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Aug 12, 2017 18:48:47   #
Kmgw9v Loc: Miami, Florida
 
Gene51 wrote:
First image - D800, ISO 800, cropped from 7360x4910 to 1747x2236, or 32% of original uncropped image.

Second image - D500, ISO 800, cropped from 4684x3122 to 1008x1232 or 28% of original uncropped image

Any questions?


No questions.

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Aug 12, 2017 19:28:34   #
LoneRangeFinder Loc: Left field
 
billnikon wrote:
Your D500 shot is actually just as sharp, it is just about one stop lighter than the D800, if the D500 is just as dark as the D800 shot they are a tie.


Not from what I see. The D800 has a lot more detail--and it's not close

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Aug 12, 2017 20:24:02   #
splitwindow Loc: Grapevine TX
 
billnikon wrote:
Your D500 shot is actually just as sharp, it is just about one stop lighter than the D800, if the D500 is just as dark as the D800 shot they are a tie.


The D800 is clearly sharper with less noise, more detail. The difference between FX AND DX really shows up in poor light. That's my experience. I can get great photos with my D700 that my D300 can not touch. Maybe the D500 can, someone with D500 experience vs FX will have to address that.

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Aug 12, 2017 20:30:11   #
splitwindow Loc: Grapevine TX
 
Gene51 wrote:
First image - D800, ISO 800, cropped from 7360x4910 to 1747x2236, or 32% of original uncropped image.

Second image - D500, ISO 800, cropped from 4684x3122 to 1008x1232 or 28% of original uncropped image

Any questions?


No questions here. The D800 is clearly more detailed with less noise.

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Aug 12, 2017 20:45:15   #
SusanFromVermont Loc: Southwest corner of Vermont
 
rehess wrote:
I'm not sure you said here quite what you meant to say. Let's compare a 36MP Pentax K-1 {FF} to a 24MP Pentax KP {APS-C}, for example. If I take a picture of a bird with a 300mm lens mounted on the KP, giving me a 24MP image, I have two choices for getting the same image with the K-1:

(1) use 450mm lens on the K-1, which will give me a 36MP image.

(2) use 300mm lens on the K-1, then crop down to the same view as given by the KP. In this case the KP image is 24MP, while the K-1 image is now 15MP

The 300mm lens used on the APS-C KP can be either a "FF" lens or an "APS-C" lens.
Focal length is a characteristic of the lens only; the difference between "FF" and "APS-C" lens is diameter of light column only. How that light is used depends on sensor in the body
I'm not sure you said here quite what you meant to... (show quote)

I did say what I meant, and your example is an illustration of it. But I was only considering the use of the same FF lens on each camera, with cropping the one taken on the FF to the same view as the one from the APS-C camera. And I was not sure exactly how the pixel count in each final image would play out! I do know that cropping will decrease the pixels in the FF, just not how much.

While you are correct that either type of lens at a 300mm focal length on the APS-C camera will give the same angle of view, using a different lens on each camera does not maintain the verity of the comparison. The basic premise of the comparison is how the FF lens will affect the photo on the different cameras. Using different lenses to duplicate the effect confuses the issue! [Plus, there isn't a 450mm lens, definitely not in a Nikon lens...]

The result of the comparison when using a FF 300mm focal length on each camera, the APS-C camera will give you the 300mm image but cropped in camera [the 1.5x crop factor] so the subject covers pretty much the whole sensor. The FF camera will also give you the 300mm image but not cropped in camera, which means you have to crop it to make the comparison, thereby losing some pixels.

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Aug 12, 2017 21:57:25   #
therwol Loc: USA
 
67skylark27 wrote:
Focus motor in body depending on which model - can use older lenses to some extent.


If you're talking about Nikon bodies, D7xxx and d500 have focusing motors in the body and allow you to use older AF lenses that lack a focusing motor. (AF or AF-D) Some of those lenses are still in production and are quite good, and some that are not still made are quite good. Some don't match the standards of the newer G lenses, so you have to do some research. Anyway, those are DX cameras. The motors do make them a bit heavier than the cheaper D5xxx and D3xxx cameras.
All of the full frame cameras have the focusing motors in the bodies.

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Aug 12, 2017 22:10:08   #
rehess Loc: South Bend, Indiana, USA
 
blackest wrote:
More pixels on the subject than a full frame? That depends on what cameras you are comparing. My K5 is a 16Mpix crop sensor camera, compared with the Pentax K1 which is a full frame 36Mpix which for the crop area also has 16Mpix. Both camera's can use the same lenses, so in good light the image quality for the crop sensor area, should be near identical, in low light the more modern K1 sensor design should be lower noise.

That "more modern" is an important phrase. The K-5 is several generations older than the K-1. The KP, which is essentially the same generation as the K-1, puts 24MP pixels on the subject compared to the 16MP provided by the K-1 in crop mode.

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Aug 12, 2017 23:19:18   #
therwol Loc: USA
 
billgrolz wrote:
if full frame is so great. Why not medium format. Every thing is better with it.


Where do you stop? Medium format digital cameras tend to cost tens of thousands of dollars and the lenses are enormously expensive as well. The cameras are not as portable. As far as I'm concerned, someone who makes a living doing studio work might want to invest in a much larger format, but otherwise, the size, cost would be prohibitive for most. If you want to talk about a medium format film camera, which you could buy used for a song, that's a different story, but they you're dealing with the inconvenience and expense of shooting film and probably having to scan it later to do much with it, and once you scan film, you lose something, no matter how good the scanner.

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Aug 12, 2017 23:27:43   #
rehess Loc: South Bend, Indiana, USA
 
therwol wrote:
Where do you stop? Medium format digital cameras tend to cost tens of thousands of dollars

As is true with any format, that depends of which brand you look at
According to B&H web-site, right now you can get
Mamiya for $6000
Fuji for $6500
Pentax for $7000

Meanwhile Canon 1DXii costs $6000.

And everything said comparing FF to APS-C is also true comparing MF to FF.

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Aug 12, 2017 23:43:21   #
Edia Loc: Central New Jersey
 
FF is better for landscapes and portraits and not as good for sports and wildlife photography when compared to APS-C.

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Aug 13, 2017 00:00:09   #
therwol Loc: USA
 
rehess wrote:
As is true with any format, that depends of which brand you look at
According to B&H web-site, right now you can get
Mamiya for $6000
Fuji for $6500
Pentax for $7000

Meanwhile Canon 1DXii costs $6000.

And everything said comparing FF to APS-C is also true comparing MF to FF.


I stand corrected on price. I guess I was thinking Hasselblad. It's still a chunk of change for a larger, heavier package with larger and heavier lenses. I'm already selective when I think of taking my D810 out for a stroll. It depends on where I'm going and how long I'm going to have to lug around the camera and maybe a couple of lenses.

The average consumer doesn't need the top of the line ($$$) Canon or Nikon SLR and spend that kind of money for a full frame, highly capable FF camera. Something like the D810 will beat the pants off of the D5 for sheer image quality, but the D5 will beat the pants off of the D810 when a high frame rate is necessary, especially when challenged by low light (sports, photojournalism.) You buy what you need.

As to the original question, it also depends on your expectations and what you're going to do with your photos. It really makes sense to rent both types of cameras and do what they call BDA in the military. Look at the pictures from both and see if you got the results you wanted.

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Aug 13, 2017 06:02:07   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
Gene51 wrote:
First image - D800, ISO 800, cropped from 7360x4910 to 1747x2236, or 32% of original uncropped image.

Second image - D500, ISO 800, cropped from 4684x3122 to 1008x1232 or 28% of original uncropped image

Any questions?


Bill, clean your glasses and look at the enlarged downloaded images. It isn't even close. And the D500 was taken at a closer distance. There is no contest. Don't judge by the large thumbnail image, they will look, as you describe, pretty equal. To use an old saying, "The devil is in the details."

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Aug 13, 2017 06:02:48   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
Toni Girl wrote:
Excellent illustration and beautiful photos!
Regards,
Toni


Thanks Toni!

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Aug 13, 2017 06:05:13   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
blackest wrote:
Looks like a real 600mm at f8 beats a field of view of 450mm from a 28-300mm at f5.6 I think dof would be about the same.

Medium format digital is even better than full frame digital but the cost is so much more, it's a rather exclusive club.


It would but the distance with the 300mm was a bit closer. I've since forgotten the details but it might have been over 30 ft with the 600mm and just over 22 ft with the 300mm.

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Aug 13, 2017 06:36:21   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
FiddleMaker wrote:
Wow !!! Gene, I see quite a difference between FF and crop sensor considering they are basically cropped to about 30% of orig. image. Unless I am missing something. ~FiddleMaker


That is exactly the point I have been trying to make. And a big part of shooting small birds is making substantial crops. The D800 image clearly shows the barbs and barbules in the feathers. The amount of noise destroys that detail in the D500 image. But the other point is that viewing distance can make the results equal. At a distance, perhaps 4 ft, and with both images displayed full screen, you are not likely to see much of a difference. But if you hit the + to increase the view to 1:1, then it is pretty obvious which one is clearly better.

Either way, I don't like the D500 for birds or wildlife. Most of the time I am shooting in deep woods with very little light at the beginning or end of the day. I'd have to use ISO 1600 or even 3200, which would be a challenge for any crop sensor camera, and just a walk in the park for a full frame.

This is a hand held pano, taken inside the dimly lit Jameson Distillery in Dublin, Ireland. D800, 45mm F2.8 PC-E, ISO 6400, F4 and 1/40 sec. As you can see the noise is there but not obtrusive, and fine detail is nicely recorded.


(Download)

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