toxdoc42 wrote:
I have [a DoF calculator], but I question whether
to use the native focal length of the lens or the
adjusted one for the crop factor.
As usual .... the answer to an incomplete
question depends on knowing the missing
information. So, I'll start from scratch ...
DoF derived from circle of confusion ;-)
Ultimate image magnification determines
what size circle of confusion is needed. It
doesn't matter how you get there. Take a
tight head shot as example, and print/view
it as an 8x10. You can shoot it on an 8mm
movie camera and blow up a movie frame
40X. You can shoot it on Nikon F and blow
it up 8X. You can shoot it on a Graphic and
blow it up 2X. The ultimate magnification
is always 0.5X [face in an 8x10 tight head
shot is about 1/2 life size].
If all of the above are to have the identical
DoF then the C of C size AS PRINTED must
be the same in all the prints. And that size
we'll call "Z" [cuz it's near the shift key and
I'm a lousy typist].
So the in-focus C of C measures "Z" in all of
the 8x10 prints. Therefor, on film the C of C
measures Z/40 on 8mm film, Z/8 on 135
film in the Nikon F, and Z/2 on the 4x5 film.
The C of C is the image of the physical lens
aperture projected onto the film. The long
FL of the 4x5 projects a bigger CoC but that
is OK cuz we will only enlarge it 2X. The lens
on the Nikon, looking at the SAME SIZE hole
as the Graphic, projects a CoC 1/4 as big as
did the lens on the Graphic ... cuz it has a
shorter FL. The lens on the 8mm movie cam
is also looking at the same size hole and it
projects over its dinky little distance a CoC
on 1/5 as big as did the lens on the Nikon F.
Surely you have noticed "same size HOLE"
is stated, but not the f/stop. As the FL gets
shorter that same size hole represents ever
faster f/stops. That hole can be f/45 on the
Graphic and f/11 on the Nikon F, and f/2.3
on the movie cam.
So yes, for identical DoF at identical viewing
sizes [all 8x10 tight heads in the example]
the smaller the format the faster the f/stop.
In the example, f/2.2 for 8mm movies is the
same DoF as f/11 for a Nikon, and the same
DoF as f/45 for a Speed Graphic.
Notice that the Nikon format [24x30mm for
an 8x10 print] is 1/4 the size of the Graphic
format. Notice that the f/stop number used
for the Nikon is 11, which is 1/4 of 45, the
f/stop number for the Graphic. That same
simple formula holds for the movie cam, as
1/20 of 45 is 2.3. And acoarst it holds for all
format and f/stop comparisons. An OMD-1
sensor is 1/2 the size of the Nikon F format
so if we include m4/3 here, the f/11 on the
Nikon equals f/5.6 on the Olympus.
As to equivalent FLs from format to format,
or changes in subject distance if the same
lens is used for different format sizes, or for
any and all combinations of FL, distance and
format size, only one thing determines DoF
and that is ultimate image magnification, as
stated in line one, paragraph one, so we've
come full circle [of confusion, fun pun !]
So, you can use your calculator. If it's set for
FF, and you're shooting APSC, just set your
f/number at about 2/3 of what the calculator
wants for FF. Calculator says f/16 for FF, use
f/11 for APSC.
And acoarst if you are cropping to get more
reach cuz you've outdistanced your 600mm,
don't forget that this all works in reverse.
IOW, say you crop to about 12x18mm for a
shot with the 600mm. If the moose is 1000
yards away, you use 500 ft subject distance
to calculate the DoF for the MARKED f/stop
on the long lens. That chart wants a higher
f/number for 500yd than for 1000yd, which
is cuz you need more DoF cuz you cropped,
and cropping increases your ultimate image
magnification.
.