RickL wrote:
It seems to be the thing to remove all of the detail from waterfalls. I prefer to see water detail and some action. How about water drops caught in mid air?
It depends on your personal goals for the image. Photography is more than just for capturing the absolute truth, it also can create a mood. You may not like that type of water effect, but many people do. Take the water with a fast shutter speed, take it with a slow shutter speed, or take it somewhere in between. It's all good to me.
rehess
Loc: South Bend, Indiana, USA
RickL wrote:
It seems to be the thing to remove all of the detail from waterfalls. I prefer to see water detail and some action. How about water drops caught in mid air?
Obviously the "smooth" look is very popular, but I find myself wondering how many have seen a real waterfall, because personally I am always so impressed by the power in one, and photographically that power is conveyed mostly by turbulence. The first instructions when someone asks "how do I photograph ______ waterfall" include "make sure you bring a tripod". I don't agree with that approach, but "artistic judgement" is a real thing.
If everyone would like the same thing the world would be a pathetic place.
Gene51 wrote:
I do both, then decide when I am in front of the computer which one I like better. Sometimes the "detailed" version doesn't do it for me. Sometimes an "in-between" look works best. And sometimes I just can't make up my mind. So this is how I do it for waterfalls. Surf is an entirely different story, as are huge, powerful waterfalls with tons of water coming down and crashing on the rocks.
I agree I always do both types and pick out the best one for me
1/4 sec small Falls
1/80 sec small falls
Every scene has multiple interpretations. The photographer chooses the best combination of shutter speed, N.D. filter, viewpoint, etc to express what he see's as a final image in his mind. And many different images can be made of the same subject by one or many photographers, and they all can be accepted as legitimate art. To avoid one style of shooting a water scene over another just limits a photographers ability to express the moment. Shoot what stirs your imagination, see deep into a scene and let all your senses take over! Then figure out how best to share what you feel with a viewer?
RickL wrote:
It seems to be the thing to remove all of the detail from waterfalls. I prefer to see water detail and some action. How about water drops caught in mid air?
Like other long exposure shots, they're beautiful. It takes some skill to get shots like that, and that's part of the challenge. Anyone can use a high shutter speed and see the water drops.
mborn wrote:
I agree I always do both types and pick out the best one for me
My two cents worth: I think they both are excellent; thus I could not pic a favorite.
JTann
Loc: North East, MD
Nice set to illustrate the differences. Thanks for sharing and as for taste, it's up to the viewer/buyer to choose. Sometimes the soft mood wins and sometimes the hard angry water does it for me.
RickL wrote:
It seems to be the thing to remove all of the detail from waterfalls. I prefer to see water detail and some action. How about water drops caught in mid air?
That thought ran through my head a few years ago. Here are a couple I experimented with.
Gene51 wrote:
I do both, then decide when I am in front of the computer which one I like better. Sometimes the "detailed" version doesn't do it for me. Sometimes an "in-between" look works best. And sometimes I just can't make up my mind. So this is how I do it for waterfalls. Surf is an entirely different story, as are huge, powerful waterfalls with tons of water coming down and crashing on the rocks.
Nice shots Gene. I like the 'angel hair' ones the best.
mborn wrote:
I agree I always do both types and pick out the best one for me
I like the color and the shine in the second shot.
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