I am not a discipline or precise person, and my art and photography tends to exemplify that.. I am not too interested in automobiles, so decided to dedicate some images to that subject. After sorting thru the lot, I decided to make the images black and white to lend a bit of drama to the finished product. Comments (and constructive criticism,) are welcome..
I like all the shots, but think the first might be more dramatic in color. I seem to recall that the early Vetts had some colors under the hood on parts that didn't get hot enough to burn it off, but my recall may be less than perfect; it's been about 60 years!
I like all the shots, but think the first might be more dramatic in color. I seem to recall that the early Vetts had some colors under the hood on parts that didn't get hot enough to burn it off, but my recall may be less than perfect; it's been about 60 years!
Although I am not a “car person”, I enjoyed these for all the curves and the way the light highlights the shapes. In B&W the form and play of light is really the subject.
Wow.... That was an unexpected comment... But thanks.. (And as for being overcast, you are right...) However.......... Some images were made on a very sunny day.
Fotoartist wrote:
Really good eye, really good work. I shoot a lot of cars. It looks like you've already discovered they look best on overcast days.
Number 1 is a masterpiece! The Austin Healy was a brute, the big brother of the MG and Triumph. It should be expressed in B&W as befits it's personality.
Hmmm. Not sure where you're going with this, but thanks for commenting.. BTW: Does experience necessarily lead to skill? (It hasn't led to discipline, at least on my end...)
another view wrote:
Doing worthy photography requires discipline, skill, and experience.
Wow thanks.. (With comments like that, uninteresting subjects are tuning into INTERESTING ones on my end!!)
safeman wrote:
Number 1 is a masterpiece! The Austin Healy was a brute, the big brother of the MG and Triumph. It should be expressed in B&W as befits it's personality.
Although I am not a “car person”, I enjoyed these for all the curves and the way the light highlights the shapes. In B&W the form and play of light is really the subject.