fergmark wrote:
An approach that I have experimented with, with pleasing results, is to blend a color version, with a black and white version. Gives the opportunity to refine both components, as it facilitates the desired effect in the end, with the % slider. The black and white can also serve as a sharpness layer, not unlike sharpening the lightness channel in lab color.
Blending colour and B&W has been discussed in UHH before. Maybe I should familiarise myself with layers more. I can see that one of its strengths is that complex adjustments can be localised to specific problem areas and applied in degrees. If only LR's Adjustments brush wasn't limited in what you can apply with it.