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Why Wouldn't an AUTO Shooting Mode be Optimal for RAW?
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Jun 11, 2018 09:52:49   #
Rich1939 Loc: Pike County Penna.
 
JohnFrim wrote:
Understood. So shoot A or S mode as appropriate for those circumstances. These are still AUTO modes.

I guess I just have difficulty grasping the recommendation I see so often, especially aimed at newbies, to shoot full manual in order to learn photography. I would tell a newbie to set the camera on full auto and concentrate on composition. Then analyze the photos and see what was wrong with depth of field or blur that could have been corrected by manual selection of aperture or shutter speed (ISO would be the last of my worries). Also learn under what circumstances the metering was fooled and how one might correct that by re-aiming and using exposure lock, or by changing settings from average to zone to spot metering.

I really believe that the number of times I want to be in charge of shutter speed, aperture and ISO all at the same time are few and far between.
Understood. So shoot A or S mode as appropriate fo... (show quote)


I think learning to shoot manual lays a strong foundation that will help any aspiring photographer. It really isn't that difficult. Just because a person is new to photography assuming they will be held back if they need to learn manual while also learning other aspects of the craft doesn't give Joe/Jane Doe enough credit. All you need to do is look back to all the people from the past who took photos well before auto anything was developed. Without even a meter in many cases! Yes they had it a bit simpler because they pretty much stayed with one film with one ASA(ISO) and didn't have the crutch of multiple ISO's but it also taught them how to work within limited parameters. BTW all those available ISO's, in my opinion, can be a confusion factor. If I were teaching someone the basics I'd have them work with just ISO 100 to begin with.

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Jun 11, 2018 09:56:21   #
SonyA580 Loc: FL in the winter & MN in the summer
 
(Quote) Either you make the camera do what you want it to do, or you put yourself at it's mercy. In ANY mode other than manual the photographer is letting the camera shape the photograph. It is as simple as that, there is NO such thing as "semi-auto".

I will never use auto ISO on my Sony A580 because the noise is unacceptable at high ISO's. On my Sony A900 you can select a "range" of auto ISO's (200-400) that I know will be OK.

As far as "semi-auto" goes, I think we are splitting hairs here. Certainly when shooting sports you want higher than normal shutter speeds. When shooting flowers, etc., I want to control the DOF. These situations call for what I consider semi-auto settings, i.e., shutter priority and aperture priority. I'm as "Old School" as any of you when it comes to using the basics we learned with manual film cameras but, I also believe there is no shame in utilizing the newer cameras features to the fullest if it eliminates some adjustments that the camera can adequately handle.

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Jun 11, 2018 10:16:13   #
wilsondl2 Loc: Lincoln, Nebraska
 
Try "programe" mode. - Dave

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Jun 11, 2018 10:20:23   #
bpulv Loc: Buena Park, CA
 
JohnFrim wrote:
I expect that most people who shoot RAW (or RAW+JPEG) are serious about image quality. The RAW file can be tweaked in post processing to extract the best of the image in terms of colour, details, shadows and highlights. But getting a really great RAW file to work with still requires getting the exposure pretty close to perfect.

Most modern cameras have pretty sophisticated processors and algorithms that deliver very acceptable JPEGs when used in any of the AUTO modes. Yes, the meter can often be fooled by tricky lighting conditions, but a quick look at the image on the LCD would allow you to correct the situation with a second shot if the first is really bad. But I suspect the exposure would have to be really, really bad for the RAW file to be unusable.

So my question is really directed at the "serious" (read RAW) photographers who swear by shooting FULL MANUAL -- why not just shoot in one of the AUTO modes and let the camera handle exposure?

Sure, shoot in a SEMI-AUTO mode like A or S if you want to control aperture or shutter speed specifically. But why not shoot FULL "intelligent" AUTO in a lot of situations? In this mode the camera tries to optimize things like aperture and shutter speed for landscape, macro, night scene, etc, and it often does a good job of that. As far as image appearance goes, the only real "bonus" is that the JPEG will get special treatment when the camera applies SCENE adjustments to alter sharpness, saturation, etc, but the RAW file remains unchanged.

I guess another way of phrasing the question is to ask how bad would the RAW file be using AUTO vs MANUAL to set exposure? Would an AUTO mode put the RAW file so far from the ideal exposure that the image is not retrievable?

To me, having a relatively smart assistant take care of the easy stuff and leaving the creative and challenging bits like focus and composition to the photographer might actually optimize the process of creating a good photo.
I expect that most people who shoot RAW (or RAW+JP... (show quote)


The reason you should not shoot in full automatic is that you loose all control of the process. The camera will compensate to get the correct exposure, but it will ignore critical factors such as the speed the subject may be moving or if it should aim for a full or restricted depth of field, etc.

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Jun 11, 2018 10:42:56   #
BebuLamar
 
JohnFrim wrote:
I expect that most people who shoot RAW (or RAW+JPEG) are serious about image quality. The RAW file can be tweaked in post processing to extract the best of the image in terms of colour, details, shadows and highlights. But getting a really great RAW file to work with still requires getting the exposure pretty close to perfect.

Most modern cameras have pretty sophisticated processors and algorithms that deliver very acceptable JPEGs when used in any of the AUTO modes. Yes, the meter can often be fooled by tricky lighting conditions, but a quick look at the image on the LCD would allow you to correct the situation with a second shot if the first is really bad. But I suspect the exposure would have to be really, really bad for the RAW file to be unusable.

So my question is really directed at the "serious" (read RAW) photographers who swear by shooting FULL MANUAL -- why not just shoot in one of the AUTO modes and let the camera handle exposure?

Sure, shoot in a SEMI-AUTO mode like A or S if you want to control aperture or shutter speed specifically. But why not shoot FULL "intelligent" AUTO in a lot of situations? In this mode the camera tries to optimize things like aperture and shutter speed for landscape, macro, night scene, etc, and it often does a good job of that. As far as image appearance goes, the only real "bonus" is that the JPEG will get special treatment when the camera applies SCENE adjustments to alter sharpness, saturation, etc, but the RAW file remains unchanged.

I guess another way of phrasing the question is to ask how bad would the RAW file be using AUTO vs MANUAL to set exposure? Would an AUTO mode put the RAW file so far from the ideal exposure that the image is not retrievable?

To me, having a relatively smart assistant take care of the easy stuff and leaving the creative and challenging bits like focus and composition to the photographer might actually optimize the process of creating a good photo.
I expect that most people who shoot RAW (or RAW+JP... (show quote)


I do shoot in A very often but I would use manual whenever I think the meter is not giving me the exposure I want. The meter does a decent job and the RAW files are OK most of the time. However, if you want to really optimized your exposure then deviation from the meter is needed (an example is when you want to expose to the right) and in such case manual is easier while it's possible to get the camera to set whatever settings you want in P but manual is easier.

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Jun 11, 2018 10:50:56   #
mwsilvers Loc: Central New Jersey
 
JohnFrim wrote:
I expect that most people who shoot RAW (or RAW+JPEG) are serious about image quality. The RAW file can be tweaked in post processing to extract the best of the image in terms of colour, details, shadows and highlights. But getting a really great RAW file to work with still requires getting the exposure pretty close to perfect.

Most modern cameras have pretty sophisticated processors and algorithms that deliver very acceptable JPEGs when used in any of the AUTO modes. Yes, the meter can often be fooled by tricky lighting conditions, but a quick look at the image on the LCD would allow you to correct the situation with a second shot if the first is really bad. But I suspect the exposure would have to be really, really bad for the RAW file to be unusable.

So my question is really directed at the "serious" (read RAW) photographers who swear by shooting FULL MANUAL -- why not just shoot in one of the AUTO modes and let the camera handle exposure?

Sure, shoot in a SEMI-AUTO mode like A or S if you want to control aperture or shutter speed specifically. But why not shoot FULL "intelligent" AUTO in a lot of situations? In this mode the camera tries to optimize things like aperture and shutter speed for landscape, macro, night scene, etc, and it often does a good job of that. As far as image appearance goes, the only real "bonus" is that the JPEG will get special treatment when the camera applies SCENE adjustments to alter sharpness, saturation, etc, but the RAW file remains unchanged.

I guess another way of phrasing the question is to ask how bad would the RAW file be using AUTO vs MANUAL to set exposure? Would an AUTO mode put the RAW file so far from the ideal exposure that the image is not retrievable?

To me, having a relatively smart assistant take care of the easy stuff and leaving the creative and challenging bits like focus and composition to the photographer might actually optimize the process of creating a good photo.
I expect that most people who shoot RAW (or RAW+JP... (show quote)

You seem to be focused on exposure which is only part of the photographic process. I shoot raw 100% of the time. I control the aperture. shutter speed, ISO and the focus points I want based on my goals for any particular image. Full auto decides on those things for me based on its interpretation of a good exposure. But, as important as a good exposure is, using the right shutter speed and aperture to achieve my goals is equally as important. It is the ability to manipulate aperture and shutter speed along with good composition that makes us creative and allows us to capture the image we're after. All full auto does is allow you to focus on composition only. You might as well use a quality point and shoot camera if that's your goal. Try shooting sports with full auto. Try shooting birds in flight or wildlife in full auto. Try controlling your depth of field with full auto. Try separating your subject from background blur with full auto. Try focusing just on a single person or animal or a small object in a busy scene with full auto. Try tracking a moving subject in full auto. Each one of those scenarios would be extremely compromised in full auto. Full auto severely limits creativity, it does not enhance it! The "intelligent" part of full auto you refer to can't read my mind!

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Jun 11, 2018 12:18:03   #
bsprague Loc: Lacey, WA, USA
 
I shoot RAW, sometimes RAW+JPEG.

I use Auto (P), even "Intelligent Auto (iA) a lot. I even use "Auto" in Lightroom's Develop module. They are legitimate tools to go along with all the other tools I use. Manual (M) and turning off the Autofocus (AF) works too.

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Jun 11, 2018 12:37:02   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
JohnFrim wrote:
I expect that most people who shoot RAW (or RAW+JPEG) are serious about image quality. The RAW file can be tweaked in post processing to extract the best of the image in terms of colour, details, shadows and highlights. But getting a really great RAW file to work with still requires getting the exposure pretty close to perfect.

Most modern cameras have pretty sophisticated processors and algorithms that deliver very acceptable JPEGs when used in any of the AUTO modes. Yes, the meter can often be fooled by tricky lighting conditions, but a quick look at the image on the LCD would allow you to correct the situation with a second shot if the first is really bad. But I suspect the exposure would have to be really, really bad for the RAW file to be unusable.

So my question is really directed at the "serious" (read RAW) photographers who swear by shooting FULL MANUAL -- why not just shoot in one of the AUTO modes and let the camera handle exposure?

Sure, shoot in a SEMI-AUTO mode like A or S if you want to control aperture or shutter speed specifically. But why not shoot FULL "intelligent" AUTO in a lot of situations? In this mode the camera tries to optimize things like aperture and shutter speed for landscape, macro, night scene, etc, and it often does a good job of that. As far as image appearance goes, the only real "bonus" is that the JPEG will get special treatment when the camera applies SCENE adjustments to alter sharpness, saturation, etc, but the RAW file remains unchanged.

I guess another way of phrasing the question is to ask how bad would the RAW file be using AUTO vs MANUAL to set exposure? Would an AUTO mode put the RAW file so far from the ideal exposure that the image is not retrievable?

To me, having a relatively smart assistant take care of the easy stuff and leaving the creative and challenging bits like focus and composition to the photographer might actually optimize the process of creating a good photo.
I expect that most people who shoot RAW (or RAW+JP... (show quote)


See my answer below:

no adjustment using auto settings in camera raw file
no adjustment using auto settings in camera raw fi...
(Download)

adjusted for shadows, contrast, noise, detail
adjusted for shadows, contrast, noise, detail...
(Download)

no adjustments, shot as raw, exposed for highlight in center of frame
no adjustments, shot as raw, exposed for highlight...
(Download)

adjusted for shadows, contrast, noise, detail
adjusted for shadows, contrast, noise, detail...
(Download)

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Jun 11, 2018 12:40:29   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
Gene51 wrote:
See my answer below:


Neither exposure is incorrect. Both ensure that enough recoverable shadow detail was recorded, with the second image of the waterfall, enough of the highlight detail was recorded as well. As they came out of the camera they look pretty awful, but being that I shot raw, there is considerably more exposure latitude at the extremes to make a tonally well-balanced image.

I don't use auto because I like to more precisely expose for highlights, pushing the exposure as far as possible without crossing the threshold of highlight detail loss.

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Jun 11, 2018 12:44:01   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
davidrb wrote:
Your question shows a lack of understanding about RAW files, and the idea of "auto" modes. The photographer sets the camera to their preferences and makes a photograph. Either you make the camera do what you want it to do, or you put yourself at it's mercy. In ANY mode other than manual the photographer is letting the camera shape the photograph. It is as simple as that, there is NO such thing as "semi-auto". As far as "FULL 'intelligent' AUTO" answer this question: How intelligent is someone when allowing a machine to make their decisions? THAT is your auto mode, pure and simple. Auto mode replaces the thought process.
Your question shows a lack of understanding about ... (show quote)


Cameras are not capable of mercy - they record what they see. Likewise, cameras are incapable of making decisions - they follow instructions to the letter - Using any camera settings, even the default ones, make the photographer completely responsible for the result. Stop blaming the poor camera already.

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Jun 11, 2018 13:17:55   #
JohnFrim Loc: Somewhere in the Great White North.
 
Gene51 wrote:
Cameras are not capable of mercy - they record what they see. Likewise, cameras are incapable of making decisions - they follow instructions to the letter - Using any camera settings, even the default ones, make the photographer completely responsible for the result. Stop blaming the poor camera already.

Amen!!!

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Jun 11, 2018 13:26:09   #
srt101fan
 
Gene51 wrote:
Cameras are not capable of mercy - they record what they see. Likewise, cameras are incapable of making decisions - they follow instructions to the letter - Using any camera settings, even the default ones, make the photographer completely responsible for the result. Stop blaming the poor camera already.



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Jun 11, 2018 16:55:16   #
speters Loc: Grangeville/Idaho
 
JohnFrim wrote:
I expect that most people who shoot RAW (or RAW+JPEG) are serious about image quality. The RAW file can be tweaked in post processing to extract the best of the image in terms of colour, details, shadows and highlights. But getting a really great RAW file to work with still requires getting the exposure pretty close to perfect.

Most modern cameras have pretty sophisticated processors and algorithms that deliver very acceptable JPEGs when used in any of the AUTO modes. Yes, the meter can often be fooled by tricky lighting conditions, but a quick look at the image on the LCD would allow you to correct the situation with a second shot if the first is really bad. But I suspect the exposure would have to be really, really bad for the RAW file to be unusable.

So my question is really directed at the "serious" (read RAW) photographers who swear by shooting FULL MANUAL -- why not just shoot in one of the AUTO modes and let the camera handle exposure?

Sure, shoot in a SEMI-AUTO mode like A or S if you want to control aperture or shutter speed specifically. But why not shoot FULL "intelligent" AUTO in a lot of situations? In this mode the camera tries to optimize things like aperture and shutter speed for landscape, macro, night scene, etc, and it often does a good job of that. As far as image appearance goes, the only real "bonus" is that the JPEG will get special treatment when the camera applies SCENE adjustments to alter sharpness, saturation, etc, but the RAW file remains unchanged.

I guess another way of phrasing the question is to ask how bad would the RAW file be using AUTO vs MANUAL to set exposure? Would an AUTO mode put the RAW file so far from the ideal exposure that the image is not retrievable?

To me, having a relatively smart assistant take care of the easy stuff and leaving the creative and challenging bits like focus and composition to the photographer might actually optimize the process of creating a good photo.
I expect that most people who shoot RAW (or RAW+JP... (show quote)

Most times I like to get a little creative, or at least have the image come close to what I saw, and I just, simply can not do that in auto mode!

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Jun 11, 2018 21:52:42   #
JohnFrim Loc: Somewhere in the Great White North.
 
jeep_daddy wrote:
Because NONE of the Canon cameras will do this. They simply control everything including which picture style and the format of the picture. They will always be jpg in full auto mode.


Seriously? Canon cameras cannot save a RAW file when using full auto? Sounds strange to me. Do other Canon users agree with this?

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Jun 11, 2018 22:58:05   #
mwsilvers Loc: Central New Jersey
 
JohnFrim wrote:
Seriously? Canon cameras cannot save a RAW file when using full auto? Sounds strange to me. Do other Canon users agree with this?


If jeep_daddy is saying that images taken by a Canon DSLR in full auto are only processed as jpegs, I'm afraid he's incorrect. Since I never shoot full auto I actually wasn't certain so I tested it on my Canon 7D Mark II. It's set to only create raw files as output. I took two images in full auto and downloaded the images to my computer. They were both in Canon's .cr2 raw file format.

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