whitewolfowner wrote:
All depends on what they want to do. Many HD cameras are no where the quality of even regular video. I have a Canon GL2 and unless an HD video camera was over $3000.00, it could not hold a candle to the GL2. Just like in still cameras, the number of pixels is not the whole story, the same holds true for video for the type of video it shoots.
I used a Canon GL2 extensively, back in 2008–2012, at work. It was truly great for what it was, then, but it could not hold a candle to my Lumix GH4 in any respect, whether audio, any video format it supports, low light performance, recording time, size, weight, portability, cinematic flexibility, balance, simplicity of operation... The GH4 is a favorite of many indy filmmakers, documentary specialists, advertising agencies, corporate training departments, and hybrid photographers (those who combine stills plus audio plus video plus graphics into video creations that play only on Internet/Intranet sites). In fact, many of us replaced the GL2 with Lumix cameras. The trend started with the GH2. It will be interesting to see the GH5 finally get released in 2017. On-board, 10-bit, 4:2:2 video will be sweet. You can get the same signal out of the GH4, but it requires an external recorder connected via HDMI.
The beauty of Panasonic's 4K (GH4, GX8, GX85, G85, etc.) is that you can record in 4K, and edit to 1080P in a manner that preserves more detail than original 1080P capture would have. And you can also apply software stabilization without worry about cropping, provided you record with a loose framing to begin with. You can also use 4K to simulate a two-camera job, by zooming into 4K scenes and converting to 1080P during editing. And, of course, you can record 30 still photos per second with the "4K Stills" feature, and capture moments precisely and silently. The GH5 will have 6K stills.
Sony also makes some mirrorless cameras that record great video. If you work in extremely low light, the A7sII is worth a hard look.