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Featuring the 100-400L and 1.4x extender
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Oct 22, 2018 08:01:26   #
CHG_CANON Loc: the Windy City
 
Thank you John, nimbushopper, Jack, Debbie, gregoryd45! Glad you enjoyed and thank you for your kind comments and interest.

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Oct 22, 2018 08:15:50   #
fiat76 Loc: PA, MD, and SC
 
OVER-THE-TOP images!

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Oct 22, 2018 08:38:42   #
Mister H Loc: Michigan
 
CHG_CANON wrote:
This post continues the discussion of Canon L-series lenses used with Canon Series III extenders, showing examples from the Canon EF 100-400mm f/4.5.6 IS II USM and the EF 1.4x III Extender creating a 560mm focal length combination at the maximum zoom length. Many zoom lenses, third-party and Canon, lose a touch of sharpness at their maximum focal length. That is not the case with the 100-400L. When the 1.4x extender is used, the resulting zoom range is 140mm to 560mm. Images selected for this installment are all captured at the maximum zoom of 560mm. Two images were captured using the original 100-400L and are identified at the conclusion of the post

The current EF 100-400mm f/4.5-5.6L IS II USM was released in 2014, replacing the original model that had been a staple of wildlife photography and airshows going back to 1998. The new lens features 16-years of technology improvements. For those familiar with the original model, the Series II lens changed the zoom mechanism from a push-pull trombone style to a rotary zoom.

The Crazy Horse Memorial is located in the Black Hills of South Dakota, near the town of Berne. Like the nearby Mount Rushmore National Memorial, the monument is being carved out of a mountainside. The sculpture was begun by Polish-American sculptor Korczak Ziólkowski, who had worked under Gutzon Borglum on Mount Rushmore. Upon completion, the head of Crazy Horse will be the world’s largest sculpture of a human head, measuring approximately 87 feet (27 m) tall, more than 27 feet taller than the 60-foot faces of the U.S. Presidents depicted on Mount Rushmore. The entire sculpture of Crazy Horse riding a horse will be the largest sculpture in the world when completed.

Crazy Horse by Paul Sager, on Flickr


The Series II 100-400L features Canon's latest Image Stabilizer system, allowing users to shoot at speeds up to four times slower than normally required. Canon's IS-enabled lenses in Series II feature three IS modes. Mode 1 is the normal mode, used for typical photography, where the subject does not move. Mode 2 is used for panning; this is useful for sports or wildlife photography, where the subject moves constantly and one will need to pan. Mode 3, intended to track action, is similar to Mode 2 in that it ignores panning; however, it applies stabilization only when the shutter is released, the viewfinder image is not stabilized.

Chicago area Dragonflies


The Series II model features a dramatically shortened MFD (Minimum Focus Distance) and a significantly-increased MM (Maximum Magnification) effect. The 100-400 II can focus on subjects just 38.4-inches (980mm) from the camera sensor. This distance is nearly half the MFD of the old lens. The Series II can produce subject details 50% larger than the previous lens.

Giant Swallowtail


Adding the 1.4x extender creates a 140-560mm zoom lens. All the images in this post were captured using a Series III 1.4x extender at the maximum 560mm zoom length. The primary impact of using the 1.4x extender is the reduction in maximum aperture. With the 1.4x mounted behind the 100-400, the max aperture range narrows to f/6.3 - f/8 on this variable aperture lens. Historically, only the professional 1-series EOS cameras supported auto focus for lenses with maximum apertures smaller than f/5.6. Beginning with the EOS 5DIII release in 2012, Canon has extended the ability to autofocus at f/8 into an increasing number of newer EOS DSLR cameras, now including all 1D series models, the 5DIII, 5DIV, 5DS, 5DS-R, 7DII, 80D, 77D, and Rebel T7i. These Canon EOS bodies feature high density, high precision auto-focus sensors with 45 or more AF points.

Friends Good Will is a working American reproduction of the historical Friends Good Will (1811–1813), a merchant square-rigged topsail sloop that was overtaken by the events of the War of 1812. The British captured her in a ruse of war shortly after they captured Fort Mackinac, and renamed her HMS Little Belt. In British service she was armed with a 9-pounder pivot gun and two 6-pounder guns. The Americans recaptured her during the Battle of Lake Erie. She then served in the US Navy before the British destroyed her at the end of December 1813. The current vessel sails out of South Haven, Michigan at the Michigan Maritime Museum, where she brings the area's history to life through educational tours, day sails, and school field trips.

Friends Good Will


The consensus among reviewers is the new 100-400L is as sharp when using a 1.4x extender as the old lens was sharp without an extender. My own experience is consistent with this assessment. I've found the image quality with the extender improves when stepping down from the maximum of f/8. In good light for larger subjects such as airplanes flying at airshows, working at aperture settings of f/9 to f/13 show excellent sharpness with a depth of field that covers the entire plane wing to wing or from nose to tail.

The cheetah is characterised by a slender body, deep chest, spotted coat, small rounded head, black tear-like streaks on the face, long thin legs and a long spotted tail. The cheetah's lightly built, slender form is in sharp contrast to the robust build of other big cats. It is the fastest land animal and active mainly during daylight hours where hunting is their major activity. A cheetah's average running speed is 40 mph (64 km/h) and can reach 70 mph (112 km/h) for short bursts.

Cheetah


Black-tailed prairie dogs are one of five prairie dog species that once ranged the Great Plains from southern Saskatchewan to northern Mexico. French explorers called them petits chiens, or "little dogs," because of their bark-like communication. These highly social animals are actually members of the rodent family. A type of ground squirrel, prairie dogs are closely related to other squirrels, chipmunks, woodchucks and marmots.

Prairie Dog


Featuring a tapering fuselage, speed ring cowling, and sloped windshield, the custom-designed biplane Dracula hearkens back to the racing airplanes of the 1930’s. Dracula combines the crowd pleasing lines of the iconic Waco Mystery Ship with modern aerodynamics and systems, creating in a smaller, lighter, significantly more maneuverable and powerful airplane.

Kyle Franklin in Dracula


The original Canon EF 100-400mm f/4.5-5.6L IS USM lens was released in 1998. It was only the fourth EF lens, and first L-series zoom lens, to incorporate Canon's Image Stabilizer technology, effective to 2-stops in terms of shutterspeed in the original IS implementation. The lens used a push / pull zoom mechanism where the photographer extended the zoom by pushing away on the front of the lens like extending the trombone musical instrument. The lens featured a drag control allowing the photographer to adjust the tension to their personal preference for how easy (or hard) they needed to push to extend the lens.

The United States Air Force was created in 1947 as a seperate service. Previously, aerial warfare was a combat arm of the US Army, known as United States Army Air Corps and later the United States Army Air Forces until legislation established the Department of the Air Force. Just six years later, in 1953, the Air Force’s official air demonstration team, designated the 3600th Air Demonstration Unit, was activated at Luke Air Force Base, Arizona. The unit adopted the name "Thunderbirds", influenced in part by the Native American culture and folklore from the southwestern United States where Luke Air Force Base is located.

USAF Thunderbirds


For more than 25 years, the AeroShell Aerobatic Team has performed tight formation aerial maneuvers at airshows across North America. The team was founded in 1984 by Alan Henley and Steve Gustafson as the North American Aerobatic Team. Gene McNeely joined the team in 1996 and was integral in developing the team's sponsor base. In 2001 they became the Aeroshell Aerobatic Team. The team flies the North American AT-6 Texan. Nicknamed "The Pilot Maker", the Texan was the primary training aircraft for fighter pilots in World War II, pilots who went on to fly the P-51 Mustang, F4U Corsair, P-40 Warhawk, and others.

AeroShell Aerobatic Team


Canon L-series lenses share a number of common characteristics. L lenses tend to be more durable, incorporating dust and water-resistant rubber seals in most models. L lenses also contain optics of higher quality, with many lenses containing aspherically ground, fluorite or ultra-low dispersion glass elements. Their front elements do not rotate for the proper operation of some filters, such as circular polarizers. L lenses are often "fast", with maximum apertures commonly f/2.8 or f/4 and never exceeding f/5.6. Prime lenses have a much greater maximum aperture, such as Canon's current 50mm and 85mm L lenses which open to f/1.2. All current L-series lenses have ultrasonic autofocus motors (USM) and extra communication pins, except for the specialist tilt-shift lenses which do not provide autofocus.

Flamingo


When reviewing the sample images, could you discern the two that used the older 100-400L? All images were captured using a 22MP EOS 5DIII and the same 1.4x extender III. Images were captured in Canon's CR2 Raw format and processed using Lightroom v6. Additional noise processing was completed in Topaz DeNoise v6. The first image of the Crazy Horse Memorial and the Black-tailed prairie dog came from the original EF 100-400mm f/4.5.6 IS USM. All the others used the Series II lens.

The images are sized to fill your wide-screen display. Try using <F11> to maximize your browser window for the full effect. If the images overshoot your display, such as a laptop, just click on the image or the URL link and they'll resize to your screen from the host Flickr site. You can click a bit further into the image details on the Flickr page, if desired. EXIF data is available from the host Flickr pages as well. On the Flickr site, use your <L>key for Large and the <F11> for the full-screen.
This post continues the discussion of Canon L-seri... (show quote)


Wonderful set. Thank you for showing and explaining what equipment can do. Of course the eye of the photographer is the first key to it all.

Reply
 
 
Oct 22, 2018 09:40:28   #
Nalu Loc: Southern Arizona
 
Another great series Paul. Appreciate the effort you put into these, the information as well las the photos and information on equipment.

Reply
Oct 22, 2018 09:48:31   #
CanonTom Loc: Birmingham
 
Paul, as always great photos and information! I do have a question if I might....were you using any type of filters on any of these shots. Every single shot you posted is super clear and I have heard it mentioned that the version I does not do well with filters....wondering what your thoughts are as to that as you have experience with both.

Reply
Oct 22, 2018 10:11:59   #
Sally D
 
As always absolutely packed with great information! Thanks!

Reply
Oct 22, 2018 10:36:20   #
AHK Loc: Lakewood Ranch, Fl.
 
CHG_CANON wrote:
This post continues the discussion of Canon L-series lenses used with Canon Series III extenders, showing examples from the Canon EF 100-400mm f/4.5.6 IS II USM and the EF 1.4x III Extender creating a 560mm focal length combination at the maximum zoom length. Many zoom lenses, third-party and Canon, lose a touch of sharpness at their maximum focal length. That is not the case with the 100-400L. When the 1.4x extender is used, the resulting zoom range is 140mm to 560mm. Images selected for this installment are all captured at the maximum zoom of 560mm. Two images were captured using the original 100-400L and are identified at the conclusion of the post

The current EF 100-400mm f/4.5-5.6L IS II USM was released in 2014, replacing the original model that had been a staple of wildlife photography and airshows going back to 1998. The new lens features 16-years of technology improvements. For those familiar with the original model, the Series II lens changed the zoom mechanism from a push-pull trombone style to a rotary zoom.

The Crazy Horse Memorial is located in the Black Hills of South Dakota, near the town of Berne. Like the nearby Mount Rushmore National Memorial, the monument is being carved out of a mountainside. The sculpture was begun by Polish-American sculptor Korczak Ziólkowski, who had worked under Gutzon Borglum on Mount Rushmore. Upon completion, the head of Crazy Horse will be the world’s largest sculpture of a human head, measuring approximately 87 feet (27 m) tall, more than 27 feet taller than the 60-foot faces of the U.S. Presidents depicted on Mount Rushmore. The entire sculpture of Crazy Horse riding a horse will be the largest sculpture in the world when completed.

Crazy Horse by Paul Sager, on Flickr


The Series II 100-400L features Canon's latest Image Stabilizer system, allowing users to shoot at speeds up to four times slower than normally required. Canon's IS-enabled lenses in Series II feature three IS modes. Mode 1 is the normal mode, used for typical photography, where the subject does not move. Mode 2 is used for panning; this is useful for sports or wildlife photography, where the subject moves constantly and one will need to pan. Mode 3, intended to track action, is similar to Mode 2 in that it ignores panning; however, it applies stabilization only when the shutter is released, the viewfinder image is not stabilized.

Chicago area Dragonflies


The Series II model features a dramatically shortened MFD (Minimum Focus Distance) and a significantly-increased MM (Maximum Magnification) effect. The 100-400 II can focus on subjects just 38.4-inches (980mm) from the camera sensor. This distance is nearly half the MFD of the old lens. The Series II can produce subject details 50% larger than the previous lens.

Giant Swallowtail


Adding the 1.4x extender creates a 140-560mm zoom lens. All the images in this post were captured using a Series III 1.4x extender at the maximum 560mm zoom length. The primary impact of using the 1.4x extender is the reduction in maximum aperture. With the 1.4x mounted behind the 100-400, the max aperture range narrows to f/6.3 - f/8 on this variable aperture lens. Historically, only the professional 1-series EOS cameras supported auto focus for lenses with maximum apertures smaller than f/5.6. Beginning with the EOS 5DIII release in 2012, Canon has extended the ability to autofocus at f/8 into an increasing number of newer EOS DSLR cameras, now including all 1D series models, the 5DIII, 5DIV, 5DS, 5DS-R, 7DII, 80D, 77D, and Rebel T7i. These Canon EOS bodies feature high density, high precision auto-focus sensors with 45 or more AF points.

Friends Good Will is a working American reproduction of the historical Friends Good Will (1811–1813), a merchant square-rigged topsail sloop that was overtaken by the events of the War of 1812. The British captured her in a ruse of war shortly after they captured Fort Mackinac, and renamed her HMS Little Belt. In British service she was armed with a 9-pounder pivot gun and two 6-pounder guns. The Americans recaptured her during the Battle of Lake Erie. She then served in the US Navy before the British destroyed her at the end of December 1813. The current vessel sails out of South Haven, Michigan at the Michigan Maritime Museum, where she brings the area's history to life through educational tours, day sails, and school field trips.

Friends Good Will


The consensus among reviewers is the new 100-400L is as sharp when using a 1.4x extender as the old lens was sharp without an extender. My own experience is consistent with this assessment. I've found the image quality with the extender improves when stepping down from the maximum of f/8. In good light for larger subjects such as airplanes flying at airshows, working at aperture settings of f/9 to f/13 show excellent sharpness with a depth of field that covers the entire plane wing to wing or from nose to tail.

The cheetah is characterised by a slender body, deep chest, spotted coat, small rounded head, black tear-like streaks on the face, long thin legs and a long spotted tail. The cheetah's lightly built, slender form is in sharp contrast to the robust build of other big cats. It is the fastest land animal and active mainly during daylight hours where hunting is their major activity. A cheetah's average running speed is 40 mph (64 km/h) and can reach 70 mph (112 km/h) for short bursts.

Cheetah


Black-tailed prairie dogs are one of five prairie dog species that once ranged the Great Plains from southern Saskatchewan to northern Mexico. French explorers called them petits chiens, or "little dogs," because of their bark-like communication. These highly social animals are actually members of the rodent family. A type of ground squirrel, prairie dogs are closely related to other squirrels, chipmunks, woodchucks and marmots.

Prairie Dog


Featuring a tapering fuselage, speed ring cowling, and sloped windshield, the custom-designed biplane Dracula hearkens back to the racing airplanes of the 1930’s. Dracula combines the crowd pleasing lines of the iconic Waco Mystery Ship with modern aerodynamics and systems, creating in a smaller, lighter, significantly more maneuverable and powerful airplane.

Kyle Franklin in Dracula


The original Canon EF 100-400mm f/4.5-5.6L IS USM lens was released in 1998. It was only the fourth EF lens, and first L-series zoom lens, to incorporate Canon's Image Stabilizer technology, effective to 2-stops in terms of shutterspeed in the original IS implementation. The lens used a push / pull zoom mechanism where the photographer extended the zoom by pushing away on the front of the lens like extending the trombone musical instrument. The lens featured a drag control allowing the photographer to adjust the tension to their personal preference for how easy (or hard) they needed to push to extend the lens.

The United States Air Force was created in 1947 as a seperate service. Previously, aerial warfare was a combat arm of the US Army, known as United States Army Air Corps and later the United States Army Air Forces until legislation established the Department of the Air Force. Just six years later, in 1953, the Air Force’s official air demonstration team, designated the 3600th Air Demonstration Unit, was activated at Luke Air Force Base, Arizona. The unit adopted the name "Thunderbirds", influenced in part by the Native American culture and folklore from the southwestern United States where Luke Air Force Base is located.

USAF Thunderbirds


For more than 25 years, the AeroShell Aerobatic Team has performed tight formation aerial maneuvers at airshows across North America. The team was founded in 1984 by Alan Henley and Steve Gustafson as the North American Aerobatic Team. Gene McNeely joined the team in 1996 and was integral in developing the team's sponsor base. In 2001 they became the Aeroshell Aerobatic Team. The team flies the North American AT-6 Texan. Nicknamed "The Pilot Maker", the Texan was the primary training aircraft for fighter pilots in World War II, pilots who went on to fly the P-51 Mustang, F4U Corsair, P-40 Warhawk, and others.

AeroShell Aerobatic Team


Canon L-series lenses share a number of common characteristics. L lenses tend to be more durable, incorporating dust and water-resistant rubber seals in most models. L lenses also contain optics of higher quality, with many lenses containing aspherically ground, fluorite or ultra-low dispersion glass elements. Their front elements do not rotate for the proper operation of some filters, such as circular polarizers. L lenses are often "fast", with maximum apertures commonly f/2.8 or f/4 and never exceeding f/5.6. Prime lenses have a much greater maximum aperture, such as Canon's current 50mm and 85mm L lenses which open to f/1.2. All current L-series lenses have ultrasonic autofocus motors (USM) and extra communication pins, except for the specialist tilt-shift lenses which do not provide autofocus.

Flamingo


When reviewing the sample images, could you discern the two that used the older 100-400L? All images were captured using a 22MP EOS 5DIII and the same 1.4x extender III. Images were captured in Canon's CR2 Raw format and processed using Lightroom v6. Additional noise processing was completed in Topaz DeNoise v6. The first image of the Crazy Horse Memorial and the Black-tailed prairie dog came from the original EF 100-400mm f/4.5.6 IS USM. All the others used the Series II lens.

The images are sized to fill your wide-screen display. Try using <F11> to maximize your browser window for the full effect. If the images overshoot your display, such as a laptop, just click on the image or the URL link and they'll resize to your screen from the host Flickr site. You can click a bit further into the image details on the Flickr page, if desired. EXIF data is available from the host Flickr pages as well. On the Flickr site, use your <L>key for Large and the <F11> for the full-screen.
This post continues the discussion of Canon L-seri... (show quote)


Many thanks for a fine article...How do I find your initial discussion that you referenced?? I tried search under your name and could not find....thanks

Reply
 
 
Oct 22, 2018 10:44:35   #
dandev Loc: Enumclaw, WA
 
Thanks - 2 weeks ago I upgraded my Tamron 150 to 600 v1 to the Canon 100 to 400 Lii and 1.4x. It is a great lens combo. I got both as Canon refurbished lenses from Canon.
I'm going to put my Tamron up for sale.

Reply
Oct 22, 2018 10:50:02   #
tomad Loc: North Carolina
 
Every one excellent shots as usual Paul!

Reply
Oct 22, 2018 10:52:51   #
CHG_CANON Loc: the Windy City
 
CanonTom wrote:
Paul, as always great photos and information! I do have a question if I might....were you using any type of filters on any of these shots. Every single shot you posted is super clear and I have heard it mentioned that the version I does not do well with filters....wondering what your thoughts are as to that as you have experience with both.

Thank you Tom! All these images as well as every image posted online at Flickr, etc (expect for macro work such as the Chicago spiders & bees & similar) are captured with lenses using filters. I believe in protecting the front elements of my lenses with filters and do not believe in an observable negative impact on image quality of general photography with high quality filters. I also prefer a deeper blue of sky and the details of clouds a UV filter can provide in certain situations. By 'general' I'll exclude macro and my use of the 180L macro lens. For that lens only, I keep a cheap filter for protection during storage and transport up until I'm ready to shoot and then remove the filter to a pocket. All my lenses have hoods that are always employed, not for protection, but for image quality to shade the front of the lens from light randomly entering from the side.

I walked and grabbed the 100-400L II. It has a Clear B+W XS-Pro. Most of my lenses use the XS-Pro line of filters. As I shoot film and use all my EF lenses, the filters are mostly UV versions rather than Clear. I have some lenses out for a pending trip. A quick survey shows 4 UV and 2 others Clear but there's no 'design' on which is which as I use all the EF lenses for both film and digital. I'd expect my oldest FD lenses use B+W F-PRO UV filters even though they're now used only a Sony a7II. B+W makes colored filters only in the F-PRO line that I use when shooting B&W film.

The two images identified as the mark I version of the 100-400L would have had filters, probably B+W F-PRO based on the age of that lens, but I haven't owned that lens since early 2015 so I have no way of saying for sure.

Filters are not all equal. I've looked at online results such as https://www.lensrentals.com/blog/2017/06/the-comprehensive-ranking-of-the-major-uv-filters-on-the-market/ and informally tested using my own equipment. I don't expect a filter, nor a hood nor lens caps, to protect my lenses from dropping onto a hard floor. But, I do expect filters to keep my lens elements free of dust, fingerprints, waterspray, etc and to avoid scratches on the element even though I only use micro fiber cloths for cleaning and wiping, and then only to the filter. As mentioned above, I want to capture details in clouds and I prefer a UV filter even if I don't have UV filters on every lens in preparation for having sky in my image. For my photography, the image quality and lens protection benefits of B+W filters are observable with no observable negative impact.

I've heard the filter 'knock' on the 100-400 vI. Your best course of action is test your lens for yourself to confirm or disprove that advice based on your own equipment and testing.

Reply
Oct 22, 2018 10:56:26   #
CHG_CANON Loc: the Windy City
 
AHK wrote:
Many thanks for a fine article...How do I find your initial discussion that you referenced?? I tried search under your name and could not find....thanks

Thank you AHK! You can click the URL link that is my user name and you have options to list all topics created and all messages posted. From my topics created, you should find two recent posts to the Photo Gallery for an airshow @ 1000mm and a prime lens extended to 600mm. Enjoy.

Reply
 
 
Oct 22, 2018 10:58:40   #
CHG_CANON Loc: the Windy City
 
dandev wrote:
Thanks - 2 weeks ago I upgraded my Tamron 150 to 600 v1 to the Canon 100 to 400 Lii and 1.4x. It is a great lens combo. I got both as Canon refurbished lenses from Canon.
I'm going to put my Tamron up for sale.

Congratulations dandev! I limited the images to the max extended zoom to highlight the 100-400 capabilities for purposes of comparison to the slightly longer competitors. Glad you enjoyed.

Reply
Oct 22, 2018 11:18:47   #
vicksart Loc: Novato, CA -earthquake country
 
Many thanks for the information and wonderful examples Paul. I purchased the "old" push-pull version 100-400 about a year before the new one came out and have been quite happy with it. It seems there's always something better to buy, but it certainly helps to see examples of what can be done before jumping to the next purchase. My wish list includes the 1.4 extender as well as an upgrade to my 7D, a new computer....well, the list goes on from there.

Reply
Oct 22, 2018 11:19:07   #
CHG_CANON Loc: the Windy City
 
Thank you fiat76, Mister H, Nalu, Sally, tomad, Vicki! Glad you enjoyed and thank you for your kind comments and interest. The difference for me for the vII to original, beyond the push-pull zoom usage, is the speed of the focus and the capability of the IS. I think the newer is sharper, but the old lens was already excellent. But, usage options with handholding via the IS make a real difference.

Reply
Oct 22, 2018 11:23:22   #
CanonTom Loc: Birmingham
 
CHG_CANON wrote:
Thank you Tom! All these images as well as every image posted online at Flickr, etc (expect for macro work such as the Chicago spiders & bees & similar) are captured with lenses using filters. I believe in protecting the front elements of my lenses with filters and do not believe in an observable negative impact on image quality of general photography with high quality filters. I also prefer a deeper blue of sky and the details of clouds a UV filter can provide in certain situations. By 'general' I'll exclude macro and my use of the 180L macro lens. For that lens only, I keep a cheap filter for protection during storage and transport up until I'm ready to shoot and then remove the filter to a pocket. All my lenses have hoods that are always employed, not for protection, but for image quality to shade the front of the lens from light randomly entering from the side.

I walked and grabbed the 100-400L II. It has a Clear B+W XS-Pro. Most of my lenses use the XS-Pro line of filters. As I shoot film and use all my EF lenses, the filters are mostly UV versions rather than Clear. I have some lenses out for a pending trip. A quick survey shows 4 UV and 2 others Clear but there's no 'design' on which is which as I use all the EF lenses for both film and digital. I'd expect my oldest FD lenses use B+W F-PRO UV filters even though they're now used only a Sony a7II. B+W makes colored filters only in the F-PRO line that I use when shooting B&W film.

The two images identified as the mark I version of the 100-400L would have had filters, probably B+W F-PRO based on the age of that lens, but I haven't owned that lens since early 2015 so I have no way of saying for sure.

Filters are not all equal. I've looked at online results such as https://www.lensrentals.com/blog/2017/06/the-comprehensive-ranking-of-the-major-uv-filters-on-the-market/ and informally tested using my own equipment. I don't expect a filter, nor a hood nor lens caps, to protect my lenses from dropping onto a hard floor. But, I do expect filters to keep my lens elements free of dust, fingerprints, waterspray, etc and to avoid scratches on the element even though I only use micro fiber cloths for cleaning and wiping, and then only to the filter. As mentioned above, I want to capture details in clouds and I prefer a UV filter even if I don't have UV filters on every lens in preparation for having sky in my image. For my photography, the image quality and lens protection benefits of B+W filters are observable with no observable negative impact.

I've heard the filter 'knock' on the 100-400 vI. Your best course of action is test your lens for yourself to confirm or disprove that advice based on your own equipment and testing.
Thank you Tom! All these images as well as every i... (show quote)


Thanks Paul for a detailed account. I believe this helps a lot. I have been using Breakthrough CPL filters on my f4 24-105 L II USM as well as my 70-300 L USM with terrific results. I do appreciate all your comments and advice!

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