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Best Camera For This Situation
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Jan 17, 2019 18:19:28   #
Architect1776 Loc: In my mind
 
Bokehen wrote:
First & foremost, it's increasingly becoming more and more difficult to actually carry in a DSLR or otherwise. You may have to go through clearance in order to take all the gear that you want. Second, it's not the camera what's important, but the lens or lenses used and one would need the correct aperture setting as to allow enough light as not to allow for a flash attachment. I can bet that as soon as your flash goes off.. you maybe escorted off the premises. Respectively, an 85mm with a f/1.8 or better would be suggested.
First & foremost, it's increasingly becoming m... (show quote)


Any camera with a 50mm f1.2 will do just fine.

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Jan 17, 2019 23:00:22   #
JD750 Loc: SoCal
 
Some great replies.

But has anyone noticed, OP has not responded to any of them said for the first reply early on page one.

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Jan 17, 2019 23:15:07   #
tdekany Loc: Oregon
 
JD750 wrote:
Some great replies.

But has anyone noticed, OP has not responded to any of them said for the first reply early on page one.


That is normal isn’t it?

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Jan 17, 2019 23:50:33   #
JD750 Loc: SoCal
 
tdekany wrote:
That is normal isn’t it?


Normal? I do not know But I do know that it is a "tell".

What that means is when multipole good responses have been posted and OP does not reply then it is time to un-watch the topic. As I am doing now.

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Jan 18, 2019 08:03:51   #
dsmeltz Loc: Philadelphia
 
JD750 wrote:
Some great replies.

But has anyone noticed, OP has not responded to any of them said for the first reply early on page one.


And yet there have been a number of replies regarding how to photograph live theater. The OP was asking about "concerts." We still do not know what kind of concerts, but I am pretty sure most concerts are not lit in the same manner as live theater.

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Jan 18, 2019 09:20:42   #
SteveR Loc: Michigan
 
GrandmaG wrote:
For this play, I sat in the front row and used a Nikon D500 with a 50mm f/1.4 lens. I was quite pleased with the results. However, even in quiet mode, my granddaughter on stage could hear the camera. I may try my Sony a7iii next time with a Sigma 50-100/1.8 lens because that camera is COMPLETELY silent.


As far as Nikon's go, unless you can afford or rent the D5, the best lowlight cameras are the D500 and the D7500. The D7500 is the least expensive if you were going to purchase. Use a lowlight lens in conjuction with one of them and you should have no problem. To decrease the noise, I would suggest that you focus manually. If you are going to focus manually you don't need the D500. Go with the D7500.

Don't be afraid to crank up the ISO on the D7500. Experiment. ISO 3000 or 6000 should not give you significantly noticeable noice. If the lens you use as well as the shutter speed allows you go lower, all the better.

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Jan 18, 2019 11:44:20   #
GrandmaG Loc: Flat Rock, MI
 
dsmeltz wrote:
And yet there have been a number of replies regarding how to photograph live theater. The OP was asking about "concerts." We still do not know what kind of concerts, but I am pretty sure most concerts are not lit in the same manner as live theater.


You have made a true statement, and I am guilty as charged!

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Jan 18, 2019 11:48:34   #
GrandmaG Loc: Flat Rock, MI
 
SteveR wrote:
As far as Nikon's go, unless you can afford or rent the D5, the best lowlight cameras are the D500 and the D7500. The D7500 is the least expensive if you were going to purchase. Use a lowlight lens in conjuction with one of them and you should have no problem. To decrease the noise, I would suggest that you focus manually. If you are going to focus manually you don't need the D500. Go with the D7500.

Don't be afraid to crank up the ISO on the D7500. Experiment. ISO 3000 or 6000 should not give you significantly noticeable noice. If the lens you use as well as the shutter speed allows you go lower, all the better.
As far as Nikon's go, unless you can afford or ren... (show quote)


I have the D500 and have no intention of buying either the D5 or the D7500. I don't trust my eyes to focus manually, especially for moving people. The D500 handles high ISO quite nicely. Thank you for your thoughts and observations.

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Jan 18, 2019 14:30:14   #
SteveR Loc: Michigan
 
GrandmaG wrote:
I have the D500 and have no intention of buying either the D5 or the D7500. I don't trust my eyes to focus manually, especially for moving people. The D500 handles high ISO quite nicely. Thank you for your thoughts and observations.


My comments were meant for the O.P. and his situation. I would question using AF in a situation where somebody is trying to eliminate noise. That's why I indicated that the 7500 might be a good choice.

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Jan 18, 2019 15:55:47   #
GrandmaG Loc: Flat Rock, MI
 
SteveR wrote:
My comments were meant for the O.P. and his situation. I would question using AF in a situation where somebody is trying to eliminate noise. That's why I indicated that the 7500 might be a good choice.


Sorry... I responded b/c you included my quote in your response.

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Jan 18, 2019 16:14:33   #
sirlensalot Loc: Arizona
 
I have experienced what you are seeking. This can easily be a combination of a body with the ability to gather light without producing a lot of noise and a fast lens which helps you get there. Nikon 850 is a great choice, and pricey. You can do as much (in the scenario described) for far less money with a Canon 6D and a Canon 85 f/1.8 or if you can do a little manual focusing a Rokinon 85 f/1.4. About $1300 new for both.
These events almost scream for a full sensor camera whatever you decide on. With respect, good photos will always from someone who has at least the basics of exposure and knows his equipment well.
Have also used my Sony a6000 doing concerts. almost too small with a heavier lens, but good results.

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Jan 18, 2019 17:46:50   #
SteveR Loc: Michigan
 
GrandmaG wrote:
Sorry... I responded b/c you included my quote in your response.


I can see how it could be confusing.

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