selmslie wrote:
If you are going to go to that much trouble to arrange the lighting to control the dynamic range, raw vs. JPEG is probably the least of your concerns. Having done that much work up front, developing the image from the raw file is a no-brainer. Nobody who does advertising or still life would even consider working with an 8-bit JPEG.
On the other hand, there are many kinds of photography where a JPEG straight from the camera is perfectly suited because the objective is documentation, not art, and the final image size is not large. For example, news reporting and sports often end up on a computer screen or as a small print in periodical. There is often an requirement that the images come straight from the camera without any post processing.
Illustrations for manuals don't need to be beautiful. They just need to support the text. Forensic images also require very little remedial PP. I'm sure the readers can come up with many more examples.
If you are going to go to that much trouble to arr... (
show quote)
More examples of subject matter suited to JPEG capture:
eBay product photos
Industrial parts catalog photos (nuts, bolts, screws, cardboard boxes, tools...)
Nearly all school portraits ("underclass" K-11, anyway) are made with JPEG capture
Most "big box store studio" and "church directory" portraiture is JPEG capture
Some very, very low budget work, done with a tight deadline under controlled, consistent lighting and contrast range, is made with JPEG capture
Outdoor scenes on 100% overcast days
Indoor candids in schools and offices lit evenly and predominantly with 2x4 foot fluorescent troffers
Many people in this forum would be shocked to learn what sorts of professional work are done with minimal equipment (like APS-C and Micro 4/3) and JPEG captures. Any scene where the dynamic range is limited to five f/stops or less, exposure is reasonably consistent, and white balance is fixed, can be handled nicely with JPEG capture. Portraits with 2:1 to 3.5:1 main-to-fill lighting ratios work quite well. Hybrid photography creations like those done by commercial photographer Will Crockett MUST be JPEG, so the stills match the videos.
Examples of subject matter COMPLETELY UNSUITED to JPEG capture:
Weddings and other "one chance" events, especially those in venues where lighting is inconsistent or room changes are common
Sports action in poorly/inconsistently lit venues or outdoors on sunny days
Landscapes and real estate work
Most scenes photographed outdoors on sunny or partly cloudy days, especially in direct sun
High end product photography (cars, clothing, jewelry, antiques, luxury items...)
Any scene where the dynamic range exceeds five f/stops is a prime candidate for raw capture, where practical.
Any scene where precise color accuracy and deep color saturation is required is a prime candidate for raw capture and direct printing from a 16-bit conversion (i.e.; printing directly from Lightroom to a very high end inkjet printer with 16-bit driver).