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B&W Ruminations - Why T-Max et. al.
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Dec 27, 2017 07:39:28   #
Cletus Loc: Mongolia
 
Well, grain used to be a fact of life. ISO 400 ... up to maybe 1600 if you push-processed ... came with more graininess. That's just how it was, like snow in winter.

Now, graininess is just another "look" you can dial in when or if you want it. I use one of the simplest post-processing apps, the Mac OS Photos that I got for free with my computer. Even that lets me add grain when I feel like it.

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Dec 27, 2017 07:58:06   #
rmalarz Loc: Tempe, Arizona
 
T-Max came about as Kodak attempted to reduce the grainy appearance of black and white films. The crystal structure within the emulsion was changed and thus reduced the grainy appearance of Tri-X. I tried T-Max films on several occasions, but never really liked the appearance of the final images. I stayed with Kodak films, mostly Plus-X and Tri-X until they quit making them in the formats I used. Instead of switching piecemeal to some formats being Kodak and some Ilford, I switched to Ilford for all my films.
--Bob

Shutterbug57 wrote:
First off, this is not a film is better than digital, or digital is better than film thread. This thread assumes that both have their place and attempts to look at the point of intersection between them. Secondly, this thread is dealing with B&W imaging.

It seems that film makers are trying to compete with digital - on digital’s terms. Films like T-Max seem to be trying to give film an ultra-smooth grain to achieve the look obtained in a low ISO digital shot. I don’t get it. If I am going to expend the cost and time to shoot film, I want the film to be a player in the image.

I like both film and digital for different reasons. I like film for what it is and the artistic choices it provides. Shooting B&W, I want to see the film, as well as the image. There are reasons to use several films, however, I tend to migrate towards Tri-X and Hp5 as my main B&W films. If I want a grainless B&W image, I will just shoot it in digital as it is cheaper, faster & less messy.

Who is the target audience for these low-grain films? Is it photographers that started in digital and want to try film, but are uncomfortable with grain because they see it as the analog version of noise - and therefore it must be stomped out? Is it the business solution for what to do with excess capacity - only makes sense if there is a market. Are there film shooters that just want a smooth image but don’t want to go digital? Are film makers trying to provide a smooth continuum from grainy films, like Tri-X to the more transparent background of digital and films like T-Max are the answer?

I am interested in your thoughts. To what question are films like T-Max the answer?
First off, this is not a film is better than digit... (show quote)

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Dec 27, 2017 07:59:15   #
rmalarz Loc: Tempe, Arizona
 
John, T-Max film has not been around longer than digital.
--Bob
JohnSwanda wrote:
T-max film has been around longer than digital, so they aren't trying to mimic digital or draw in digital shooters. Some B&W film shooters just prefer minimal grain. Myself, I prefer good old Tri-X to Tmax 400. If you really love grain, try the Tmax 3200.

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Dec 27, 2017 08:31:11   #
jaymatt Loc: Alexandria, Indiana
 
I always use HP5 when I can get it, with Tri-X as my backup. I use it in my TLR.

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Dec 27, 2017 08:53:18   #
camerapapi Loc: Miami, Fl.
 
I have not shot film in a while. When I was using film my favorite was Tri-X followed by T-Max 100, the latter was always a nightmare to develop till I found Rodinal, the developer made by Agfa. From there on things changed for me.
Tri-X with HC-110 Solution B was magic. I kind of perfected development of the film to the point that grain was practically non-existent. I used the Zone System of exposure and it took me a considerable amount of time and testing to find the proper exposure for the film and the right development time. From there on my images became totally different.
Digital is a different story. We do not have to develop anything and in general color images are converted to monotone. Very good software is available to make conversion with parameters we never thought would be available to us when using the optical darkroom. Unless we go to high ISO, grain (noise) is non existent.
I still like film but it is becoming less and less practical to use it. The majority of film photographers have converted to digital.
I still have b&w and color negative film in my freezer. Perhaps it is about time to use them.

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Dec 27, 2017 08:59:25   #
JohnSwanda Loc: San Francisco
 
rmalarz wrote:
John, T-Max film has not been around longer than digital.
--Bob


It was around before large numbers of people started using digital. The OP speculated that Kodak came up with T-max to mimic the look of low noise digital. There weren't enough people using digital at the time for that to be true. They developed it for people who wanted finer grained film. I know I used it several years before I thought digital was good enough (or affordable enough) to compete with film.

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Dec 27, 2017 09:39:56   #
Rich1939 Loc: Pike County Penna.
 
rmalarz wrote:
John, T-Max film has not been around longer than digital.
--Bob


Bob, T-max was introduced in the mid 80's. Which digital cameras were available then?

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Dec 27, 2017 09:41:09   #
anotherview Loc: California
 
For digital photographers, both Adobe Photoshop and third-party vendors resolve this matter, by way of filters and adjustments that emulate the look of film.
Shutterbug57 wrote:
First off, this is not a film is better than digital, or digital is better than film thread. This thread assumes that both have their place and attempts to look at the point of intersection between them. Secondly, this thread is dealing with B&W imaging.

It seems that film makers are trying to compete with digital - on digital’s terms. Films like T-Max seem to be trying to give film an ultra-smooth grain to achieve the look obtained in a low ISO digital shot. I don’t get it. If I am going to expend the cost and time to shoot film, I want the film to be a player in the image.

I like both film and digital for different reasons. I like film for what it is and the artistic choices it provides. Shooting B&W, I want to see the film, as well as the image. There are reasons to use several films, however, I tend to migrate towards Tri-X and Hp5 as my main B&W films. If I want a grainless B&W image, I will just shoot it in digital as it is cheaper, faster & less messy.

Who is the target audience for these low-grain films? Is it photographers that started in digital and want to try film, but are uncomfortable with grain because they see it as the analog version of noise - and therefore it must be stomped out? Is it the business solution for what to do with excess capacity - only makes sense if there is a market. Are there film shooters that just want a smooth image but don’t want to go digital? Are film makers trying to provide a smooth continuum from grainy films, like Tri-X to the more transparent background of digital and films like T-Max are the answer?

I am interested in your thoughts. To what question are films like T-Max the answer?
First off, this is not a film is better than digit... (show quote)

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Dec 27, 2017 09:49:43   #
rmalarz Loc: Tempe, Arizona
 
Rich, the first digital camera was invented in 1975. It was invented by Steve Sasson an engineer. This predates T-Max by some 10 years.

Oh, do you know who Steve worked for at the time he invented the first digital camera? ...............Kodak. Yup, Kodak invented the digital camera in 1975.
--Bob


Rich1939 wrote:
Bob, T-max was introduced in the mid 80's. Which digital cameras were available then?

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Dec 27, 2017 09:51:55   #
rmalarz Loc: Tempe, Arizona
 
That's the interesting part of digital users. They don't like grain. Grain is a way of life. The biggest problem, I think, is the psychological aspect of calling it by its electrical engineering name...noise.
--Bob
Cletus wrote:
Well, grain used to be a fact of life. ISO 400 ... up to maybe 1600 if you push-processed ... came with more graininess. That's just how it was, like snow in winter.

Now, graininess is just another "look" you can dial in when or if you want it. I use one of the simplest post-processing apps, the Mac OS Photos that I got for free with my computer. Even that lets me add grain when I feel like it.

Reply
Dec 27, 2017 10:02:44   #
Rich1939 Loc: Pike County Penna.
 
rmalarz wrote:
Rich, the first digital camera was invented in 1975. It was invented by Steve Sasson an engineer. This predates T-Max by some 10 years.

Oh, do you know who Steve worked for at the time he invented the first digital camera? ...............Kodak. Yup, Kodak invented the digital camera in 1975.
--Bob

I believe a "film less" camera was first patented by an engineer at Texas Instruments earlier than that (1972). However the first digital camera announced for consumer sales was from Nikon around the same time as T-Max was introduced but, when I got out of the retail end of the game in late '88 deliveries still hadn't started.

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Dec 27, 2017 10:17:39   #
Rhl0630
 
None of the above approaches Kodak technical pan film. I treasure the 100 foot roll and 4x5 boxes in my deep freezer. This film has almost no grain, and great characteristics.

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Dec 27, 2017 10:48:45   #
wishaw
 
why not get some software that mimics the old film. silver efex or exposure x3

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Dec 27, 2017 10:50:48   #
rmalarz Loc: Tempe, Arizona
 
Why bother when one can enjoy all of the benefits of film by using film. That's what I do.
--Bob
wishaw wrote:
why not get some software that mimics the old film. silver efex or exposure x3

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Dec 27, 2017 10:57:53   #
JohnSwanda Loc: San Francisco
 
wishaw wrote:
why not get some software that mimics the old film. silver efex or exposure x3


That's like those vegetarian restaurants that feel they must make fake meat. It's never as good as real meat, and there are plenty of good vegetarian ingredients to cook.

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