Murder Tour with Parson George and Lee. The cemetery is one of the stops during the tour. At the time this image was taken the sun was setting and the cemetery was about to close. The trolley driver, Lee, who also posed as my model, got special permission to enter the cemetery. The store owner who told us we had only a few minutes to photograph Lee because they wanted to close for the night.
I explained to Lee how I wanted to make his image and how I would like him to pose. My wife, Elaine, helped me set up the equipment before entering the cemetery. We opened my Westcott 6 -in-1 reflector and took out the silver reflector. I installed my Canon 580 speed light on the camera mount and set it to minus one in the manual mode. A good starting point. This speed light allows the flash tube to be turned 90 degrees left or right or straight up.
We walked out through the general store into the cemetery. I found a grave that would work well for this capture. The grave had all the compositional elements necessary to accomplish my vision of this image, which I have titled "So Long Good Buddy." With the foreground composition there was a grave some distance away I also wanted in sharp focus.
I set the f- stop at f:13 with an ISO of 200, and a shutter speed of 125th. Elaine held the reflector at camera right a few feet from our model. By keeping the reflector close to the him, the reflected light wouldn't cause harsh shadows. I knew the inverse square law would come into play which states, "an object that is twice the distance from the point source of light will receive a quarter of the illumination." What this means to a photographer is if you move your subject from 10 feet to 20 feet away from your subject you will need four times more light to get the proper exposed. I could have opened the aperture two additional f-stops and kept the reflector at 10 feet, but the background wouldn't have been as sharp.
The next item to consider was how I want this image to look. What story did I want to tell? I felt if I "short lit" my subject, meaning more light on the side of his face away from the camera, it would bring more drama into the image, and allow more light in the background. This uses a well-known law of physics: the degree of incidence equals the degree of reflection. This means if I aim the head of my speed light at the reflector using a 45 degree angle, the light would bounce off the reflector at that angle resulting in a pleasing effect.
If the light hitting the subject lit too much of the broadside of his face, I would have had to adjust the angle the light bounced off the reflector. The first image looked good but the background was a little too dark. To correct this I dragged the shutter 1/60 to lighten it up more.



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Aug 20, 2012 16:57:27   #
sarge69 Loc: Ft Myers, FL
 
Very nicely done.

Sarge

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Aug 21, 2012 04:28:06   #
Dr Rae Loc: Sarasota Florida
 
Thank you for posting is amazing image and thanks even more for the explanation. This is the kind of post I can really learn from!

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Aug 21, 2012 06:06:13   #
Victoria1233 Loc: Melbourne, AUSTRALIA
 
Love the lighting.

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Aug 21, 2012 08:03:36   #
Chinaman Loc: Adelaide, South Australia, Australia
 
Exceptional!

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Aug 21, 2012 08:08:30   #
Georgia Peddler Loc: Brunswick, GA
 
Great shot. This is one of those shots that if you do not know the story backing it up, you try to envision the circumstances.
Is it his relation? Did he do the deed? Is he vowing vengence? On and on???
Great submission, Thanks

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Aug 21, 2012 10:40:18   #
waterbug49307 Loc: All over, currently Big Rapids Michigan
 
Thank you for sharing your knowledge in the making of this shot, to me it explains alot and I really appreciate it. The photograph is great and the lighting makes the shot.

Reply
 
 
Aug 21, 2012 11:09:15   #
jk48 Loc: Camarillo, California
 
Bruce Roscoe wrote:
Capturing this Image:
This image was taken in Tombstone at Boot Hill Cemetery following the Tombstone Trolley Ghost and Murder Tour with Parson George and Lee. The cemetery is one of the stops during the tour. At the time this image was taken the sun was setting and the cemetery was about to close. The trolley driver, Lee, who also posed as my model, got special permission to enter the cemetery. The store owner who told us we had only a few minutes to photograph Lee because they wanted to close for the night.
I explained to Lee how I wanted to make his image and how I would like him to pose. My wife, Elaine, helped me set up the equipment before entering the cemetery. We opened my Westcott 6 -in-1 reflector and took out the silver reflector. I installed my Canon 580 speed light on the camera mount and set it to minus one in the manual mode. A good starting point. This speed light allows the flash tube to be turned 90 degrees left or right or straight up.
We walked out through the general store into the cemetery. I found a grave that would work well for this capture. The grave had all the compositional elements necessary to accomplish my vision of this image, which I have titled "So Long Good Buddy." With the foreground composition there was a grave some distance away I also wanted in sharp focus.
I set the f- stop at f:13 with an ISO of 200, and a shutter speed of 125th. Elaine held the reflector at camera right a few feet from our model. By keeping the reflector close to the him, the reflected light wouldn't cause harsh shadows. I knew the inverse square law would come into play which states, "an object that is twice the distance from the point source of light will receive a quarter of the illumination." What this means to a photographer is if you move your subject from 10 feet to 20 feet away from your subject you will need four times more light to get the proper exposed. I could have opened the aperture two additional f-stops and kept the reflector at 10 feet, but the background wouldn't have been as sharp.
The next item to consider was how I want this image to look. What story did I want to tell? I felt if I "short lit" my subject, meaning more light on the side of his face away from the camera, it would bring more drama into the image, and allow more light in the background. This uses a well-known law of physics: the degree of incidence equals the degree of reflection. This means if I aim the head of my speed light at the reflector using a 45 degree angle, the light would bounce off the reflector at that angle resulting in a pleasing effect.
If the light hitting the subject lit too much of the broadside of his face, I would have had to adjust the angle the light bounced off the reflector. The first image looked good but the background was a little too dark. To correct this I dragged the shutter 1/60 to lighten it up more.
Capturing this Image: br This image was taken in ... (show quote)


worth your efforts...

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Aug 21, 2012 11:26:50   #
ftpecktim Loc: MONTANA
 
Excellent shot and explanation.

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Aug 21, 2012 11:32:52   #
cbdigital Loc: Stony Point, N.Y. 10980
 
This is professional quality. Thanks for posting.

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Aug 21, 2012 14:43:45   #
Turbo Loc: Raleigh, NC
 
great work ! you accomplished that mission well.

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Aug 21, 2012 20:43:05   #
Babushka317 Loc: Vermont
 
FABULOUS...and thank you for your explanation of how you created such a marvelous scene.

Have you entered it in any contests? It belongs in a museum.

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Aug 21, 2012 21:00:10   #
GrandmaJoy Loc: North Carolina
 
You put a lot of thought into that shot and it was well worth it. Thanks for posting.

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Aug 22, 2012 00:28:38   #
Tom H Loc: St. Louis, MO
 
Clearly demonstrates the importance of knowing what your after, having and knowing your equipment, understanding lighting and planning your shot. I would love to develop your level of skill.

Thanks for sharing the shot and the explanation.

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