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GAS attack imminent
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Feb 3, 2016 20:20:55   #
John_F Loc: Minneapolis, MN
 
Sony has just announced its release of the a6300 and B&H has the body for a mere $998. There is a new zoom lens but I didn't copy the details. The sensor remains at 24.x Mp. The announcement has a bunch of other improvements. So now I am an owner of an old Sony. :?

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Feb 3, 2016 21:06:34   #
Rongnongno Loc: FL
 
Create a mask.

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Feb 3, 2016 21:14:47   #
Erv Loc: Medina Ohio
 
LOL!! Janny tells me old is good John!!!:)



John_F wrote:
Sony has just announced its release of the a6300 and B&H has the body for a mere $998. There is a new zoom lens but I didn't copy the details. The sensor remains at 24.x Mp. The announcement has a bunch of other improvements. So now I am an owner of an old Sony. :?

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Feb 3, 2016 22:44:22   #
Cdouthitt Loc: Traverse City, MI
 
Take some gas x.

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Feb 3, 2016 23:33:18   #
BHC Loc: Strawberry Valley, JF, USA
 
John_F wrote:
Sony has just announced its release of the a6300 and B&H has the body for a mere $998. There is a new zoom lens but I didn't copy the details. The sensor remains at 24.x Mp. The announcement has a bunch of other improvements. So now I am an owner of an old Sony. :?

Take a look at this comparison:

http://www.cameradebate.com/2016/sony-a6300-vs-a6000/

And decide for yourself. I like the added focus points and improved finder, but an increase of 0.01 seconds in focus speed does not impress me. I'll hold off until I can see some results.

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Feb 4, 2016 00:43:57   #
chapjohn Loc: Tigard, Oregon
 
I am not impressed with the A6300 or the A6000. However, the just announced FE 24-70 G lens looks realy nice.

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Feb 4, 2016 05:56:38   #
CO
 
B&H Photo sends me newsletters all the time. They announced the Sony Alpha a6300 and three new G lenses:

FE 24-70mm f/2.8 GM
FE 70-200mm f/2.8 GM OSS
FE 85mm f/1.4 GM

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Feb 4, 2016 05:59:00   #
CO
 
My computer entered the same twice.

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Feb 4, 2016 08:23:33   #
rmalarz Loc: Tempe, Arizona
 
John_F wrote:
Sony has just announced its release of the a6300 and B&H has the body for a mere $998. There is a new zoom lens but I didn't copy the details. The sensor remains at 24.x Mp. The announcement has a bunch of other improvements. So now I am an owner of an old Sony. :?


The question that might be asked is, have my photographic skills exceeded the capabilities of the equipment I'm currently using? That should end your GAS problem.
--Bob

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Feb 4, 2016 08:27:45   #
jerryc41 Loc: Catskill Mts of NY
 
John_F wrote:
So now I am an owner of an old Sony. :?

Old is good. I tell myself that every time I look in the mirror. :D

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Feb 4, 2016 09:18:19   #
bimmer124 Loc: Woodstock, New York
 
jerryc41 wrote:
Old is good. I tell myself that every time I look in the mirror. :D


True, then it becomes easier to agree with yourself.

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Feb 4, 2016 10:27:02   #
cambriaman Loc: Central CA Coast
 
jerryc41 wrote:
Old is good. I tell myself that every time I look in the mirror. :D


I agree. There is always reason to be pleased with yourself. And there is always a new product to give you GAS attacks!

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Feb 4, 2016 11:02:43   #
John_F Loc: Minneapolis, MN
 
Today's dpreview e-newsletter has reviews on the a6300 and the lenses. All are worth a read.

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Feb 4, 2016 11:10:00   #
rook2c4 Loc: Philadelphia, PA USA
 
Mogul wrote:
Take a look at this comparison:

http://www.cameradebate.com/2016/sony-a6300-vs-a6000/

And decide for yourself. I like the added focus points and improved finder, but an increase of 0.01 seconds in focus speed does not impress me. I'll hold off until I can see some results.


Seems to me the most significant difference between the two models concerns the video recording capabilities.

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Feb 4, 2016 11:58:38   #
John_F Loc: Minneapolis, MN
 
Reading deeper in the dpreview article I discovered the sensor is the same size as the a6000, namely 23.5 by 15.6 mm. Something about copper wiring, but I don't have the faintest meaning about what this means beyond that 'what the a6000 uses no copper' which seems a stretch. The a6300 ARW (Sony version of RAW) remains at 14 bit depth pixels. Using 2 bits as inter-pixel separation bits leaves 12 for colors, 4 each for R, G, and B. This means 16 shades of R, G, and B. So this digital data is fed to Photoshop will get interpolated up to 8 bit color RGB channels, or 256 shades of each. Given this sparse bit depth, might it be that a 'camera' pixel is for either R, G or B such that it takes 3 'camera' pixels to capture any intermediate color, such as orange. :?:

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