Uuglypher wrote:
Well, Dave, since you asked. ...and I'll admit that I'm surprised you had to... the key, in my opinion, to,what constitutes "Traditional Street Photography" lies in the word "Traditional". You are right in saying that a specific definition of "Traditional Street Photography" is difficult to verbalized...but there is where the term "Traditional" gains such importance. ...And it is precisely why I compiled a number of collections of the works of photographers who contributed to the tradition of "Traditional Street Photography". Since you have an antipathy to links, I'll simply suggest that you have a more serious look at the locked threads at the top of the Section devoted to the works of such as Brassai, Stieglitz, Atget, Lartique, Cartier-Brasson, and Winogrand, and then, (it is hoped) stimulated to see more of the greats of Traditional Street Photography" Google the images made by Dorothea Lange, Robert Frank, Walker Evans, André Kertész, Harry Callahan, Wm. Eugene Smith, Lee Friedlander, and Weegee (and if you need more names of exemplars of "Traditional Street Photography", just ask.
As is the case with all traditions of various disciplines, the tradition is taught by example, not by verbiage. So it is with "Traditional Street Photography", the section we agreed, in good conscience I presumed, to monitor.
After studying the works of even just a few of the "greats" listed above, I think it obvious that none of them simply wanted to..."...just go on the streets to shoot and have fun while ... at it."
I can guarantee that none of them would have devoted a plate or film frame to an image of people costumed for the purpose of attracting attention. For those who are costumed, every moment is a "pose".
Just some food for thought....
I'll certainly be curious if any other participants in the section are in agreement or disagreement with my concern with images posted as supposedly representative of "Traditional Street Photography"
Well, Dave, since you asked. ...and I'll admit tha... (
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Thanks for your response Dave !!! To start, this is from the Introduction to Traditional Street Photography
It is the view of most street photographers that their discipline should be practiced in an urban environment, which does not exclude less obviously urban scenes, such as rural roadsides. And what about people? That is up to the individual photographer. Most of us like people in street scenes. Most of us enjoy viewing the pictures of other photographers that show the human condition in it's many and varied forms.
There is always much discussion as to whether street photography has to be candid or captured with the subjects knowledge. Candid pictures and what are called "reaction" pictures are Traditional Street Photography. A reaction picture captures the subject instantly upon seeing the camera, which eliminates any posing. Sometimes a limited amount of "immediate" posing is fine, as long as it isn't a set-up shot, other than to ask the subject to adopt a stance in a natural way, in their normal surroundings. Some will say that portraits are not legitimate street photography. Others disagree strongly with this, provided that it is obvious that the portrait was made on the street with none or minimal posing, and certainly no studio nor contrived lighting.
The street photographer should strive to find subjects that will resonate with the viewer. The photographer, when he finds the subject, should have a vision for the finished work, before tripping the shutter. He can then use post processing to "develop" his vision. Often, random snapshots taken on a street do not work well. Most photographers believe that a street picture should be truthful, and some feel that the camera doesn't always provide what the eye/brain combination sees, so it is legitimate to redress the shortcomings of the camera. Since there is no clear definition of street photography, the photographer must be prepared to have his version of street photography, challenge by others with a differing view.
So Dave,
I really didn't need to ask. I just wanted to see what YOUR personal definition was and not that of someone else. That is the why for no links and why I stated it that way. I have read all of those and personally just get tired of it, especially when its presented to me in such a way as previously from the other section. I value your opinion while I also value my own, which is not to say I don't value anyone else. But for the most part I do think we are all guilty of holding our own value of opinions to the highest and above others, which also means I don't want this subject to turn into a big debate on who's right and who's wrong. We have been there and done that from the other section and I refuse to repeat a similar situation.
Someones attire is not going to determine what is or isn't traditional street photography. If I took a photo of someone on the street not wearing anything .... it would still be street photography. Maybe not traditional but still street.
Yes, you are right .... those you mentioned did not want to .... just go out on the streets to shoot and have fun while at it. I'm sure they WERE having fun. If we can not have fun doing something we love then what is the point in doing it at all in the first place? If I were doing this for my health I would be at the gym rather than the streets. But then again, it is good mental health therapy. Life is too short to have it any other way than having FUN !!! Times have changed Dave. Fred Flintstone used to be my neighbor. Some things aren't what they seem to be anymore. Digital verses film equals costs.
As you have suggested, I will take another serious look of those you have mentioned, which in any case with photography, I do take seriously. Although, I see some contradiction in the Brassaī- A master of Traditional Street Photography. The very first photo of the person lighting the lamp post. He's in uniform. Isn't that a costume? Then go further down. Picture #13, which is clearly not a candid shot as also in picture #14, and aren't the ladies in picture #16 in costume? How is that any different than my Batman photo? Which proves my point on OPINIONS. On one hand you say it isn't but clearly on the other hand it is. In one of the masters of traditional street photography it is. So which is it? The one that works today? Or is it the one that worked yesterday?
Since you seem to be so familiar with Google, I'm surprised you had to ask, "What the h... is cupids undie run" Do as I say ... not as I do?
Bottom line is ..... we can agree to disagree !!! Thats fine ... because its just an opinion and everyone has more than one.