Chris T
Loc: from England across the pond to New England
rplain1 wrote:
I thought this was a forum for us (current, everyday photographers to get together and interact. If I just want to see famous or well-known photographers work I can buy their books, go to their studios, or go to museums. I come here to see my contemporaries work and enjoy it and hope that they enjoy mine. And by the way, there are posts here all the time about famous photographers. Just do a search for Ansel Adams or anyone else you care to name.
Yes, you're right, R ... 30 come up, but, sadly - my two Topic Posts referencing Ansel Adams, are not part of them!!!
Chris T wrote:
They did, a few posts back ....
Hey!!! ... A Crown Speed Graphic Special, eh?
Don't see many of THOSE around, anymore ...
And, this is NOW - in 2018!!!!
How 'bout that, Kiron! .... Zat you?
Not me. A modern day Weegee.
Chris T
Loc: from England across the pond to New England
Kiron Kid wrote:
Not me. A modern day Weegee.
You mean - the guy only shoots Crime Scenes?
Chris T wrote:
You mean - the guy only shoots Crime Scenes?
Although he was famous for his crime scene photos, that wasn't by any means the only subject Weegee shot. He shot a lot of great street photography.
Chris T
Loc: from England across the pond to New England
JohnSwanda wrote:
Although he was famous for his crime scene photos, that wasn't by any means the only subject Weegee shot. He shot a lot of great street photography.
Oh, did he? ... I didn't know ...
So - that guy in the pic with the Crown Graphic's a street photographer, then - is he?
Always been a little wary of doing that ... people get so uptight, when they know you're photographing them ...
Shame!!!!
Edward curtis is one of my favs,photography isnt all about art,as the many combat photographers and life magazine contributors have shown.but art is good too!lol
Chris T wrote:
Oh, did he? ... I didn't know ...
So - that guy in the pic with the Crown Graphic's a street photographer, then - is he?
Always been a little wary of doing that ... people get so uptight, when they know you're photographing them ...
Shame!!!!
Yes, he was shooting with that Crown Graphic.
Chris T
Loc: from England across the pond to New England
Kiron Kid wrote:
Yes, he was shooting with that Crown Graphic.
It looks fairly new, too - doesn't it, Kiron?
I wonder if Crown is still making those things!!!!
At least, he's also carrying a "miniature" around his beltline ...
So, he's got the best of both worlds, there ...
Kudos to him!!!!
Interesting thought. The other evening I found myself wondering if the shift from film to digital has made photography less of an artistic pursuit and more a function of data processing. I am scanning decades of old color negatives and slides, and, with Photoshop, I can coax good photos from bad shots originally made on film. I guess you could always do this if I had had a darkroom and large budget for post-production, but digital cameras and software have made it easy. Don't get me wrong, there are millions of great photos out there. But are they the work of great photography or expert operators of the post-production software?
A corollary is the use of digital photography means that, instead of shooting 36 shots and then having to change rolls, the photographer can fire away endlessly. Film and processing cost money, while electrons are free. An amateur might have spent half a roll on a shot, and hoped he got one good photo. Now the same amateur can shoot a virtually unlimited number of shots. This drastically increases the chance of finding a prince among the frogs. The software manipulation increases the likelihood of a good photo.
I think of Joe Rosenthal and the Iwo Jima flag raising. He had only one chance to get it right.
PatrickAtty wrote:
Interesting thought. The other evening I found myself wondering if the shift from film to digital has made photography less of an artistic pursuit and more a function of data processing. I am scanning decades of old color negatives and slides, and, with Photoshop, I can coax good photos from bad shots originally made on film. I guess you could always do this if I had had a darkroom and large budget for post-production, but digital cameras and software have made it easy. Don't get me wrong, there are millions of great photos out there. But are they the work of great photography or expert operators of the post-production software?
A corollary is the use of digital photography means that, instead of shooting 36 shots and then having to change rolls, the photographer can fire away endlessly. Film and processing cost money, while electrons are free. An amateur might have spent half a roll on a shot, and hoped he got one good photo. Now the same amateur can shoot a virtually unlimited number of shots. This drastically increases the chance of finding a prince among the frogs. The software manipulation increases the likelihood of a good photo.
I think of Joe Rosenthal and the Iwo Jima flag raising. He had only one chance to get it right.
Interesting thought. The other evening I found my... (
show quote)
Photo software is only a tool, like the darkroom. You might be able to "save" a badly exposed negative or digital capture with either, but that's not what they do best. That is to take a negative or digital capture that is as good as it can be out of the camera, and then enhance it further. I don't see much difference between becoming proficient with the darkroom or with post processing software. And if Photoshop is so easy, why is there so much lousy Photoshop work out there?
Chris T
Loc: from England across the pond to New England
JohnSwanda wrote:
Photo software is only a tool, like the darkroom. You might be able to "save" a badly exposed negative or digital capture with either, but that's not what they do best. That is to take a negative or digital capture that is as good as it can be out of the camera, and then enhance it further. I don't see much difference between becoming proficient with the darkroom or with post processing software. And if Photoshop is so easy, why is there so much lousy Photoshop work out there?
Good point, John ... and results from prints manipulated in the darkroom are not as obvious as Photoshop gaffs, either!!!
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