jrichter wrote:
The Photoshop version that I use, CS6, does not support the RAW files that my new camera, the Nikon D500, creates. I must use Photoshop CC (the subscription version) to most easily deal with the new RAW files produced by the camera. Has anyone here switched to the CC version of Photoshop? How do you like it? It does include the use of Lightroom CC as well so that is a plus for the $9.99 a month to use both programs. (Some people prefer Lightroom to Photoshop, I hear.) Thanks in advance for any responses that I get.
The Photoshop version that I use, CS6, does not su... (
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You have other options, besides "upgrading" from PS CS6 to PS CC...
There are some new features in PS CC that you might consider, whether or not you need them. I'm pretty sure you can do a side-by-side comparison at the Adobe website, for more info about the differences.
Your PS CS6 is perpetually licensed, but no longer "supported" by Adobe. As you've discovered, it's Adobe Camera Raw (version 9.1.1) cannot be used with cameras introduced after Fall 2015, when Adobe stopped updating it. And that will be the last version of ACR they will ever offer for the software.
PS CC is only offered by subscription... so you will have to pay a monthly fee to use it. As it stands right now, the cost is close to the same as the licensed versions (of both LR and CC, since they are both included in the CC bundle), assuming those were upgraded approx. every three years. Of course, it's like a month-to-month lease, without rent control... the "landlord" can change the rent any time they wish (and are unlikely to reduce it... more likely to increase it). And, if you skip a rent payment, the landlord will "evict" you.
Your alternatives are:
1. Buy a copy of Lightroom 6 (around $150 for full version, last time I looked... recently they also offered an LR5 to LR6 upgrade for the first time, that cost around $75 for current LR5 users). LR6 would also be useful for it's cataloging and organizing capabilities, anyway. It is a powerful complement to PS (any version). PS and LR are really two sides of a coin, either one is a bit incomplete without the other.
And LR6 is being kept up-to-date (so far), uses a later version of ACR that will work with your newer camera. You can open (i.e., "convert") the RAW file in LR6 and pass it off to PS CS6 for finishing work in 16 bit mode. According to Adobe, they will continue to support LR6 for now and there will continue to be future perpetually licensed versions of LR.... at least for a while.
Now, LR6 doesn't have a few features that LR CC does. Adobe seems to be dragging their heels about updating it or introducing "LR7". That's probably deliberate, to encourage people to subscribe rather than buy the licensed version. But, the most important part of LR6.... Adobe Camera Raw... is being kept up to date and able to handle newer cameras. So what if you can't do panoramas in LR6.... You can simply convert the files in it and pass them off to PS CS6, where they can be combined to make a panorama (among other things).
2. Buy a copy of Photoshop Elements 14 (about $70, last time I looked). This is more of a stand-alone software actually. It borrows on the main, most-used features of both LR and PS. And it's ACR is being kept up-to-date, to handle newer cameras.
The shortcoming of PSE is that it can only output 8 bit files (JPEGs, primarily). So RAWs converted in PSE and passed off to PS CS6 for more advanced work would only be workable in 8 bit mode.
Files output as 8 bit JPEGs are fine for a lot of purposes... most printing, online display, etc. require them.... but can be for other purposes. Especially if additional work is going to be done on the image, it's often better done in 16 bit mode.
3. Download a free copy of Adobe DNG Converter and use it to convert your camera's files into Adobe's DNG "universal RAW", which can be handled in 16 bit mode in most earlier versions of PS... including CS6, of course.
There are some advantages to this... such as LR's XMP "sidecar" files are not needed with DNG. Instead, that same data is embedded within the DNG.
But apparently there also are some disadvantages (Google it, for more info), so it's recommended you archive both the original RAW files and the DNG, just in case you stop using DNG in the future. Of course, this basically doubles the number of files you'll be storing and will require a lot more hard drive space.
4. Buy or get any other free RAW converter that's able to work with your cameras files. There are a lot of different ones, including Nikon's own (last time I looked, they charged for it.... don't know if that's still true). Some of these might interface better or worse with PS CS6. If able to output 16 bit TIFFs, that would be ideal. I imagine most are unlikely to be able to produce 16 bit PSD, which is a proprietary Adobe file type.
Personally, I'm using PS CS6, like you... But I complement it with LR6 (which has hugely sped up my workflow, compared to when I used PS alone), so I have no immediate concerns about recent or at least near-future camera compatibility.
I've worked with PS since the mid-1990s, when the first version for PCs was introduced (version 4?). Like Burkphoto, I skipped some versions... tended to "upgrade" approx. every other version.
I've used LR since the first version... I think I skipped LR2, but upgraded to LR3, LR4, LR5 and most recently to LR6. It's been a huge time saver and I simply wouldn't want to be without it. But I take a lot of photos (upwards of 20,000 in the past 6 or 7 weeks) and really need my workflow to be as efficient as possible. If I didn't use LR, I'd be using some other digital asset management and cataloging software. But LR is excellent, works well in conjunction with recent versions of PS and would be what I'd recommend you get and learn to use. It will solve your problems, even if you don't need it's high volume capabilities.
kymarto wrote:
...I personally despise Lightroom for its byzantine and labyrinthine system of file organization....
Huh?
All LR does is reflect the file structure YOU set up elsewhere in your computer.
LR doesn't make you use any particular organization. You can move things around within LR... or externally, if preferred (after which it's necessary to update LR, but that's easily done with a couple clicks). And, you can rename files or create folders there... but that's no different from what you might do outside LR.
LR is completely "non-destructive"... meaning that everything "changed" in LR is only being shown as a preview and no "changes" are actually applied to the original file. LR's output normally is a new file that leaves the original untouched (unless you deliberately overwrite it, which LR warns against and tries to prevent).
Before LR, I used about a half dozen different programs to sort, rename, keyword, catalog and manage my files, edit them lightly, make and watermark proofs that are upload online and/or output as printed catalogs. Now I can do almost everything (~90%) much faster and more efficiently in LR, and only pass off the the finishing work done on select images to PS (~10%, like Burkphoto). I still use a few other things, but mostly as plug-ins to LR and PS.... and a lot less often, since almost everything I need done can be done within the LR/PS workflow.