IDguy wrote:
1. Check out DXOMark and you will see that the M 4/3 sensor is inferior to APS-C sensors on all measures such as MP, dynamic range, and noise at higher ISOs.
2. The GM5 has a 12-45 and a 50-200. The D800 has many but the ones I use most frequently are 24-85, 16-35, and 200-500. (I also have a set of lenses for my APS-C D5xxxs).
3. Yes. Nat Geo photographers are photojournalists. Sometimes image quality is secondary to getting the shot. There are times the portability of a M4/3 outweighs image quality. That’s why I have one.
Nat Geo photographer Joel Sartore, who teaches for The Great Courses, only uses Nikon FX cameras.
1. Check out DXOMark and you will see that the M 4... (
show quote)
Check DXO, check DXO check DXO......
Do you know what DXO doesn’t tell you?
1 - How to find a winning subject matter
2 - the best moment to shoot to get the right lighting
3 - how to get a pleasing composition
The reason why I wrote the above is to make sure that you understand what makes a great photo. From the few posts I have seen from you, I’m not sure if you knew it.
In any case, no one will argue that a larger sensor will have better low light and more DR. My issue is the way that you downplay m4/3. It is simply not true. Let me give you an example.
When a very well established pro displayed much larger prints from his EM1 than his D810 and D7200 in a gallery, everyone assumed the large prints were from the D810. He could hear the visitors (mostly amateur photographers) complementing the amazing detail the D810 sensor was capable of. Not realizing that they were looking at photos from ththe EM1.
So you see, it isn’t as cut and dry as you make it sound like. In prints or especially on line, you will rarely see a difference. Of course shooting at night will clearly be better with FF, although your D810 isn’t known for excellent high iso either, the Sony A7SII is clearly superior to any other camera.
Do I also have to remind you, that you WILL see terrible snapshots from even the D850 cameras, while at the same time, you WILL see work of art from m4/3. But at the same time, the opposite is just as true. It is the person behind the camera that is responsible whether the result is a snapshot or an award winner.
The reason why I mentioned this, is because of your derogatory comment about those
2 photographers. I guess you have never seen their work, or aware that like Jay, also runs workshops around the country and of course sells prints.
So I challenge you to post any of your photos from your FF Nikon, that is superior to Jay’s that were taken with his m4/3 setup. (I tried to see if you had anything posted on this site, but I only saw one photo and I’m not even sure if that is you in the picture on the bike and someone else took the photo, or you took it of your friends, but in any case, that shot looks like a phone picture.
Now, as far as your lenses for the gm5? Technically speaking, not too many people would be happy with the results from those kit lenses. Put some quality lenses in front of the camera and see what you get. Or better yet, visit some m4/3 specific forums to see what is possible with m4/3 in the right hands.
Always remember that you are the weak link, not the gear.
Happy 2018 to you!